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Help and tutorial s ADOB E ® I L L USTR A T O R ® J anuary 2 01 4.
Contents What’s New 1 ................................................................................................................................................... What’s new in Illustrator CC version 17.1 2 .................................
Kuler panel | Illustrator CC 182 .................................................................................................................................................. Adjusting colors 184 ..................................................
Unembed images 329 ................................................................................................................................................................ Package files 330 .....................................................
Package files 480 ...................................................................................................................................................................... Specify crop marks for trimming or aligning 482 ..................
What's New 1.
What's new in Illustrator CC version 17.1 January 2014 To the top To the top Live Corners Enhanced Pencil Tool Reshape segment workflows & touch support Working with Typekit fonts Perspective.
To the top To the top Curve fitting . The Pencil and Smooth tools have a Fidelity slider that enable you to select the most suitable curve fitting. The type of curve fitting is set in the Pencil Tool Options dialog box > Fidelity slider. Path closing .
To the top A. Typekit font filter B. Typekit website access button C. Typekit -based fonts For more information on how to access and use Typekit fonts in Illustrator CC, see the article Working with Typekit fonts . For more information, on Typekit and the Creative Cloud, see the Typekit Help Center .
To the top The vanishing point has been pulled in from the right. The Perspective Grid and the artwork are modified simultaneously. The vanishing point has been pulled in from the left. The Perspective Grid and the artwork are modified simultaneously.
To the top To the top To the top Pen - pressure support on Windows 8 devices In previous versions of Illustrator one could use Wacom tablets to draw art (for example, brush strokes), based on input parameters like Pressure, Rotation, Tilt, and more.
To the top 1 . In the SVG Options dialog: a . A new option to enable Responsive Design is available. The Responsive checkbox removes absolute width and height information from the artwork file, so that the image resizes and scales proportionately. b .
The new opacity scrubby slider replaces the drop -down list of values The Opacity drop -down has now been converted to a scrubby slider. The slider is available from two locations: Windows > Transp.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Canceling drag operations quickly Some workflows have been enhanced to enable you to cancel operations or actions while using certain tools.
What's new in Illustrator CS6 To the top To the top HiDPI support Adobe Creative Cloud only Package files Unembed images Links panel improvements Adobe Mercury Performance System Improved user in.
To the top 64 -bit native support Handle larger files Improved memory handling To the top Gather all the files used, including linked graphics and fonts, into a single folder for quick hand -off. Choose File > Package to collect all assets in a single location.
To the top Example of a user interface enhancement: Configurable brightness levels and corresponding canvas colors Simplified Workflows Patterns Pattern creation and editing tasks have been simplified, so you can save hours of repetitive and tedious work.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy then apply a gradient to it. Apply a gradient to a stroke using the Gradient pa.
What's new in Illustrator CC version 17.0 June 2013 To the top To the top Images in brushes Enhancements for touch -based devices Touch Type tool On - art Free Transform tool OS gestures support .
Enhancements for touch-based devices Touch Type tool A. Text, formatted normally (left) B. Text, each character treated individually to accentuate the messaging The Touch Type tool lets you work creatively with text, creating visually pleasing and powerful messages with just text.
To the top To the top To the top To the top OS gestures support In addition to implementing or enhancing the tools that help you use Illustrator more intuitively and naturally, OS -supported actions are now supported on touch -enabled devices. For example, on a multi - touch device, you can pinch in/out to zoom in/out.
To the top To the top To the top To the top To the top Share on Behance Behance is an online platform to showcase your creative work. You can update your work on Behance, and broadcast it widely and efficiently. You can choose to solicit feedback and opinions about your artwork from a select few, or from anyone with a Behance account.
To the top Hindi Kannada Malayalam Marathi Oriya Punjabi Tamil Telugu For more information, see Indic support with new composers . Enhancement: Search colors and swatches Color Picker The Color Picker dialog (double- click the Fill proxy in the toolbar) now has a search widget in the Color Swatches dialog.
To the top Font Search Font Grouping To the top To the top The Find field is not enabled by default, and must be enabled for the first time from the flyout menu. See how to use these features, with a video on searching and using colors quickly from the Color Picker dialog and Swatches panel .
To the top To the top To the top 1 . Double -clicking on a ruler (Ctrl/Cmd + R) creates a guide at that specific location on the ruler. 2 . When you hold Shift and then double - click a specific location on a ruler, the guide created at the point automatically snaps to the closest division (mark) on the ruler.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy To the top To the top To the top You can apply scaling to objects on hidden layers.
Illustrator getting started tutorials Learn Illustrator CC video tutorials Adobe TV (May. 5, 2013) article Learn the basics of Illustrator CC with tutorials by product experts.
Use this fun tutorial to create a 6-egg box in Illustrator, while learning some nifty concepts. Create a Rotatable Globe (HTML) Chris Spooner (Apr. 1, 2008) article Chris Spooner's tutorial on how to create an elegant 3D rotatable globe, in Adobe Illustrator.
Adobe Illustrator CS5/CS5.5 tutorials To the top To the top To the top To the top Essential Illustrator tutorials and learning resources for getting started and new features.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Best practices for using FXG (HTML) Illustrator and Flash Catalyst workflow (HT.
Clipping masks To the top To the top About clipping masks Drawing Enhancements Illustrator CS5 Hide parts of objects with a clipping mask Create a clipping mask for a group or layer Edit a clipping ma.
To the top To the top To the top This object is called the clipping path . Only vector objects can be clipping paths. 2 . Move the clipping path above the objects you want to mask in the stacking order. 3 . Select the clipping path and the objects you want to mask.
Keywords: Illustrator, clip, cropping, how to crop an image, crop a photo Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Note: To the top To the top To select a clipped path by clicking it, you must click the portion of it that appears inside the mask.
Drawing pixel-aligned paths for web workflows To the top Aligning new objects to pixel grid Aligning existing objects to pixel grid Aligning symbols to pixel grid Viewing the pixel grid Saving selecte.
To the top To the top To the top To the top To the top The crisp appearance of pixel- aligned strokes is maintained in the raster output at a resolution of 72 - ppi only. For other resolutions, there is a high possibility of such strokes producing anti - aliased results.
Sharp Crisp Strong Text anti - aliasing options in the Character panel You can set anti - aliasing options for each text frame. These text anti -aliasing attributes get saved as part of the document. These options are also supported for PDF, AIT, and EPS formats.
Editing paths To the top To the top Select paths, segments, and anchor points Adding and deleting anchor points Smooth and simplify paths Convert between smooth points and corner points Erase artwork .
To the top Add or delete anchor points 1 . Select the path you want to modify. 2 . To add an anchor point, select the Pen tool or the Add Anchor Point tool, position the pointer over the path segment, and click.
To the top 2 . Choose Object > Path > Simplify. 3 . Set the Curve Precision to control how closely the simplified path follows the original path. Select Preview to show a preview of the simplified path and list the number of points in the original and simplified paths.
To the top Clicking a smooth point to create a corner point To convert a smooth point to a corner point with independent direction lines, drag either direction point.
To the top 2 . Select the Eraser tool . 3 . (Optional) Double- click the Eraser tool and specify options. 4 . Drag over the area you want to erase. You can control the tool by doing any of the following: To constrain the Eraser tool to a vertical, horizontal, or diagonal line, Shift - drag.
More Help topics Legal Notices | Online Privacy Policy 37.
Painting with fills and strokes To the top Painting methods About fills and strokes Apply a fill color to an object Draw and merge paths with the Blob Brush tool Convert strokes to compound paths Remo.
To the top To the top To the top www.adobe.com/go/vid0038 . About fills and strokes A fill is a color, pattern, or gradient inside an object. You can apply fills to open and closed objects and to faces of Live Paint groups. A stroke can be the visible outline of an object, a path, or the edge of a Live Paint group.
To the top Path created with a Calligraphy brush (left); path created with the Blob Brush tool (right) To see a video on using the Blob Brush tool, see www.adobe.com/go/lrvid4018_ai . To see an example of using the Blob Brush to create a complex drawing, see www.
To the top To the top To the top To the top 2 . Choose Object > Path > Outline Stroke. The resulting compound path is grouped with the filled object. To modify the compound path, first ungroup it from the fill or select it with the Group Selection tool.
width point, duplicate the width point, and delete the width point. For multiple strokes, the width tool adjusts only the active stroke. If you want to adjust a stroke, make sure that you select it as the active stroke in the Appearance panel. For a video on using the Width tool, see www.
Width Point Edit dialog box for discontinuous points The Single Width Only check boxes allow using either incoming or outgoing width leaving a single continuous width point.
Width profiles can be applied to selected paths by choosing them from the Width Profile drop -down list in the Control panel or Stroke panel. When a stroke with no variable width is selected, the list displays the Uniform option. You can also select the Uniform option to remove a variable width profile from an object.
Workspace 45.
Workspace basics To the top Workspace overview Search For Help box About screen modes Using the status bar Enter values in panels and dialog boxes Control panel overview Workspace overview You create and manipulate your documents and files using various elements, such as panels, bars, and windows.
To the top To the top To the top If you are using a Mac and prefer the traditional, free -form user interface, you can turn off the Application frame. In Adobe Illustrator®, for example, select Window > Application Frame to toggle it on or off.
To the top To the top navigation controls for multiple artboards date and time number of undos and redos available document color profile status of a managed file Click the status bar to do any of the following: Change the type of information displayed in the status bar by selecting an option from the Show submenu.
The Control panel offers quick access to options related to the objects you select. By default, the Control panel is docked at the top of the workspace.
Customizing the workspace To the top Manage windows and panels Use panel menus Rename or duplicate a workspace Save and switch workspaces Manage windows and panels You can create a custom workspace by moving and manipulating Document windows and panels.
Navigator panel now in its own dock You can prevent panels from filling all the space in a dock. Drag the bottom edge of the dock up so it no longer meets the edge of the workspace. Move panels As you move panels, you see blue highlighted drop zones , areas where you can move the panel.
To rearrange panels in a group, drag a panel’s tab to a new location in the group. To remove a panel from a group so that it floats freely, drag the panel by its tab outside the group.
To the top To the top To the top In some products, if you select Auto -Collapse Icon Panels from the Interface or User Interface Options preferences, an expanded panel icon collapses automatically when you click away from it. To add a floating panel or panel group to an icon dock, drag it in by its tab or title bar.
2 . Type a name for the workspace. 3 . (Photoshop, InDesign) Under Capture, select one or more options: Panel Locations Saves the current panel locations (InDesign only). Keyboard shortcuts Saves the current set of keyboard shortcuts (Photoshop only).
Tools To the top Tools panel overview Select a tool Change tool pointers Tools panel overview The first time you start the application, the Tools panel appears at the left side of the screen. You can move the Tools panel by dragging its title bar. You can also show or hide the Tools panel by choosing Window > Tools.
To the top To the top Move the Tools panel Drag its title bar. View the Tools panel in double- stack or single - column Click the double -arrow on the title bar to toggle between double -stack and single- column view of the Tools panel. Hide the Tools panel Choose Window > Tools.
Tool galleries To the top To the top Selection tool gallery Drawing tool gallery Type tool gallery Painting tool gallery Reshaping tool gallery Symbolism tool gallery Graph tool gallery Moving and zooming tool gallery Illustrator provides many tools for creating and manipulating your artwork.
The Pen tool (P) draws straight and curved lines to create objects. See Drawing with the Pen tool. The Add Anchor Point tool (+) adds anchor points to paths. See Adding and deleting anchor points. The Delete Anchor Point tool (- ) deletes anchor points from paths.
To the top To the top Type tool gallery Illustrator provides the following type tools: The Type tool (T) creates individual type and type containers and lets you enter and edit type. See Enter text in an area. The Area Type tool changes closed paths to type containers and lets you enter and edit type within them.
To the top paints faces and edges of Live Paint groups with the current paint attributes. See Paint with the Live Paint Bucket tool. L)tool selects faces and edges within Live Paint groups. See Select items in Live Paint groups. the distance between two points.
To the top To the top curved details to the outline of an object. See Distort objects using a liquify tool. random spiked details to the outline of an object. See Distort objects using a liquify tool. like details to the outline of an object. See Distort objects using a liquify tool.
To the top The Line Graph tool creates graphs that use points to represent one or more sets of values, with a different line joining the points in each set. This type of graph is often used to show the trend of one or more subjects over a period of time.
Improved user interface To the top Improved and efficient user interface User interface color and brightness Panels The new user interface framework leverages performance enhancements and advantages like native 64 - bit support to render a cleaner interface, enabling a better user experience.
To the top To the top Dialog boxes . Buttons to commit an action or event are placed uniformly at the lower- right corner. Dialog boxes also have full keyboard access. Workspaces . New workspaces are task - based. A workspace can now 'remember' the state it was last left in, and then be reset to default settings when necessary.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Control panel, displaying options based on objects selected Transform panel . The Scale Strokes & Effects option has been included in the Transform panel and the Transform Effect dialog.
Slicing and cutting tool gallery Illustrator provides the following tools for slicing and cutting objects: The Slice tool divides artwork into separate web images.Create slices The Slice Selection tool (Shift - K) selects web slices. See Select slices The Eraser tool (Shift - E) erases any area of the object over which you drag.
Artboard overview Using Artboards Panel Printing and saving artboards Artboards represent the regions that can contain printable artwork. You resize and set the orientation for your artwork by choosing settings in the Artboard Options dialog box.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy To the top Note: Printing and saving artboards All artboards in a document share the same media type format, such as Print. You can print each artboard individually, tiled, or combined into one page.
Files and templates To the top To the top About new document profiles Create new documents About templates Create a new template Specify document setup options Open a file Browse for files using Adobe Bridge About new document profiles A document is the space in which you create artwork.
To the top Create a new document You can start a new document from the Welcome screen or from the File menu. 1 . Do one of the following: If Illustrator is already open, choose File > New and from New Document Profile select the required document profile.
To the top To the top To the top To the top options. The template can also contain symbols for common design elements (such as logos) and specific sets of color swatches, brushes, and graphic styles.
Manage image, footage, and audio files: Preview, search, sort, and process files in Bridge without opening individual applications. You can also edit metadata for files, and use Bridge to place files into your documents, projects, or compositions.
Recovery, undo, and automation To the top To the top To the top Undo and redo changes Revert to the last saved version Automating tasks Undo and redo changes The Undo and Redo commands let you undo or redo operations, allowing you to correct mistakes as you work.
Rulers, grids, guides, and crop marks To the top To the top Use rulers Change the unit of measurement Use the grid Use guides Smart Guides Measure the distance between objects Info panel overview Use rulers Rulers help you accurately place and measure objects in the illustration window or in an artboard.
To the top To the top grid and guides spacing, and creating shapes. To set the general unit of measurement for the current document only, choose File > Document Setup , choose the unit of measure you want to use from the Units menu, and click OK.
To the top To the top To the top Smart Guides Smart Guides are temporary snap - to guides that appear when you create or manipulate objects or artboards. They help you align, edit, and transform objects or artboards relative to other objects, artboards, or both by snap - aligning and displaying X, Y location and delta values.
You use the Info panel (Window > Info) to get information on the area beneath the pointer and on selected objects. When an object is selected and a selection tool is active, the Info panel displays the object’s x and y coordinates, width ( W ), and height ( H ).
Setting preferences To the top To the top About preferences Setting Illustrator preferences About plug - in modules About preferences Preferences are options regarding how you want Illustrator to work, including those for display, tools, ruler units, and exporting information.
To the top If you cannot locate the preferences file, use your operating system’s Find command, and search for AIPrefs (Windows) or Adobe Illustrator Prefs (Mac OS). About plug-in modules Plug -in modules are software programs that add features to Adobe Illustrator.
Using multiple artboards To the top To the top Artboard options Artboards panel Create an artboard Delete an artboard Select and view artboards Edit artboards Move an artboard Reorder artboards Rearra.
To the top To the top Artboards panel A. Up Arrow B. Down Arrow C. Add new artboards D. Delete artboards To access the Artboards panel, click Window > Artboards. To add artboards, do any one of the following: Click the New Artboard icon at the bottom of the Artboards panel.
To the top To the top To the top To the top To the top Click the artboard and press Delete, click Delete in the Control panel, or click the Delete icon in an artboard’s upper - right corner. You can delete all but the last remaining artboard. Select and view artboards 1 .
To the top To the top To the top Note: If you select the Change to Right - to -Left Layout option, the Grid by Row and Grid Column options change to Right- to - Left Grid by Row and Right - to -Left Grid by Column. 3 . Specify the spacing between the artboards.
1 . Double -click the Artboard tool in the Tools panel, or, with the Artboard tool active, click the Artboard Options icon in the Control panel. 2 . In the Display section, select the options you’d like displayed in your artboards. Note: You can also set or remove the center point by clicking the Show Center Mark icon in the Control panel.
Viewing artwork To the top To the top To the top Specify Document Setup options About print tiling Zoom in or out Change the view area Navigator panel overview View artwork as outlines Use multiple wi.
To the top To the top To the top or reduces the view to the previous preset percentage. Select the Zoom tool and drag a dotted rectangle, called a marquee , around the area you want to magnify. To move the marquee around the artwork, hold down the spacebar, and continue dragging to move the marquee to a new location.
To the top To the top To view all items in unselected layers as outlines, Alt+Ctrl - click (Windows) or Option+Command -click (Mac OS) the eye icon for the selected layer.
Working with ConnectNow To the top Working with ConnectNow Working with ConnectNow Adobe® ConnectNow provides you with a secure, personal online meeting room where you can meet and collaborate with others via the web in real time.
Drawing Creating arrows and arrowheads in Illustrator Michael Jarrott (Oct. 31, 2012) tutorial Five methods to create a variety of arrows 89.
Drawing basics To the top To the top About vector graphics About paths About direction lines and direction points Specify direction line and direction point appearance Specify anchor point size prefer.
To the top A. Four corner points B. Four smooth points C. Combination of corner and smooth points A corner point can connect any two straight or curved segments, while a smooth point always connects two curved segments. A corner point can connect both straight segments and curved segments.
To the top To the top To the top Moving and resizing direction lines changes the slope of curves. Note: In Illustrator, you can show or hide anchor points, direction lines, and direction points by choosing View > Show Edges or View > Hide Edges.
Draw Normal ( ) Draw Behind ( ) Draw Inside ( ) A dotted open rectangle like the one shown in the illustration C, is displayed when an object with Draw Inside mode is active. The Draw Normal mode is the default drawing mode. You can select drawing modes from the Tools panel, below the Color Selector tool.
Drawing simple lines and shapes To the top To the top To the top To the top Draw straight lines with the Line Segment tool Draw rectangles and squares Specify the corner radius of a rounded rectangle .
To the top To the top To the top To the top 1 . Select the Ellipse tool . Click and hold the rectangle tool to see and choose the ellipse tool. For more information on selecting tools see Select a tool. 2 . Do one of the following: Drag diagonally until the ellipse is the desired size.
To the top 1 . Select the Spiral tool . 2 . Do one of the following: Drag until the spiral is the desired size. Drag the pointer in an arc to rotate the spiral. Click where you want the spiral to begin. In the dialog box, set any of the following options, and click OK.
Drawing pixel-aligned paths for web workflows To the top Aligning new objects to pixel grid Aligning existing objects to pixel grid Aligning symbols to pixel grid Viewing the pixel grid Saving selecte.
To the top To the top To the top To the top To the top The crisp appearance of pixel- aligned strokes is maintained in the raster output at a resolution of 72 - ppi only. For other resolutions, there is a high possibility of such strokes producing anti - aliased results.
Sharp Crisp Strong Text anti - aliasing options in the Character panel You can set anti - aliasing options for each text frame. These text anti -aliasing attributes get saved as part of the document. These options are also supported for PDF, AIT, and EPS formats.
Drawing with the Pen, Pencil, or Flare tool To the top Drawing with the Pen tool Drawing with the Pencil tool Drawing flares Drawing with the Pen tool Draw straight line segments with the Pen tool The simplest path you can draw with the Pen tool is a straight line, made by clicking the Pen tool to create two anchor points.
sides of the direction line later.) Hold down the Shift key to constrain the tool to multiples of 45°. Drawing the first point in a curve A. Positioning Pen tool B.
Reposition anchor points as you draw After you click to create an anchor point, keep the mouse button pressed down, hold down the spacebar, and drag to reposition the anchor point. Finish drawing a path Complete a path in one of the following ways: To close a path, position the Pen tool over the first (hollow) anchor point.
To the top 3 . Position the Pen tool over the selected endpoint. A convert-point icon appears next to the Pen tool when it is positioned correctly. Click the anchor point to convert the smooth point to a corner point. 4 . Reposition the Pen tool where you want the straight segment to end, and click to complete the straight segment.
2 . Position the tool where you want the path to begin, and start dragging to draw a path. 3 . After you’ve begun dragging, hold down Alt (Windows) or Option (Mac OS). The Pencil tool displays a small circle (and, in InDesign, a solid eraser) to indicate that you’re creating a closed path.
To the top Within: _ pixels Determines how close your mouse or stylus must be to an existing path in order to edit the path with the Pencil tool. This option is only available when the Edit Selected Paths option is selected. Drawing flares The Flare tool creates flare objects with a bright center, a halo, and rays and rings.
Ctrl (Windows) or Command (Mac OS) to hold the center of the flare constant. 3 . Release the mouse when the center, halo, and rays are as desired. 4 . Press and drag again to add rings to the flare and place the end handle. Before releasing the mouse, Press Up Arrow or Down Arrow to add or subtract rings.
Editing paths To the top To the top Select paths, segments, and anchor points Adding and deleting anchor points Smooth and simplify paths Convert between smooth points and corner points Erase artwork .
To the top Add or delete anchor points 1 . Select the path you want to modify. 2 . To add an anchor point, select the Pen tool or the Add Anchor Point tool, position the pointer over the path segment, and click.
To the top 2 . Choose Object > Path > Simplify. 3 . Set the Curve Precision to control how closely the simplified path follows the original path. Select Preview to show a preview of the simplified path and list the number of points in the original and simplified paths.
To the top Clicking a smooth point to create a corner point To convert a smooth point to a corner point with independent direction lines, drag either direction point.
To the top 2 . Select the Eraser tool . 3 . (Optional) Double- click the Eraser tool and specify options. 4 . Drag over the area you want to erase. You can control the tool by doing any of the following: To constrain the Eraser tool to a vertical, horizontal, or diagonal line, Shift - drag.
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Adjust path segments To the top To the top To the top Move straight segments Adjust the length or angle of straight segments Adjust the position or shape of curved segments Delete a segment Extend an .
Note: To the top To the top Note: To the top To adjust the position of the segment, drag the segment. Shift - drag to constrain the adjustment to multiples of 45°. Click to select the curve segment. Then drag to adjust. To adjust the shape of the segment on either side of a selected anchor point, drag the anchor point or the direction point.
To the top Note: To the top Note: 1 . Using the Pen tool, position the pointer over the endpoint of the open path that you want to connect to another path. The pointer changes when it’s precisely positioned over the endpoint. 2 . Click the endpoint.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy To the top Note: Note: To the top Move or nudge anchor points or segments using the keyboard 1 . Select the anchor point or path segment.
Automatic corner generation | Illustrator CC To the top Auto- Centered Auto- Between Auto- Sliced Auto- overlap To the top Overview Generate corners automatically Overview In a pattern brush, different tiles make up the overall pattern. A different tile is required for the sides, inner corner, outer corner, beginning, and end of the pattern.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy A. The area marked by the red outline displays the corners that have been generated automatically.
Using Image Trace To the top Using Image Trace Tracing options Release a tracing object If you want to base a new drawing on an existing piece of artwork, you can trace it. For example, you can create a graphic based on a pencil sketch drawn on paper.
To the top Preset Note: View Mode Palette Color settings Colors Grays Threshold Paths Corners Noise Method Fills Strokes Stroke Snap Curves To Lines Ignore White 4 . To manually edit the vector arwork, choose Object > Image Trace > Expand and convert the tracing object to paths .
Keywords: image trace, tracing, Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy To the top Release a tracing object If you want to discard a tracing but keep the original placed image, you can release the tracing object.
About Perspective Grid To view the default two-point perspective grid in a document, you can do any of the following: Click View > Perspective Grid > Show Grid. Press Ctrl+Shift+I (on Windows) or Cmd+Shift+I (on Mac) to show the Perspective Grid.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Show Active Plane Widget Widget Position Plane Switching Widget A. Left Grid Plane B. No Active Grid Plane C. Right Grid Plane D. Horizontal Grid Plane For a video on defining the perspective grid, see www.
Using Live Trace | CS5 and earlier To the top Trace artwork Tracing options Change the display of a tracing object Adjust the results of a tracing object Specify the colors used for tracing Use a trac.
To the top Preset Mode Threshold Palette Max Colors Output To Swatches Blur Resample Fills Strokes Max Stroke Weight Min Stroke Length Path Fitting Minimum Area Corner Angle Raster Vector Tracing options Specifies a tracing preset. Specifies a color mode for the tracing result.
To the top To the top To the top For a video on using Live Trace, see www.adobe.com/go/vid0043 . For a tutorial on tweaking Live Trace options for the best possible results, see www.
To the top Note: To the top See also Create a swatch library Use a tracing preset Tracing presets provide pre - specified tracing options for specific types of artwork. For example, if you’re tracing an image that you plan to use as a technical drawing, choose the Technical Drawing preset.
To the top To the top To convert the tracing to paths, click Expand in the Control panel or choose Object > Live Trace > Expand. Use this method if you want to work with the components of the traced artwork as individual objects. The resulting paths are grouped together.
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Perspective drawing To the top To the top Introducing perspective drawing Perspective grid presets Drawing new objects in perspective Attach objects to perspective Release objects with perspective Bri.
Perspective Grid Presets A. 1- point perspective B. 2- point perspective (default) C. 3- point perspective To select one of the default perspective grid preset, click View> Perspective Grid and then select from the required preset. Define grid presets To define grid settings, click View > Perspective Grid > Define Grid.
Perspective Grid Presets dialog box The Perspective Grid Preset Options dialog box opens in edit mode. Enter the new grid setting and click OK to save the new grid settings. You cannot delete the default presets. To delete a user -defined preset, click Delete in the Perspective Grid Presets dialog box.
Moving the perspective grid across artboards using the left ground level widget (shown as A) Adjust vanishing points, grid planes, horizon height, grid cell size, and grid extent You can manually adjust vanishing points, grid plane controls, horizon height, and cell size using the respective widgets.
Both vanishing points move when station point is locked. You can also adjust the left, right, and horizontal grid planes using the respective grid plane control widgets. The pointer changes to a two - way arrow ( , ) when you move the pointer over the grid plane controls.
Changing the ruler origin and viewing the station point A. Station Point B. Changed Ruler Origin Adjust horizon height to fine - tune the observer's eye -level. When you move the pointer over the horizon line, the pointer changes to a vertical two - way arrow .
To the top Moving the right grid extent away from the right vanishing point in a two- point perspective grid You can also adjust the grid extent to increase or decrease the vertical grid extent. Adjusting the grid extent to decrease the vertical grid extent To increase or decrease the grid cell size, use the grid cell size widget.
To the top To the top To the top To the top To the top world dimensions of the objects. Note: While drawing in perspective, you can use the regular shortcuts available for drawing objects such as Shift / Alt+drag (Windows) or Option+drag (Mac OS). While drawing in perspective, objects can be snapped to grid lines of the active plane.
Moving a rectangle in perpendicular to its initial position Note: The arrow keys do not work when you move objects in perpendicular. Use the keyboard shortcut, Alt+drag (Windows) or Option+drag (Mac OS) to copy the object. To constrain the movement in perspective, press Shift+drag.
Copy All Objects If you select this option, then all the objects on the plane are copied on the plane. To move a selected object in precise perpendicular movement, select the object and then double -click the required plane widget.
Two faces of a cube Horizontal grid plane is adjusted to the height of left face of the cube when horizontal grid plane is selected and you place the pointer on the anchor point using Perspective Selection tool and press Shift. The other grid planes are hidden temporarily.
To the top After creating the top face of the cube using the rectangle tool, the grid resumes its original state Before drawing or placing objects, the object height can be inferred from: Other objects by going to one of the anchor points (getting the anchor label) and pressing Shift, which temporarily hides other planes.
To the top Control Panel with Edit Text options A. Edit Text B. Edit Perspective C. Isolate Selected Object The Edit Symbol option is also available in the Control panel and under the Object > Perspective menu. In addition, you can edit a symbol in isolation mode or by double -clicking the object.
Symbolism tools and symbol sets To the top To the top About symbol sets Create symbol sets Modify symbol instances in a symbol set Symbolism tool options About symbol sets A symbol set is a group of symbol instances that you create with the Symbol Sprayer tool.
To the top Modify symbol instances in a symbol set You use the symbolism tools to modify multiple symbol instances in a set. For example, you can disperse instances over a larger area using the Symbol Scruncher tool or gradually tinting the color of instances to make them look more realistic.
To the top 1 . Select the Symbol Screener tool . 2 . Do one of the following: Click or drag where you want to increase the symbol’s transparency. Hold down Alt (Windows) or Option (Mac OS), and click or drag where you want to decrease the symbol’s transparency.
the area under the cursor. Select Average to gradually smooth out the symbol values. Show Brush Size And Intensity Displays the size as you use the tool.
Symbols To the top To the top About symbols Symbols panel overview Symbol registration point Place or create a symbol Add sublayers for symbols Use 9 -slice scaling Work with symbol instances Edit or redefine a symbol Symbol libraries About symbols A symbol is an art object that you can reuse in a document.
To the top To the top 3 . Select Sort By Name from the panel menu to list the symbols in alphabetical order. Duplicate a symbol in the panel Duplicating or copying a symbol in the Symbols panel is an easy way to create a new symbol using an existing symbol instance.
To the top To the top position of the symbol within the screen coordinates. Select Enable Guides For 9 - Slice Scaling if you want to utilize 9 - Slice scaling in Flash. 5 . Select the Align to Pixel Grid option to apply the pixel- align property to the symbol.
To the top symbol scales according to the slice in which it falls. 4 . Exit isolation mode by clicking the Exit Isolation Mode button at the upper-left corner of the artboard or in the Control panel . Work with symbol instances You can move, scale, rotate, shear (or skew), or reflect symbol instances in the same way you can other objects.
To the top To the top Reset transformations To reset any transformations to symbols, select the symbol and click the Reset button in the Control panel.
Once you open it using this process, it will appear in the Symbol Libraries submenu with the other libraries. Import a symbol library from another document 1 . Choose Window > Symbol Libraries > Other Library or choose Open Symbol Library > Other Library from the Symbols panel menu.
Color 153.
About color To the top To the top About colors in digital graphics RGB, CMYK, HSB, and Lab color models Grayscale Color spaces and gamuts About spot and process colors About spot colors About process .
Additive colors (RGB) R. Red G. Green B. Blue You can work with color values using the RGB color mode, which is based on the RGB color model. In RGB mode, each of the RGB components can use a value ranging from 0 (black) to 255 (white). For example, a bright red color might have an R value of 246, a G value of 20, and a B value of 50.
To the top To the top HSB color model H. Hue S. Saturation B. Brightness Lab The CIE Lab color model is based on the human perception of color. It is one of several color models produced by the Commission Internationale d’Eclairage (CIE), an organization dedicated to creating standards for all aspects of light.
To the top To the top To the top To the top About spot and process colors You can designate colors as either spot or process color types, which correspond to the two main ink types used in commercial printing. In the Swatches panel, you can identify the color type of a color using icons that appear next to the name of the color.
To the top printing plate to apply a varnish over areas of a process color job. In both cases, your print job would use a total of five inks—four process inks and one spot ink or varnish. In InDesign, you can mix process and spot colors together to create mixed ink colors.
Selecting colors To the top To the top About selecting colors Color Picker overview Select colors using the Color Picker Color panel overview Select colors using the Color panel About selecting colors You can select colors for your artwork from a variety of tools, panels, and dialog boxes in Illustrator.
To the top To the top To the top Color Picker A. Color field B. HSB color values C. New color rectangle D. Original color rectangle E. Color slider F. Color spectrum G. RGB color values H. Hexadecimal color value I. CMYK color values Display the Color Picker Double - click the fill or stroke color selection box in the Tools panel or Color panel.
2 . Do one of the following: Drag or click in a slider. Shift -drag a color slider to move the other sliders in relation to it (except for HSB sliders). This keeps a similar color but with a different tint or intensity. Enter values in any of the text boxes.
Using and creating swatches To the top To the top About swatches Swatches panel overview Use swatch libraries Add colors from artwork to Swatches panel Share swatches between applications Import swatches from another document Create color swatches Manage swatches About swatches Swatches are named colors, tints, gradients, and patterns.
To the top Swatches panel in Small List view A. Spot color B. Global color C. Fill or stroke of None D. Registration swatch (prints on all plates) E. CMYK symbol (when document is open in CMYK mode) F. RGB symbol (when document is open in RGB mode) G.
To the top Swatch libraries are collections of preset colors, including ink libraries such as PANTONE, HKS, Trumatch, FOCOLTONE, DIC, TOYO, and thematic libraries such as camouflage, nature, Greek, and jewel tones. When you open a swatch library, it appears in a new panel (not the Swatches panel).
To the top To the top To the top Colors are arranged and saved using the Hue Forward rule. Share swatches between applications You can share the solid swatches you create in Photoshop, Illustrator, and InDesign by saving a swatch library for exchange.
To the top 2 . Do one of the following: Ctrl - drag (Windows) or Command - drag (Mac OS) the color from the Tools panel or Color panel to the Swatches panel. In the Swatches panel, Ctrl - click (Windows) or Command - click (Mac OS) the New Swatch button, or select New Swatch from the panel menu.
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Color groups (harmonies) To the top To the top About color groups Color Guide panel overview Edit Colors/Recolor Artwork dialog box overview Create color groups Edit colors in the Edit Colors dialog b.
To the top A. Harmony Rules menu and active color group B. Set as base color C. Active colors D. Color variations E. Limits colors to specified swatch library F. Edit Colors or Edit Or Apply Colors depending on selection (opens the colors in the Edit Colors/Recolor Artwork dialog box) G.
Create or edit color groups, and assign colors using the Edit Colors/Recolor Artwork dialog box. A. Create and edit a color group in the Edit tab B. Assign colors in the Assign tab C.
To the top Create color groups You can create color groups using the Color Guide panel or the Edit Colors/Recolor Artwork dialog box. You can also create and share color groups on the Adobe Kuler website (www.Kuler.adobe.com). For a video on using the Color Guide to find and create color solutions, see www.
To the top Note: if the New Color Group icon is not visible, click the Show Color Group Storage icon . 7 . To save the new color group to the Swatches panel, click OK and close the Edit Colors/Recolor Artwork dialog box. Note: You can also create a color group by using the Color Guide.
A. Base color as it appears in Harmony Rules menu B. Base color as it appears in color wheel C. Color display options D. Color of selected color marker or color bar E.
b . To add a color, right - click in the color wheel where you want to add the color and choose Add New Color . c . To remove a color, right -click on the color marker (or the line of the marker) in the color wheel and choose Remove Color. d . To change a color using the Color Picker, right - click the color and choose Color Picker.
colors E. Colors linked, click to unlink F. Colors unlinked, click to relink 1 . In the Edit Colors/Recolor Artwork dialog box, select the color group you want to edit and click Edit.
To the top Delete a color group Select a color group in the Color Groups list and click Delete . Or right -click and choose Remove Color Group. Assign colors to your artwork The Assign tab of the Edit Colors/Recolor Artwork dialog box lets you assign colors from a color group to your artwork.
A. Active color group B. Get Colors From Selected Art C. Colors from selected artwork D. New colors from active color group E. Options for working with entire rows F. Recolor Artwork For a video on assigning colors, see www.adobe.com/go/vid0061 . Assign new colors to selected artwork 1 .
To the top 6 . To separate or merge colors in the Current Colors row, do either of the following: To separate colors into separate rows, select the color block you want to move and right - click and choose Separate Colors Into Different Rows, or click the icon .
2 . Choose Edit > Edit Colors > Recolor With Preset, and choose a preset option. 3 . Do one of the following: If you want to limit colors to a swatch library, click the library button , select the library you want, and then click OK. If you don’t want to limit colors to a swatch library, click OK.
Create color themes with Kuler To the top To the top About Kuler View and use themes About Kuler The Kuler™ panel is your portal to groups of colors, or themes, created by an online community of designers. You can use it to browse thousands of themes on Kuler, and then download some to edit or to include in your own projects.
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Kuler panel | Illustrator CC To the top Note: To the top Note: Adobe® Kuler® is a web- based application used to experiment with, create, and share color themes that you use in a project. Illustrator CC has a Kuler panel that enables you to view and use the color themes that you have created or marked as favorite in the Kuler application.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Note: The Kuler panel lists the themes that you have created, modified, or marked as favorite (listed under Kuler website > Mykuler) 3 .
Adjusting colors To the top To the top To the top To the top Shift an out - of - gamut color to a printable color Shift a color to a web - safe color Blend colors Change a color to its inverse or comp.
To the top To the top To the top To the top To the top Change the tint of a color 1 . Select a global process color or spot color in the Swatches panel, or select an object to which you’ve applied a global process color or spot color. 2 . In the Color panel, drag the T slider or enter a value in the text box to modify the color’s intensity.
To the top To the top To the top Select Use CMYK Values From The Manufacturer’s Process Book if you want spot colors to match earlier versions of Illustrator. Convert color to grayscale and vice versa Convert colors to grayscale 1 . Select the objects whose colors you want to convert.
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Painting 188.
About painting To help you add visual interest to your artwork, Adobe Illustrator provides calligraphic, scatter, art, pattern, and bristle brushes. In addition, you can use the Live Paint feature and Shape Builder tools, to paint different path segments and fill enclosed paths with different colors, patterns, or gradients.
Painting with fills and strokes To the top Painting methods About fills and strokes Apply a fill color to an object Draw and merge paths with the Blob Brush tool Convert strokes to compound paths Remo.
To the top To the top To the top www.adobe.com/go/vid0038 . About fills and strokes A fill is a color, pattern, or gradient inside an object. You can apply fills to open and closed objects and to faces of Live Paint groups. A stroke can be the visible outline of an object, a path, or the edge of a Live Paint group.
To the top Path created with a Calligraphy brush (left); path created with the Blob Brush tool (right) To see a video on using the Blob Brush tool, see www.adobe.com/go/lrvid4018_ai . To see an example of using the Blob Brush to create a complex drawing, see www.
To the top To the top To the top To the top 2 . Choose Object > Path > Outline Stroke. The resulting compound path is grouped with the filled object. To modify the compound path, first ungroup it from the fill or select it with the Group Selection tool.
width point, duplicate the width point, and delete the width point. For multiple strokes, the width tool adjusts only the active stroke. If you want to adjust a stroke, make sure that you select it as the active stroke in the Appearance panel. For a video on using the Width tool, see www.
Width Point Edit dialog box for discontinuous points The Single Width Only check boxes allow using either incoming or outgoing width leaving a single continuous width point.
Width profiles can be applied to selected paths by choosing them from the Width Profile drop -down list in the Control panel or Stroke panel. When a stroke with no variable width is selected, the list displays the Uniform option. You can also select the Uniform option to remove a variable width profile from an object.
Live Paint groups To the top To the top About Live Paint Live Paint limitations Create Live Paint groups Expand or release a Live Paint group Select items in Live Paint groups Modify Live Paint groups.
To the top Features and commands that work on an entire Live Paint group, but not on individual faces and edges Transparency Effects Multiple fills and strokes from the Appearance panel Object > En.
To the top To the top Note: Certain properties may be lost in the conversion to a Live Paint group, such as transparency and effects, while other objects cannot be converted (such as type, bitmap images, and brushes).
To the top Stroke Color, or Stroke Weight on the submenu. To add items to, or remove items from, the current selection, Shift - click or Shift -drag a marquee around the items.
To the top To the top Select a Live Paint group and the paths you want to add to it. Then choose Object > Live Paint > Merge, or click Merge Live Paint in the Control panel.
You can avoid gaps in your Live Paint artwork by overdrawing paths (that is, extending them past each other). You can then select and delete the excess edges that result, or apply a stroke of “None” to them. Highlight gaps in a Live Paint group Choose View > Show Live Paint Gaps.
Brushes To the top About brushes Brushes panel overview Work with brush libraries Apply brush strokes Draw paths and apply brush strokes simultaneously Paintbrush tool options Remove brush strokes Convert brush strokes to outlines Create or modify brushes Brush options About brushes Brushes let you stylize the appearance of paths.
To the top To the top To the top To the top Brushes panel overview The Brushes panel (Window > Brushes) displays brushes for the current file. Whenever you select a brush in a brush library, it is automatically added to the Brushes panel.
To the top To the top To the top To the top Draw paths and apply brush strokes simultaneously 1 . Select a brush in a brush library or the Brushes panel. 2 . Select the Paintbrush tool . 3 . Position the pointer where you want the brush stroke to begin, and drag to draw a path.
To the top 1 . For scatter and art brushes, select the artwork you want to use. For pattern brushes, you can select the artwork for the side tile, but it isn’t necessary. For detailed guidelines to create pattern brushes, see Guidelines for constructing pattern tiles.
using Tints and Shades with a spot color. Choose Tints and Shades for brushes that are in grayscale. Hue Shift Uses the key color in the brush artwork, as shown in the Key Color box. (By default, the key color is the most prominent color in the art.) Everything in the brush artwork that is the key color becomes the stroke color.
Stretch Between Guides option in the Art brush’s Brush Options dialog box The art enclosed between the guides is the only portion of the brush that stretches or contracts to make the art brush fit the path length. Comparing between segmented art brush and non -segmented art brush A.
Tiles in a pattern brush A. Side tile B. Outer Corner tile C. Inner Corner tile D. Start tile E. End tile Flip Along or Flip Across Changes the orientation of the pattern in relation to the line. Fit Determines how the pattern fits on the path: Stretch To Fit lengthens or shortens the pattern tile to fit the object.
Select brushes from a predefined library or create your own brushes from the provided tip shapes such as round, flat, or fan. You can also set other brush characteristics such as bristle length, stiffness, and paint opacity.
Bristle Brush Options dialog box 3 . In the Bristle Brush Options dialog box, specify: Name of the bristle brush. Maximum length of the brush name can be 31 characters. Shape Select from ten different brush models, which provide a different drawing experience and appearance of bristle brush paths.
With the brush tool selected, and a Bristle brush definition chosen in the Brushes panel, you can create artwork using the Bristle brush. If you try to print, save, or flatten transparency in a document with more than 30 bristle brush strokes, a warning message is displayed.
Transparency and blending modes To the top To the top To the top To the top About transparency Transparency panel overview View transparency in artwork Change the opacity of artwork Create a transpare.
To the top To the top To select all objects that use a specific opacity, select an object with that opacity, or deselect everything and enter the opacity value in the Transparency panel.
A. Underlying objects B. Opacity mask artwork C. Masking object filled with black - to- white gradient D. C moved over the area of B and masking B When you create the opacity mask, a thumbnail of the masking object appears in the Transparency panel to the right of the thumbnail of the masked artwork.
To the top panel. Alternatively, select Enable Opacity Mask from the Transparency panel menu. Remove an opacity mask Target the masked artwork in the Layers panel, and then select Release Opacity Mask from the Transparency panel menu. The masking object reappears on top of the objects that were masked.
To the top About blending modes Blending modes let you vary the ways that the colors of objects blend with the colors of underlying objects. When you apply a blending mode to an object, the effect of the blending mode is seen on any objects that lie beneath the object’s layer or group.
To the top inverse effect from that of the Color mode. Note: The Difference, Exclusion, Hue, Saturation, Color, and Luminosity modes do not blend spot colors—and with most blending modes, a black designated as 100% K knocks out the color on the underlying layer.
Gradients Use gradient fills to apply a graduated blend of colors as you would apply any other color. Creating a gradient fill is a good way to create a smooth color gradation across one or more objects. You can save a gradient as a swatch to make it easy to apply the gradient to multiple objects.
Images in brushes | Illustrator CC Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Note: In Illustrator CC, Brush definitions can now contain or hold images (non -vector artwork).
Stroke an object To the top Apply a stroke color, width, or alignment Create dotted or dashed lines Change the caps or joins of a line Add arrowheads Customize arrowheads You use the Stroke panel (Win.
To the top To the top Note: If you try to align paths that use different stroke alignments, the paths may not exactly align. Make sure the path alignment settings are the same if you need the edges to match up exactly when aligned. Create dotted or dashed lines You can create a dotted or dashed line by editing an object’s stroke attributes.
To the top To the top point reaches ten times the stroke weight, the program switches from a miter join to a bevel join. A miter limit of 1 results in a bevel join. Round Join Creates stroked lines with rounded corners. Bevel Join Creates stroked lines with squared corners.
Create and edit patterns To the top Tile Type This article describes the pattern creation and editing workflows available in Adobe Illustrator CS6 and later. For information on working with patterns in an earlier version of Illustrator, see Patterns. Create or edit a pattern 1 .
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Brick Offset Width / Height Size Tile to Art Move Tile with Art H Spacing / V Spacing Overlap Copies Dim Copies to Show Tile Edge Show Swatch Bounds Note: Hex by row .
Apply or edit a gradient To the top To the top To the top Apply a gradient to an object Create an elliptical gradient Modify the colors in a gradient Apply a gradient across multiple objects Change gradient direction, radius, or origin After you apply a gradient to an object, you can quickly and easily replace or edit the gradient.
Note: To the top To the top panel, and then open the Gradient panel. 2 . To change the color of a stop, do any of the following: Double - click a gradient stop (in either the Gradient panel or the selected object), and specify a new color in the panel that appears.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Once you have filled an object with a gradient, you can use the Gradient tool and the gradient annotator (slider) inside the object to modify the gradient by drawing a new fill path.
Gradient panel and Gradient tool overview You can use the Gradient panel (Window > Gradient) or the Gradient tool to apply, create, and modify gradients.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Double - clicking a gradient stop on the gradient annotator in the object opens a color options dialog box for the gradient.
Meshes To the top Create mesh objects Edit mesh objects Set transparency for gradient meshes A mesh object is a multicolored object on which colors can flow in different directions and transition smoothly from one point to another.
To the top To the top To Center Creates a highlight in the center of the object. To Edge Creates a highlight on the edges of the object. 3 . Enter a percentage of white highlight to apply to the mesh object. A value of 100% applies maximum white highlight to the object; a value of 0% applies no white highlight to the object.
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Patterns To the top To the top About patterns Guidelines for constructing pattern tiles Create pattern swatches Create seamless geometric patterns Construct irregularly textured patterns Create corner.
To the top To the top To the top When possible, confine artwork to an unpainted bounding box so that you can control how the pattern tiles. Corner tiles must be square and have the same height as side tiles to align properly on the path.
To the top Construct irregularly textured patterns 1 . Choose View > Snap To Point. 2 . Draw a bounding box. If you are creating a brush pattern, skip to step 13. 3 . Draw the texture with the objects or lines that intersect only the left side of the bounding rectangle.
1 . Choose File > Open, locate a brush pattern file (supplied with Adobe Illustrator) that you want to use, and click Open. 2 . Choose Window > Brushes.
To the top 12 . Double - click the new pattern swatch to bring up the Swatch Options dialog box, name the tile as a variation of the original (for example, use the suffix “outer”), and click OK. Modify patterns 1 . Make sure that nothing is selected in your artwork.
Selecting and arranging objects 239.
Selecting objects To the top Selection options and preferences Isolate artwork for editing Select behind objects Select the next object in the stacking order Select objects using the Layers panel Sele.
To the top Tolerance Specifies the pixel range for selecting anchor points. Higher values increase the width of the area around an anchor point that you can click to select it. Object Selection By Path Only Specifies whether you can select a filled object by clicking anywhere in the object or whether you have to click a path.
To the top To the top To the top To the top Right- click (Windows) or Control -click (Mac OS) the path and choose Isolate Selected Path. Select the group, object, or path in the Layers panel and choose Enter Isolation Mode from the Layers panel menu or click the Isolate Selected Object button in the Control panel.
2 . Do either of the following: Click an object. Drag a marquee around part or all of one or more objects. 3 . To add or remove objects from the selection, hold down Shift and click or drag around the objects you want to add or remove.
To the top To the top To select objects according to their blending mode, select Blending Mode. Select filled objects The Object Selection By Path Only preference determines whether you can select a f.
To the top Click to select an object within the selected group. Draw to add an object to the selected group. 4 . Double -click outside the group to deselect the group. Select a single object within a group 1 . Do one of the following: Select the Group Selection tool , and click the object.
To the top To the top strokes. 4 . To add or remove faces and edges from the selection, hold down Shift and click the faces/edges you want to add or remove. To switch to the Eyedropper tool and sample fills and strokes, Alt - click (Windows) or Option - click (Mac OS) the fill and stroke you want.
Grouping and expanding objects To the top To the top Group or ungroup objects Expand objects Group or ungroup objects You can combine several objects into a group so that the objects are treated as a single unit. You can then move or transform a number of objects without affecting their attributes or relative positions.
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Moving, aligning, and distributing objects To the top Move objects Paste an object relative to other objects Pasting objects between layers Paste in place and paste on all artboards Align and distribu.
To the top 2 . Press the arrow key for the direction in which you want to move the object. Press Shift+arrow to move the object ten times the value specified by the Keyboard Increment preference. The distance the object moves each time you press an arrow key is determined by the Keyboard Increment preference.
To the top To the top To the top If you paste more than one object, all pasted objects appear in front or in back of the selected artwork. However, the relative painting order among the individual pasted objects remains the same.
Align or distribute relative to an artboard 1 . Select the objects to align or distribute. 2 . Using the Selection tool, Shift - click in the artboard you want to use to activate it.
Rotating and reflecting objects To the top Rotate objects Rotate the x and y axes of a document Reflect or flip objects Rotate objects Rotating an object turns it around a fixed point that you designate. The default reference point is the object’s center point.
To the top To the top To rotate around the center point, choose Object > Transform > Rotate, or double -click the Rotate tool. 3 . Enter the rotation angle in the Angle text box. Enter a negative angle to rotate the object clockwise; enter a positive angle to rotate the object counterclockwise.
Reflecting an object flips the object across an invisible axis that you specify. You can reflect objects using the Free Transform tool, the Reflect tool, or the Reflect command. If you want to specify an axis from which to reflect, use the Reflect tool.
5 . Do one of the following: To reflect the object, click OK. To reflect a copy of the object, click Copy. Legal Notices | Online Privacy Policy 256.
Layers To the top To the top About layers Layers panel overview Create a layer Move an object to a different layer Release items to separate layers Consolidate layers and groups Locate an item in the Layers panel About layers When creating complex artwork, it’s a challenge to keep track of all the items in your document window.
of the objects within the parent item are selected, the selection color boxes are the same size as the marks that appear next to selected objects. You can use the Layers panel to display some items as outlines and other items as they will appear in the final artwork.
To the top To the top To the top Show Displays all artwork contained in the layer on the artboard. Print Makes the artwork contained in the layer printable.
To the top To the top Release To Layers (Build) command creates new layers. Consolidate layers and groups Merging and flattening layers are similar in that they both let you consolidate objects, groups, and sublayers into a single layer or group.
Locking, hiding, and deleting objects To the top To the top To the top Lock or unlock objects or layers Hide or show objects or layers Delete objects Lock or unlock objects or layers Locking objects prevents you from selecting and editing them. You can quickly lock multiple paths, groups, and sublayers by locking their parent layer.
Select the objects and then choose Edit > Clear or Edit > Cut. Select the items you want to delete in the Layers panel, and then click the Delete icon . Alternatively, drag the item name in the Layers panel to the Delete icon in the panel, or choose Delete “Layer name” from the Layers panel menu.
Duplicating objects To the top To the top To the top Duplicate objects by dragging Duplicate objects by using the Layers panel Duplicate selections using drag and drop Offset duplicate objects Duplicate objects by dragging 1 . Select one or more objects.
To the top 3 . Select the Move tool and drag the selection from Photoshop into the Illustrator file. Drag and drop artwork to the desktop (Mac OS only) 1 .
Stacking objects To the top To the top To the top Specify where to add new objects in the stacking order Change the stacking order using the Layers panel Change the stacking order using commands Specify where to add new objects in the stacking order Illustrator stacks successively drawn objects, beginning with the first object drawn.
Reshaping objects 266.
Transforming objects To the top To the top To the top Transforming Transform panel overview Transform an object’s patterns Transform using the bounding box Transforming Transforming encompasses moving, rotating, reflecting, scaling, and shearing objects.
To the top Preferences > General (Mac OS) and deselect Transform Pattern Tiles. To return an object’s fill pattern to its original state, fill the object with a solid color, and then reselect the desired pattern. Transform using the bounding box When you select one or more objects with the Selection tool, a bounding box displays around them.
Scaling, shearing, and distorting objects To the top Scale objects Shear objects Distort objects Scale objects Scaling an object enlarges or reduces it horizontally (along the x axis), vertically (along the y axis), or both. Objects scale relative to a reference point which varies depending on the scaling method you choose.
To the top Scale objects to a specific width and height 1 . Select one or more objects. 2 . In the Transform panel, enter a new value in the Width (W) or Height (H) box, or both. You can do any of the following before you enter a value to control the scaling behavior: To maintain the objects’ proportions, click the lock proportions button .
To the top To shear relative to the object’s center, drag anywhere in the document window. To shear relative to a different reference point , click anywhere in the document window to move the reference point, move the pointer away from the reference point, and then drag until the object is at the desired slant.
Distorting in perspective Distort objects using a liquify tool You cannot use liquify tools on linked files or objects that contain text, graphs, or symbols. To find liquify tools in the Tools panel, see Tools panel overview and Reshaping tool gallery.
Reshape using envelopes To the top To the top About envelopes Distort objects using an envelope Edit the contents of an envelope Reset an envelope Remove an envelope Envelope options About envelopes Envelopes are objects that distort or reshape selected objects.
To the top To the top To the top To the top Edit the contents of an envelope 1 . Select the envelope and do one of the following: Click the Edit Contents button in the Control panel.
Combining objects To the top To the top Methods of combining objects Pathfinder Compound shapes Compound paths Methods of combining objects You can combine vector objects to create shapes in a variety of ways in Illustrator. The resulting paths or shapes differ depending on the method you use to combine the paths.
Shape modes A. All components in Add mode B. Subtract mode applied to squares C. Intersect mode applied to squares D. Exclude mode applied to squares The bottom row of buttons in the panel, called Pathfinder effects, let you create final shape combinations on the first click.
To the top Summary of Pathfinder effects Add Traces the outline of all objects as if they were a single, merged object. The resulting shape takes on the paint attributes of the top object. Intersect Traces the outline of the region overlapped by all the objects.
To the top A. Original objects B. Compound shape created C. Individual shape modes applied to each component D. Style applied to entire compound shape Work with compound shapes Creating a compound shape is a two- part process. First, you establish a compound shape in which all components have the same shape mode.
Layers panel. If you want more flexibility in the compound path creation, you can create a compound shape and then expand it. Cut a hole in an object using a compound path 1 . Select the object to use as a hole, and position it so that it overlaps the object to cut.
Cutting and dividing objects To the top To the top To the top To the top Methods for cutting, dividing, and trimming objects Cut objects with the Divide Objects Below command Cut objects with the Knif.
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Clipping masks To the top To the top About clipping masks Drawing Enhancements Illustrator CS5 Hide parts of objects with a clipping mask Create a clipping mask for a group or layer Edit a clipping ma.
To the top To the top To the top This object is called the clipping path . Only vector objects can be clipping paths. 2 . Move the clipping path above the objects you want to mask in the stacking order. 3 . Select the clipping path and the objects you want to mask.
Keywords: Illustrator, clip, cropping, how to crop an image, crop a photo Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Note: To the top To the top To select a clipped path by clicking it, you must click the portion of it that appears inside the mask.
Creating shapes using Shape BuilderTool Note: To create a shape using the Shape Builder tool, do the following: 1 . Create the shapes on which you want to apply the Shape Builder tool. 2 . Using the Selection tool, select the paths that you need to merge to create the shape.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy The art style that the new shape inherits, depends on the following rules: The art style of the object from where the mouse drag was initiated is applied to the merging shapes.
Touch -based tools and enhancements | Illustrator CC To the top Using touch to modify text (Touch Type tool) Using touch to modify shapes (Free Transform tool) OS - supported Gestures With Illustrator CC, it is easier to use touch - enabled devices to interact with Illustrator text and objects.
To the top Use a touchscreen device and the enhanced control handles around the selected object, to manipulate the object easily Using touch to modify shapes (Free Transform tool) Move, scale, rotate, shear, or distort an object, using a mouse or touch -based device (for example, a touchscreen device).
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy To the top (left) Free Transform tool cursors (right) Reference Point illustration A.
Blending objects To the top About blended objects Create blends Blend options Change the spine of a blended object Reverse the stacking order in a blended object Release or expand a blended object About blended objects You can blend objects to create and distribute shapes evenly between two objects.
To the top To the top objects will not show through each other. You can change this setting by selecting the blend and deselecting Knockout Group in the Transparency panel. Create blends The Blend tool and Make Blend command let you create blends, which are a series of intermediate objects and colors between two or more selected objects.
To the top To the top To the top Align to Path option applied to a blend Change the spine of a blended object The spine is the path along which the steps in a blended object are aligned.
Building new shapes using the Shape Builder tool To the top To the top About the Shape Builder Tool Setting the Shape Builder tool options About the Shape Builder Tool The Shape Builder tool is an interactive tool for creating complex shapes by merging and erasing simpler shapes.
the gaps in the art are detected. For example, if you set the gap length to 12 points, whereas the shape that you need to merge contains gaps at 3 points, Illustrator may not detect the gaps.
Creating 3D objects To the top Create 3D objects Set options Add a custom bevel path Rotate an object in three dimensions Map artwork to a 3D object Note: 3D tools are independent of the Perspective Grid tools and 3D objects are treated like any other object in perspective.
To the top Extruded object without a beveled edge (left) compared to object with Bevel Extent In (middle) and with Bevel Extent Out (right) Create a 3D object by revolving Revolving sweeps a path or profile in a circular direction around the global y axis (revolve axis) to create a 3D object.
To adjust the perspective, enter a value between 0 and 160 in the Perspective text box. A smaller angle is similar to a telephoto camera lens; a larger lens angle is similar to a wide- angle camera lens. Note: A lens angle that is higher than 150 may result in objects extending beyond your point of view and appearing distorted.
Surface choices available are Diffuse Shading or No Shading. Light Intensity Controls the light intensity between 0% and 100%. Ambient Light Controls the global lighting, which changes the brightness of all the object’s surfaces uniformly. Enter a value between 0% and 100%.
To the top To the top To the top Add a custom bevel path 1 . Open the Bevels.ai file, which is located in the Adobe Illustrator CS5Support FilesRequiredResourcesen_US folder (Windows) or Adobe Illustrator CS5RequiredResourcesen_US folder ((Mac OS). 2 .
You can interact with the symbol in the Map Art dialog box with normal bounding box controls to move, scale, or rotate the object. The 3D effect remembers each mapped surface on an object as a number. If you edit the 3D object or apply the same effect to a new object, there may be fewer or more sides than the original.
Reshaping objects with effects To the top To the top Reshaping objects with effects Round the corners of objects Reshaping objects with effects Using effects is a convenient way to reshape objects without making permanent changes to their underlying geometry.
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Importing artwork files To the top To the top To the top About linked and embedded artwork Place (import) files Embedded and linked artwork in the Links panel Edit original artwork You don’t have to create artwork from scratch in Adobe Illustrator—you can import both vector drawings and bitmap images from files created in other applications.
Links panel A. Transparency interaction B. Missing artwork C. Embedded artwork D. Modified artwork E. Linked artwork File status options for the Links panel A linked file can appear in the Links panel.
To the top Note: By default, Illustrator prompts you to update a link if the source file changes. To specify that you want to update links automatically or manually, choose Edit > Preferences > File Handling & Clipboard (Windows) or Illustrator > Preferences > File Handling & Clipboard (Mac OS), and set the Update Links option.
Importing bitmap images To the top To the top About bitmap images Image resolution guidelines for final output About bitmap images Bitmap images—technically called raster images —use a rectangular grid of picture elements (pixels) to represent images.
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Importing Adobe PDF files To the top To the top To the top Importing Adobe PDF files Adobe PDF placement options Importing monotone, duotone, and tritone images from Adobe PDF files Importing Adobe PDF files Adobe Portable Document Format (PDF) is a versatile file format that can represent both vector and bitmap data.
Importing EPS, DCS, and AutoCAD files To the top To the top To the top Importing EPS files Importing DCS files Importing AutoCAD files Importing EPS files Encapsulated PostScript (EPS) is a popular file format for transferring vector artwork between applications.
Illustrator supports most AutoCAD data, including 3D objects, shapes and paths, external references, region objects, spline objects (mapped to Bezier objects that retain the original shape), raster objects, and text objects.
Importing artwork from Photoshop To the top To the top To the top Importing artwork from Photoshop Photoshop import options Move part of an image from Photoshop to Illustrator Move paths from Photosho.
To the top 1 . In Photoshop, select the pixels you want to move. For more information, see Photoshop Help. 2 . Do one of the following: Copy the selection in Photoshop and paste it in Illustrator. If a layer mask is active when you choose the Copy command, Photoshop copies the mask rather than the main layer.
Saving artwork To the top To the top About saving artwork Save in Illustrator format Save in EPS format Save in SVG format Save artwork for Microsoft Office Changing vector graphics to bitmap images About saving artwork When you save or export artwork, Illustrator writes the artwork data to a file.
To the top document startup profile. Transparency options Determines what happens to transparent objects when you choose a version of Illustrator format earlier than 9.0. Select Preserve Paths to discard transparency effects and reset transparent artwork to 100% opacity and Normal blending mode.
To the top as grayscale vector and bitmap images, and supports RGB, CMYK, and CIE - based color models for both vector and bitmap graphics. PostScript Language Level 3 provides additional functionality to Language Level 2, including the ability to print mesh objects when printing to a PostScript® 3™ printer.
To the top To the top size). Select this option if you plan to reopen and edit the SVG file in Illustrator. Note that if you make manual changes to the SVG data, the changes are not reflected when you reopen the file. This is because Illustrator reads the AI portion of the file, not the SVG portion.
Rasterize a vector object 1 . Select one or more objects. 2 . Do one of the following: To permanently rasterize the objects, choose Object > Rasterize. To create the appearance of rasterization without changing the objects’ underlying structure, choose Effect > Rasterize.
Share on Behance To the top Note: Setting up the Illustrator - Behance sharing workflow Launch the Share on Behance dialog Set up Illustrator and Behance accounts Upload new artwork to Behance Upload .
Note: To the top Caution: If you sign out of Illustrator, you are automatically signed out of Behance. To continue collaborating using Behance, restart Illustrator, sign in with your Adobe ID, and then attempt to use Behance. Upload new artwork to Behance 1 .
To the top Select a portion of the artwork to use as a thumbnail. 5 . On the final screen, you can click the link or the button to navigate to the Behance website and view the artwork you have uploaded. Click the link or button to open Behance Upload a new version (revision) of artwork to Behance 1 .
Select Revision, and then select the last version of the artwork from the Choose Existing drop down. 5 . In the Share on Behance (Select Cover Image ) dialog, choose the part of your artwork that will be used as a thumbnail to identify your artwork. Click Crop Cover and Publish .
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Export SVG graphics styles in CSS | Illustrator CC Export unused styles. Export graphic style names While creating artwork that contains multiple elements, Designers follow a theme. For example, website design involves the creation of various assets closely related in style and look- and - feel.
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Place multiple files | Illustrator CC Note: The Place command is the primary method of importing external files into an Illustrator document. the Place feature provides the highest level of support for file formats, placement options, and color. After you place a file, use the Links panel to identify, select, monitor, and update it.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy A. Loaded graphics pointer B. Position of the currently displayed asset, in the list of loaded graphics C. Total number of assets loaded D.
Links information Name Format Color space This feature is available in Adobe Illustrator CS6, CC, and later. To join Adobe Creative Cloud, see Adobe Creative Cloud . The Links panel ( Window > Links ) displays a list of all artwork that is placed (embedded or linked) in an Illustrator document.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Location PPI Dimensions Scale Created Modified Transparent Displays the folder location of the linked file. Click the Folder icon to open the folder in Explorer (Windows) or Finder (Mac OS).
Unembed images Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy This feature is available in Adobe Illustrator CS6, CC, and later. To join Adobe Creative Cloud, see Adobe Creative Cloud .
Package files Location Folder Name Copy Links Collect Links in a Separate Folder Relink Linked files to the Document Copy Fonts used in the Documents (Except CJK) Note: Create Report This feature is available in Adobe Illustrator CS6, CC, and later. To join Adobe Creative Cloud, see Adobe Creative Cloud .
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy 4 . Click Package . The following folder structure is created, with assets placed in their respective folders.
Extract CSS | Illustrator CC To the top Video: CSS extraction in Illustrator CC View and extract CSS code Sample CSS Code You can create the design for an HTML page in Illustrator. This serves as a good visual guide for a Web Developer who can then code the layout, styles, and objects into a page in an HTML editor.
A. Warning, if some styles could not be converted to CSS code B. CSS Export Options dialog box C. Export Selected CSS to file D. Copy Selected Style to the clipboard E. Generate CSS F. Flyout menu G. Styles used in the selected objects H. CSS code 2 .
Note: To the top To modify the content of the CSS code that is generated, in the CSS Properties panel, click Export Options, and then make the appropriate selections. Sample CSS Code Rectangle with a gradient applied (all browsers) .GRADIENT_BOX { background : -moz -linear - gradient(0% 50% 0deg,rgba(255, 242, 0, 1) 0%,rgba(254, 236, 1, 1) 10.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Rectangle with a gradient applied (webkit - based browsers only) .GRADIENT_BOX { background : -webkit - linear -gradient(0deg, rgba(255, 242, 0, 1) 0%, rgba(254, 236, 1, 1) 10.
Adobe PDF options To the top To the top To the top Setting Adobe PDF options About PDF/X standards PDF compatibility levels General options for PDF Compression and downsampling options for PDF Mark an.
To the top To the top Reader 3.0 and later. Reader 3.0 and later. However, features specific to later versions may be lost or not viewable. Reader 4.0 and later. However, features specific to later versions may be lost or not viewable. Reader 4.0 and later.
To the top To the top resolution. Subsampling Chooses a pixel in the center of the sample area and replaces the entire area with that pixel color. Subsampling significantly reduces the conversion time compared with downsampling but results in images that are less smooth and continuous.
To the top To the top To the top available if color management is turned off. Whether the profile is included or not is determined by the Profile Inclusion Policy. Convert To Destination Converts all colors to the profile selected for Destination. Whether the profile is included or not is determined by the Profile Inclusion Policy.
opened in Adobe Acrobat, the user can view the file but must enter the specified Permissions password in order to change the file’s Security and Permissions settings. If the file is opened in Illustrator, Photoshop, or InDesign, the user must enter the Permissions password, since it is not possible to open the file in a view -only mode.
Creating Adobe PDF files To the top To the top About Adobe PDF Create Adobe PDF files Adobe PDF presets Customize PDF presets Load PDF presets About Adobe PDF Portable Document Format (PDF) is a universal file format that preserves the fonts, images, and layout of source documents created on a wide range of applications and platforms.
To the top 4 . Either choose a preset from the Adobe PDF Preset menu, or select a category from the list on the left of the dialog box and then customize the options. 5 . Click Save PDF. To reset options to the default, hold down Alt (Windows) or Option (Mac OS) and click Reset.
To the top Support/Adobe/Adobe PDF/Settings. Review your PDF settings periodically. The settings do not automatically revert to the default settings. Applications and utilities that create PDFs use the last set of PDF settings defined or selected. High Quality Print Creates PDFs for quality printing on desktop printers and proofing devices.
To the top To edit an existing custom preset, select the preset and click Edit. (You cannot edit the default presets.) To delete a preset, select it and click Delete. To save a preset in a location other than the default Settings folder in the Adobe PDF folder, select it and click Save As .
Exporting artwork To the top To the top Export artwork File formats for exporting artwork AutoCAD export options Flash export options JPEG export options Photoshop export options PNG export options TIFF export options Export artwork 1 . Choose File > Export.
To the top To the top transparency in grayscale and RGB images. For more information, see PNG export options. You can also save an image as a PNG file using the Save For Web & Devices command. Targa (TGA) Designed for use on systems that use the Truevision® video board.
To the top Dynamic Text and Input Text aren’t available in version 3 and earlier. Clip To Artboard Size Exports the Illustrator artwork within the selected artboard’s borders) to the SWF file. Any artwork outside the borders will be clipped off. This option is checked and disabled when exporting multiple artboards.
To the top To the top To the top Imagemap Generates code for image maps. If you select this option, select Client- side (.html) or Server- side (.map) to determine the type of file that is generated. Embed ICC Profiles Saves ICC profiles in the JPEG file.
produce a smaller file. Byte Order Determines the appropriate sequence of bytes for writing the image file, based on the platform you choose. Illustrator and most recent applications can read files using the byte order for either platform.
File information and metadata To the top Document Info panel overview Metadata is a set of standardized information about a file, such as author name, resolution, color space, copyright, and keywords applied to it.
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Importing and exporting text To the top To the top Importing text Exporting text Importing text You can import text into your artwork from a file that was created in another application.
export all objects in a thread, make sure that you select and tag each one. Overflow text is imported into Flash Player intact. Once you tag text, you can import it into Flash by either exporting the text from Illustrator or copying and pasting the text.
Creating text To the top To the top Enter text at a point Enter text in an area Manage the text area Create rows and columns of text Fit a headline across the full width of a type area Threading text .
To the top Creating a type area by dragging (top) compared to converting an existing shape to a type area (bottom) Note: If the object is an open path, you must use the Area Type tool to define the bounding area. Illustrator draws an imaginary line between the endpoints of the path to define the boundaries.
Resizing a text area with the Selection tool Select the edge or corner of the type path with the Direct Selection tool . Then drag to adjust the shape of the path. Adjusting the type path using the Direct Selection tool is easiest when you’re in Outline view.
To the top Type with First Baseline set to Cap Height (left) compared to type with First Baseline set to Leading (right) 1 . Select an area type object. 2 . Choose Type > Area Type Options. 3 . For First Baseline, choose one of the following options: Ascent The height of the “d” character falls below the top of the type object.
To the top To the top To the top Fit a headline across the full width of a type area 1 . Select a type tool, and click in the paragraph you want to fit across the type area. 2 . Choose Type > Fit Headline. Note: If you change the formatting of the type, be sure to reapply the Fit Headline command.
To the top To the top Text wrapped around objects A. Wrap objects B. Wrapped text Wrap text 1 . Make sure that the following conditions are true for the type you want to wrap: It is area type (typed in a box). It is in the same layer as the wrap object.
2 . Select Empty Text Paths, and click OK. Legal Notices | Online Privacy Policy 360.
Creating type on a path To the top To the top Enter text on a path Move or flip text along a path Apply effects to type on a path Adjust the vertical alignment of type on a path Adjust character spacing around sharp turns Type on a path flows along the edge of an open or a closed path.
To the top Moving type along a path To flip the direction of text along a path, drag the bracket across the path. Alternatively, choose Type > Type On A Path > Type On A Path Options, select Flip, and click OK.
To the top To the top Path type effects A. Rainbow B. Skew C. 3D Ribbon D. Stair Step E. Gravity Adjust the vertical alignment of type on a path 1 . Select the type object.
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Scaling and rotating type To the top To the top To the top Selecting type for transformations Adjust the scale of type Rotate type Selecting type for transformations You can rotate, reflect, scale, and shear type just as you do other objects.
Spelling and language dictionaries To the top To the top To the top Check spelling Edit the spelling dictionary Assign languages to text About Unicode Check spelling 1 . Choose Edit > Check Spelling. 2 . To set options for finding and ignoring words, click the arrow icon at the bottom of the dialog box and set the options as desired.
To the top 2 . In the Character panel, choose the appropriate dictionary from the Language menu. If the Language menu isn’t showing, choose Show Options from the Character panel menu.
Fonts To the top To the top To the top About fonts OpenType fonts Previewing fonts Select a font family and style Specify a typeface size Find and replace fonts Work with missing fonts About fonts A f.
To the top To the top To the top To the top OpenType Type 1 TrueType Multiple Master Composite You can turn off the preview feature or change the point size of the font names or font samples in Type preferences. Select a font family and style 1 . Select the characters or type objects you want to change.
and substitutes missing fonts with available matching fonts. To substitute missing fonts with a different font, select the text that uses the missing font and apply any other available font.
Indic support with new Composers | Illustrator CC Note: Illustrator CC includes enhanced support for Indic languages. You can now create documents using Indic text. The additional Middle Eastern & South Asian Composer provides correct word shaping for many of the non - Western scripts.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Note: Two new composers available when you switch on Indic support In Preferences > Type , you can select only one of the Indic and Asian options at a same time.
Touch -based tools and enhancements | Illustrator CC To the top Using touch to modify text (Touch Type tool) Using touch to modify shapes (Free Transform tool) OS - supported Gestures With Illustrator CC, it is easier to use touch - enabled devices to interact with Illustrator text and objects.
To the top Use a touchscreen device and the enhanced control handles around the selected object, to manipulate the object easily Using touch to modify shapes (Free Transform tool) Move, scale, rotate, shear, or distort an object, using a mouse or touch -based device (for example, a touchscreen device).
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy To the top (left) Free Transform tool cursors (right) Reference Point illustration A.
Arabic and Hebrew type To the top Adobe World- Ready Composers Text direction Digit Types Legacy font support Default fonts Automatic Kashida insertion Ligatures Copy-paste from Microsoft Word Hyphena.
To the top To the top See also Compose text Formatting paragraphs Text direction To create content in Arabic and Hebrew, you can make the right -to -left (RTL) direction the default text direction. However, for documents that include left -to - right (LTR) text, you can now seamlessly switch between the two directions.
To the top To the top To the top Digit type selection Legacy font support Fonts that have been traditionally used (for example, AXT fonts) can continue to be used in this release of the software. However, it is recommended that newer Open Type fonts be used for text- based elements.
To the top To the top To the top Automatic Kashidas Ligatures You can automatically apply ligatures to character pairs in Arabic and Hebrew. Ligatures are typographic replacement characters for certain letter pairs if they are available in a given Open Type font.
To the top To the top Sentences that have more words that can fit into one line of text automatically wrap into the next line. The type of text justification when wrapping occurs sometimes causes unnecessary spaces to appear in the line that are not aesthetically pleasing or linguistically correct.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy To the top Change the position of diacritical marks Glyphs Arabic and Hebrew users can apply glyphs from the default character set.
Character and paragraph styles To the top To the top To the top About character and paragraph styles Create character or paragraph styles Edit character or paragraph styles Remove style overrides Dele.
To the top To the top To the top Note: Double - clicking applies the style to any selected text or, if no text is selected, sets the style for any new text you type. If you don’t want to apply the style, hold down Shift+Ctrl (Windows) or Shift+Command (Mac OS) when you double -click the style name.
Creating composite fonts To the top Create a composite font Customize characters in a composite font Delete a composite font Export a composite font You can mix characters from Japanese and roman fonts and use them as one composite font. Composite fonts are displayed at the beginning of the font list.
To the top Font attributes A. Font Family B. Font Style C. Size D. Baseline E. Vertical Scale F. Horizontal Scale G. Scale at Center 7 . To view a sample of the composite font, click Show Sample.
To the top To the top 4 . Do any of the following: To add a character directly, choose Direct Entry from the Character pop - up menu, enter the characters in the box, and click Add. To add a character using a code, choose an encoding type from the Character pop - up menu, enter the code, and click Add.
Formatting Asian characters To the top To the top To the top Display Asian type options Set Asian OpenType font attributes Replace Asian characters with a different glyph form Specify how leading is m.
To the top To the top To the top JIS 04 Forms Replaces the selected characters with JIS 04 forms. JIS 90 Forms Replaces the selected characters with JIS 90 forms. JIS 78 Forms Replaces the selected characters with JIS 78 forms. JIS 83 Forms Replaces the selected characters with JIS 83 forms.
To the top To the top Use aki Aki is the white space before or after a character. Usually, fixed spacing is applied between the characters based on the mojikumi setting for a paragraph. You can change the mojikumi setting for special characters using the Insert Aki options in the Character panel.
To the top To the top warichu characters at the top of the frame. The alignment proxy shows how the warichu text appears relative to the parent text. Line Breaking Options Specifies the minimum number of characters required before and after the line breaks to start a new line.
To the top YakumonoZenkaku Uses full- width spacing for punctuation. GyoumatsuYakumonoZenkaku (left) and YakumonoZenkaku (right) Create a mojikumi set 1 . Do one of the following: Choose Type > Mojikumi Settings. Choose Mojikumi Settings from the Mojikumi Set pop - up menu in the Paragraph panel.
To the top To the top 3 . Enter a name for the kinsoku set, specify the existing set on which the new set will be based, and click OK. 4 . To add a character to a field, select the field, and do one of the following: Enter a character in the Input box, and click Add.
Text without Kurikaeshi Moji Shori option (left) compared to text with Kurikaeshi Moji Shori option (right) 1 . Using any type tool, select a paragraph of text to which you want to apply repeated character processing. If no text exists, the setting applies to new text typed.
Formatting paragraphs To the top To the top To the top To the top Paragraph panel overview Align text Justify text Adjust word and letterspacing in justified text Indent text Adjust paragraph spacing .
To the top You can precisely control how Adobe applications space letters and words and scale characters. Adjusting spacing is especially useful with justified type, although you can also adjust spacing for unjustified type. 1 . Insert the cursor in the paragraph you want to change, or select a type object or frame to change all of its paragraphs.
To the top To the top In a hanging indent, all the lines in a paragraph are indented except for the first line. Hanging indents are especially useful when you want to add inline graphics at the beginning of the paragraph, or when you want to create a bulleted list.
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Formatting type To the top Selecting type Find and replace text Change the color and appearance of characters Character panel overview Underline or strike through text Apply all caps and small caps Ch.
To the top To the top To the top 2 . If the type object is selected, click outside the object’s bounding box to deselect it. 3 . Click the type path, being careful not to click the characters. (If you do click a character, you will select the type object instead of the type path.
To the top To the top To the top Character panel A. Font B. Font Style C. Font Size D. Kerning E. Horizontal Scale F. Baseline Shift G. Leading H. Tracking I. Vertical Scale J. Character Rotation K. Language A. Font B. Font Style C. Font Size D. Align left E.
To the top To the top To the top UPPERCASE to change all characters to uppercase. Note: The UPPERCASE command causes discretionary ligatures to revert to normal text. This also occurs with the Title Case and Sentence Case commands when a discretionary ligature appears at the beginning of a word.
To the top Superscript and Subscript options in the Character panel menu A. CALLOUT_DEFINITION B. CALLOUT_DEFINITION C. CALLOUT_DEFINITION Create superscripts or subscripts in OpenType fonts 1 . Select the characters you want to change to superscript or subscript.
To the top To the top To the top Note: You can’t convert bitmap fonts or outline -protected fonts to outlines. When you convert type to outlines, the type loses its hints —instructions built into fonts to adjust their shape so that your system displays or prints them optimally at a wide range of sizes.
6 . Click OK to search for and replace selected characters. More Help topics Legal Notices | Online Privacy Policy 404.
Hyphenation and line breaks To the top To the top To the top Adjust hyphenation automatically Use the hyphenation dictionary Prevent words from breaking Composition methods You can specify how words and lines break by adjusting hyphenation settings automatically, or by using the hyphenation dictionary.
To the top Composition methods The appearance of type on the page depends on a complex interaction of processes called composition . Using the word spacing, letterspacing, glyph spacing, and hyphenation options you’ve selected, Adobe applications evaluate possible line breaks and choose the one that best supports the specified parameters.
Line and character spacing To the top To the top To the top Set the leading Shift the baseline Kern and track Turn fractional character widths off or on Set the leading The vertical space between lines of type is called leading (rhymes with sledding ).
To the top Kerning and tracking options A. Original text B. Text with optical kerning C. Text with manual kerning between W and a D. Text with tracking E. Cumulative kerning and tracking You can also use manual kerning, which is ideal for adjusting the space between two letters.
Special characters To the top To the top About character sets and alternate glyphs Glyphs panel overview Insert or replace a character using the Glyphs panel OpenType panel overview Highlight alternat.
To the top To the top To the top To the top Pop - up menu for alternate glyphs For a video on working with the Glyphs panel and the OpenType panel, see www.
To the top To the top 3 . In the OpenType panel, do any of the following: Click the Standard Ligatures button to enable or disable ligatures for standard letter pairs (such as fi, fl, ff, ffi, and ffl). Click the Discretionary Ligatures button to enable or disable optional ligatures (if available in the current font).
Tabs To the top To the top Tabs panel overview Set tabs Repeat tabs Move tabs Remove tabs Specify characters for decimal tabs Add tab leaders You use the Tabs panel (Window > Type > Tabs) to set tab stops for a paragraph or type object. For more information on using and setting tabs, see web Help.
To the top To the top To the top To the top Bottom-Justified Tab to align vertical text to the bottom margin, keeping the top margin ragged. Top- Justified Tab to align vertical text to the top margin, keeping the bottom margin ragged. Decimal- Justified Tab to place text in alignment with a specified character, such as a period or a dollar sign.
To the top Text aligned using a decimal tab Add tab leaders A tab leader is a repeated pattern of characters, such as a series of dots or dashes, between a tab and the following text. 1 . In the Tabs panel, select a tab stop on the ruler. 2 . Type a pattern of as many as eight characters in the Leader box, and then press Enter or Return.
Updating text from Illustrator 10 To the top To the top To the top Updating type created in Illustrator 10 Update all legacy text in a document Update selected legacy text Type objects created in Illustrator 10 and earlier are uneditable until you update them for use in later versions.
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Appearance attributes To the top To the top About appearance attributes Appearance panel overview Specify how appearance attributes are applied to new objects Targeting items for appearance attributes.
To the top To the top To the top 1 . Double -click the Characters item in the Appearance panel. Note: To see individual character attributes for text with mixed appearance, select the individual character. 2 . Click Type at the top of the panel to return to the main view.
Manage appearance attributes Edit or add an appearance attribute You can open an appearance attribute, such as an effect, and change the settings at any time. In the Appearance panel, do any of the following: To edit an attribute, click the blue underlined name of the attribute, and specify changes in the dialog box that appears.
Copy appearance attributes between objects You can copy or move appearance attributes by dragging or by using the Eyedropper tool. Copy appearance attributes by dragging 1 . Select the object or group (or target the layer in the Layers panel) whose appearance you want to copy.
Working with effects To the top To the top To the top About effects Apply an effect About raster effects Rasterization options Applying effects to bitmap images Improving performance for effects Modif.
To the top To the top Halftone Pattern effect before and after the resolution value changes from 300 ppi to 150ppi You set rasterization options for a document by choosing Effect > Document Raster Effects Settings.
To the top To the top installed, most plug- in effects appear in the Effect menu and work the same way as do built -in effects. Some effects can be memory - intensive, especially when applied to a high - resolution bitmap image. Improving performance for effects Some effects are very memory - intensive.
Summary of effects To the top Effects quick reference Artistic effects Blur effects Brush Strokes effects Distort effects (bottom of menu) Pixelate effects Sharpen effect Sketch effects Stylize effect.
To the top See also: Apply Pathfinder effects Effect > Pixelate Sharply define a selection by clumping pixels of similar color values. See also: Pixelate effects Effect > Rasterize Convert a vector object to a bitmap object.
To the top To the top To the top To the top Poster Edges Reduces the number of colors in an image according to the Posterization value you set; then finds the edges of the image and draws black lines on them. Broader areas of the image have simple shading, while fine, dark detail is distributed throughout the image.
To the top To the top To the top To the top Mezzotint Converts an image to a random pattern of black- and -white areas, or of fully saturated colors in a color image. To use the effect, choose a dot pattern from the Type pop - up menu in the Mezzotint dialog box.
To the top To the top Texturizer Applies a texture you select or create to an image. Video effects The Video effects are raster-based and use the document’s raster effects settings whenever you apply the effect to a vector graphic.
Create a drop shadow Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Mode Opacity X Offset and Y Offset Blur Color Darkness 1 . Select an object or group (or target a layer in the Layers panel).
Drop shadows, glows, and feathering To the top To the top Apply an inner or outer glow Feather the edges of an object Apply an inner or outer glow 1 . Select an object or group (or target a layer in the Layers panel). 2 . Choose Effect > Stylize > Inner Glow or Effect > Stylize > Outer Glow.
Creating sketches and mosaics To the top To the top Create a sketch using the Scribble effect Create a mosaic Create a sketch using the Scribble effect 1 .
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Graphic styles To the top To the top About graphic styles Graphic Styles panel overview Create graphic styles Apply a graphic style Use graphic style libraries Work with graphic styles Import all graphic styles from another document About graphic styles A graphic style is a set of reusable appearance attributes.
To the top To the top Select Sort By Name from the panel menu to list the graphic styles in alphabetic or numeric order (Unicode order). Select Use Text For Preview from the panel menu to view the style on the letter T. This view provides a more accurate visual description for styles applied to text.
To the top To the top 1 . Select an object or group (or target a layer in the Layers panel). 2 . To apply a single style to an object, do either of the following: Select a style from the Styles menu in the Control panel, the Graphic Styles panel, or a graphic style library.
To the top longer associated with a graphic style. Replace graphic style attributes Alt - drag (Windows) or Option - drag (Mac OS) the graphic style you want to use onto the graphic style you want to replace. Select an object or group (or target a layer in the Layers panel) that has the attributes you want to use.
Web graphics 437.
Best practices for creating web graphics To the top To the top About web graphics About pixel preview mode Using Adobe Device Central with Illustrator Illustrator provides a variety of tools for creating layout for web pages, or creating and optimizing web graphics.
To the top Pixel Preview off (top) compared to on (bottom) Important: The pixel grid is sensitive to the ruler origin (0,0). Moving the origin of the ruler will change how Illustrator rasterizes artwork.
A temporary file with the export settings specified is displayed in the Device Central Emulator tab. To continue testing, double -click the name of a different device in the Device Sets or Available Devices lists. 11 . If, after previewing the file in Device Central, you need to make changes to the file, go back to Illustrator.
Slices and image maps To the top To the top About slices Create slices Select slices Set slice options Lock slices Adjust slice boundaries Remove slices Show or hide slices Create image maps About slices Web pages can contain many elements—HTML text, bitmap images, and vector graphics, to name a few.
To the top To the top To the top Select the Slice tool and drag over the area where you want to create a slice. Shift -drag to constrain the slice to a square. Alt - drag (Windows) or Option -drag (Mac OS) to draw from the center. Select one or more objects on the artboard, and choose Object > Slice > Create From Selection.
To the top To the top To the top To the top Adjust slice boundaries If you created a slice using the Object > Slice > Make command, the position and size of the slice is tied to the artwork it contains. Therefore, if you move or resize the artwork, the slice boundaries adjust automatically.
SVG To the top To the top About SVG Apply SVG effects Import effects from an SVG file SVG Interactivity panel overview Add SVG interactivity to artwork SVG events About SVG Bitmap image formats for the web—GIF, JPEG, WBMP, and PNG—describe images using a grid of pixels.
To the top To the top To the top To the top To apply an effect with its default settings, select the effect from the bottom section of the Effect > SVG Filters submenu. To apply an effect with custom settings, choose Effect > SVG Filters > Apply SVG Filter.
onunload Triggers the action when the SVG document is removed from a window or frame. onzoom Triggers the action when the zoom level is changed for the document. onresize Triggers the action when the document view is resized. onscroll Triggers the action when the document view is scrolled or panned.
Creating animations To the top To the top About Flash graphics Create Flash animations Working with Illustrator and Flash About Flash graphics The Flash (SWF) file format is a vector -based graphics file format for scalable, compact graphics for the web.
To the top Choose File > Save For Web & Devices. Choose SWF from the Optimized File Format menu. From the Type Of Export menu, choose AI Layers To SWF Frames . Set additional options, and click Save. Working with Illustrator and Flash You can move Illustrator artwork into the Flash editing environment or directly into Flash Player.
fashion. Symbol properties and links Using the Symbols panel or the Control panel, you can easily assign names to symbol instances, break links between instances and symbols, swap a symbol instance with another symbol, or create a copy of the symbol. In Flash, the editing features in the Library panel work in a similar way.
FXG format To the top To the top About FXG Best practices for using FXG Save an Illustrator file in FXG format Illustrator and Flash Catalyst workflow FXG mapping of Illustrator objects and attributes About FXG When creating structured graphics in Illustrator for use in Adobe Flex®, you can save in the FXG format.
To the top Save an Illustrator file in FXG format To map Illustrator content in FXG while preserving maximum appearance and editability, you can save a document in FXG format. This document can then be opened in either Illustrator or Flash Catalyst. 1 .
To the top gradients are rasterized. Illustrator has the capability to determine the priority when exporting gradients in FXG. If content editability is high priority, then select Maintain Editability (Convert to FXG). Select the Automatic Conversion option to preserve visual appearance and maintain the editing capability.
To the top Note: In Illustrator, only the selected objects are available for editing. All other objects are visible, but cannot be edited. 3 . Change the selected object or create new objects. 4 . Exit this mode by clicking the Done button at the upper - right corner in Illustrator.
Flare <Path> Expansion Expansion No Compound Shape <Group><Path> Expansion Expansion Yes Fill Solid Fill <Fill><Solid Colors> Mapping Live Mapping Live No Colors are not preserved for Swatch libraries.
Isolate Blending Rasterization Rasterization Yes Attribute panel Options Attribute Panel Overprint Fill/Overprint/Str oke/Image Maps/URL Dropped Dropped No Layers and sublayers <Group> Mapping L.
effects generates numerous paths and causes performance issues in Flash Catalyst. Revolve Rasterization Rasterization Rasterization Thumb rule for vector effect mapping in FXG is to expand the object with effect.
Outline Stroke Pathfinder Add/ Intersect/ Exclude/ Subtract/ Minus Back/ Divide/ trim/ Merge/ Crop/ Outline/ Hard Mix/ Soft Mix/ Trap Expansion Expansion Yes Rasterize Rasterize Rasterize Yes Stylize .
Column/ Stacked Column/ Bar/ Stacked/ Line/ Area/ Scatter/ Pie/ Radar Graph Rasterization Rasterization No Graphic Style Expansion Expansion No Tracing Objects Expansion Expansion No Image Maps Droppe.
Flash Text Dropped Dropped SVG Interactivity Dropped Dropped Plug -in Art Adobe Expansion Expansion No Plug -in Art Third Party Expansion Expansion No Blend Mode Darken/ Multiply/ Color Burn/ Lighten/.
Watercolor Blur Gaussian Blur Mapping Live Mapping Live Yes Radial/Smart Blur Rasterization Rasterization Yes Brush Strokes Accented Edges/ Angled Strokes/ Crosshatch/ Dark Strokes/ Ink Outlines/ Spat.
Video De- Interlace / NTSC Colors Rasterization Rasterization Yes Slices Dropped Dropped No Guides Dropped Dropped No Symbol Set <Group><Symb ol> Expansion Expansion No XMP Dropped Dropped No Multiple Artboards Single Artboard <d:layerType=P age> Mapping Live Mapping Live No Objects outside artboards are always discarded.
First line left indent textIndent Preserved Left Indent paragraphstartindent Preserved Right Indent paragraphendindent Preserved spaceBefore paragraphspacebefore Preserve spaceAfter paragraphspaceafte.
Attribute Name FXG tag Illustrator Import: level of support Behavior LinearGradientstroke <Stroke><LinearGradientstrok e> Preserved till not tampered Illustrator preserves FXG data for this attribute until tampered.
Printing 464.
Setting up documents for printing To the top To the top To the top Print a composite of artwork Make artwork nonprintable Print dialog box options Reposition artwork on the page Print multiple artboar.
To the top To the top To the top To the top To the top Color Management Select a color profile and rendering intent for printing. Advanced Control the flattening (or possible rasterization) of vector artwork during printing. Summary View and save a summary of print settings.
To the top stretching of the plate that usually occurs. Scaling does not affect the size of the pages in the document, it just changes the scale at which the document prints. 1 . Choose File > Print. 2 . Do one of the following: To prevent scaling, select Do Not Scale.
Change the page size and orientation Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Portrait Up Landscape Left Portrait Down Landscape Right Adobe Illustrator normally uses the default page size defined by the PPD file for the selected printer.
Printing color separations To the top To the top To the top About color separations Preparing artwork for color separating Preview color separations Print color separations Print an object on all plat.
To the top Rich black Previewing separations lets you identify areas that will print as rich black, or process black (K) ink mixed with color inks for increased opacity and richer color. Overprinting You can preview how blending, transparency, and overprinting will appear in color - separated output.
To the top amount of data transmitted for any given print job. For example, instead of sending PostScript information for four or more pages to print host- based color separations, Illustrator sends the PostScript information for a single composite PostScript file for processing in the RIP.
Printer’s marks and bleeds To the top To the top To the top About printer’s marks Add printer’s marks About bleeds Add a bleed About printer’s marks When you prepare artwork for printing, a number of marks are needed for the printer device to register the artwork elements precisely and verify correct color.
To the top stripped into a keyline in a document. Once you create the artwork that extends into the bleed, you can use Illustrator to specify the extent of the bleed. Increasing the bleed makes Illustrator print more of the artwork that is located beyond the trim marks.
PostScript printing To the top To the top About PPD files Printing long, complex paths Control how fonts are downloaded to a printer Change the PostScript level for printing PostScript printers use a PPD file (PostScript Printer Description file) to customize the behavior of the driver for your specific PostScript printer.
To the top To the top 1 . Choose File > Print. 2 . For Printer, select a PostScript printer, Adobe PostScript® File, or Adobe PDF. 3 . Select Graphics on the left side of the Print dialog box. 4 . Deselect Automatic, and use the Flatness slider to set the accuracy of curves.
Binary exports the image data as binary code, which is more compact than ASCII but may not be compatible with all systems. ASCII exports the image data as ASCII text, which is compatible with older networks and parallel printers and is usually the best choice for graphics used on multiple platforms.
Printing with color management To the top To the top Let your application manage colors when printing Let your printer manage colors when printing When you print with color management, you can let Illustrator manage the colors, or you can let the printer manage the colors.
Every printer driver has different color management options. If it’s not clear how to set color management options, consult your printer documentation.
White Overprint | Illustrator CC Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy Scenario 1 Scenario 2 Artwork created in Illustrator can have white objects applied with unintentional overprint.
Package files Location Folder Name Copy Links Collect Links in a Separate Folder Relink Linked files to the Document Copy Fonts used in the Documents (Except CJK) Note: Create Report This feature is available in Adobe Illustrator CS6, CC, and later. To join Adobe Creative Cloud, see Adobe Creative Cloud .
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy 4 . Click Package . The following folder structure is created, with assets placed in their respective folders.
Specify crop marks for trimming or aligning Note: To the top To the top To the top Create crop marks around an object Delete crop marks Use Japanese -style crop marks In addition to specifying different artboards to crop artwork for output, you can also create and use multiple sets of crop marks within your artwork.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons. Legal Notices | Online Privacy Policy 2 . Select Use Japanese Crop Marks, and then click OK.
Overprinting To the top To the top To the top About overprinting Set up overprinting Overprint black Simulate or discard overprinting By default, when you print opaque, overlapping colors, the top color knocks out the area underneath.
To the top You can also use the Overprint Black command to set up overprinting for objects that contain a specific percentage of black. To use the Overprint Black command: 1 . Select all the objects you might want to overprint. 2 . Choose Edit > Edit Colors > Overprint Black.
Print presets To the top To the top To the top To the top To the top Create print presets Apply print presets Edit print presets Delete print presets Export or import print presets View a summary of p.
To the top To export presets, select one or more presets in the list and click Export. Shift - click to select adjacent presets. Ctrl- click (Windows) or Command -click (Mac OS) to select nonadjacent presets. Specify a name and location, and then click Save.
Printing The printing workflow is sometimes complex. Begin by understanding the setup required and then navigate to subjects of interest. Legal Notices | Online Privacy Policy 488.
Printing and saving transparent artwork To the top To the top About flattening File formats that retain transparency Set transparency flattening options for printing Transparency Flattener options Pre.
To the top To the top Print a file that contains transparency. Save a file that contains transparency in a legacy format such as native Illustrator 8 and earlier, Illustrator 8 EPS and earlier, or PDF 1.3 format. (For the Illustrator and Illustrator EPS formats, you can choose to discard transparency rather than flatten it.
To the top lowest setting to rasterize all the artwork. Note: The amount of rasterization that occurs depends on the complexity of the page and the types of overlapping objects. Line Art And Text Resolution Rasterizes all objects, including images, vector artwork, text, and gradients, to the specified resolution.
To the top To the top 5 . At any time, click Refresh to display a fresh preview version based on your settings. Depending on the complexity of the artwork, you may need to wait a few seconds for the preview image to appear. In InDesign, you can also choose Auto Refresh Highlight.
To the top To the top To the top To the top To the top Create or edit a transparency flattener preset You can save transparency flattener presets in a separate file, making it easy to back them up or to make them available to your service providers, clients, or others in your workgroup.
This option is only available if the printer driver for the selected printer supports bitmap printing. Legal Notices | Online Privacy Policy 494.
Printing gradients, meshes, and color blends To the top To the top To the top Printing gradients, meshes, and color blends Rasterize gradients and meshes during printing Setting the proper screen freq.
To the top 1693 106 2000 125 2400 150 2540 159 3000 188 3252 203 3600 225 4000 250 Calculate the maximum blend length for gradients Illustrator calculates the number of steps in a gradient based on the percentage of change between the colors in the gradient.
110 237.6 3.3 8.382 120 259.2 3.6 9.144 130 280.8 3.9 9.906 140 302.4 4.2 10.668 150 324.0 4.5 11.430 160 345.6 4.8 12.192 170 367.2 5.1 12.954 180 388.8 5.4 13.716 190 410.4 5.7 14.478 200 432.0 6.0 15.240 210 453.6 6.3 16.002 220 475.2 6.6 16.764 230 496.
Trapping To the top To the top About trapping Create a trap Create a spread or choke Trap a line Trap a portion of an object About trapping Where colors printed from separate plates overlap or adjoin one another, press misregistration can cause gaps between colors on the final output.
To the top 1 . If the document is in RGB mode, choose File > Document Color Mode > CMYK Color to convert it to CMYK Mode. 2 . Select two or more objects. 3 . Do one of the following: To apply the command directly to the objects, choose Window > Pathfinder, and choose Trap from the panel menu.
To the top Object stroked with fill color A. Overprinted stroke creates spread trap B. Fill creates knockout C. Area of trap D. Area of knockout Create a choke by entering the same color values for the Stroke as appear in the lighter background (again, using the Color panel); the Stroke and Fill values will differ.
To the top Trap a portion of an object 1 . Draw a line along the edge or edges that you want to trap. If the object is complex, use the Direct Selection tool to select the edges to be trapped, copy them, and choose Edit > Paste In Front to paste the copy directly on top of the original.
Automating tasks 502.
Automation with actions To the top To the top About actions Actions panel overview Play an action on a file Record an action Insert nonrecordable tasks into actions Insert a stop Change settings when .
To the top To the top To the top Play an action on a file Playing an action executes the action’s recorded commands in the active document. (Some actions require that you make a selection before playing; some can be executed on an entire file.) You can exclude specific commands from an action or play only a single command.
To the top To the top To the top 1 . Choose Insert Menu Item from the Actions panel menu. 2 . Select the command from its menu, or begin typing the command name in the text box, and click Find. Then click OK. Insert a path Select the path, and choose Insert Select Path from the Actions panel menu.
To the top To the top To the top To exclude or include all commands except the selected command, Alt -click (Windows) or Option -click (Mac OS) its check mark.
To the top 3 . Type a name for the set, choose a location, and click Save. You can save the file anywhere. You can save only the entire contents of a set in the Actions panel, not individual actions.
that saves files in a new format, record the Save As or Save A Copy command, followed by the Close command, as part of your original action. Then choose None for the Destination when setting up the batch process. To batch -process using multiple actions, create a new action, and record the Batch command for each action you want to use.
Automation with scripts To the top To the top Run a script Install a script When you run a script, your computer performs a sequence of operations. These operations may involve only Illustrator, or they may involve other applications, such as word -processing, spreadsheet, and database - management programs.
Data -driven graphics through templates and variables To the top Variables panel overview Create variables Edit variables Delete variables Edit dynamic objects Identifying dynamic objects using XML ID.
To the top To the top To the top To the top No Type (unbound) variable . You can sort the rows by clicking items in the header bar: by variable name, object name, or by variable type. Create variables You can create four types of variables in Illustrator: Graph Data, Linked File, Text String, and Visibility.
To the top To the top To the top Alt - click (Windows) or Option - click (Mac OS) a variable in the Variables panel. Select a variable in the Variables panel, and choose Select Bound Object from the Variables panel menu. To select all dynamic objects, choose Select All Bound Objects from the Variables panel menu.
To the top Save a template for data -driven graphics When you define variables in an Illustrator document, you are creating a template for data -driven graphics. You can save the template in SVG format for use with other Adobe products, such as Adobe® Graphics Server.
Graphs 514.
Graphs To the top Creating graphs Formatting graphs Adding pictures and symbols to graphs Creating graphs Graphs let you communicate statistical information in a visual way. In Adobe Illustrator, you can create nine different types of graphs and customize them to suit your needs.
Graph data window A. Entry text box B. Import data C. Transpose row/column D. Switch x/y E. Cell style F. Revert G. Apply 1 . Display the Graph Data window for an existing graph: select the entire graph with the Selection tool, and then choose Object > Graph > Data.
Total subscriptions 1996 Enter data sets for scatter graphs A scatter graph differs from the other kinds of graphs in that both axes measure values; there are no categories. Scatter graph data Enter data - set labels in every other cell along the top row of the worksheet, starting with the first cell.
To the top add each column’s values to the previous column’s totals. Therefore, even if area graphs and line graphs contain the same data, they appear substantially different. Radar graphs Each number is plotted on an axis and connected to the others in the same axis to create a “web.
4 . Choose Object > Graph > Type, or double - click the graph tool in the Tools panel. 5 . From the Value Axis pop - up menu, select the axis to which you want to assign the data.
3 . Do any of the following: To change the placement of the legend, select an option for Legend. To specify how multiple pie graphs are displayed, select an option for Position. To specify how wedges are sorted, select an option for Sort. Percentages and legends are painted black by default.
To the top legend. Each click adds another layer of grouped objects to the selection, beginning with the next group up in the hierarchy. You can click as many times as the number of groups to add to a selection. 4 . To deselect part of a selected group, select the Direct Selection tool , and Shift - click the object.
Import a column or marker design Illustrator comes with a variety of preset designs that you can use in your graphs. You can also transfer the graph designs you create between documents.
9 . Click New Design. You see a preview of the selected design. 10 . Click Rename to name the design. Sliding graph design with column totals Create a marker design 1 . Select and copy a marker rectangle from the graph, and paste it where you're going to create your design.
3 . Select the graph design that you want to paste into your artwork, and click Paste Design. 4 . Click OK. The graph design is pasted into your artwork.
Keyboard shortcuts 525.
Customizing keyboard shortcuts To the top Customize keyboard shortcuts Keyboard shortcuts make you more productive in Illustrator. You can use the default shortcuts included with Illustrator, or add and customize shortcuts to suit your needs.
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Default keyboard shortcuts To the top Keys for selecting tools Keys for viewing artwork Keys for drawing Keys for drawing in perspective Keys for selecting Keys for moving selections Keys for editing .
To the top Pencil tool N N Rotate tool R R Reflect tool O O Scale tool S S Warp tool Shift + R Shift + R Width Tool Shift+W Shift+W Free Transform tool E E Shape Builder Tool Shift+M Shift+M Perspecti.
To the top Switch to Zoom tool in reduce mode Ctrl + Alt + Spacebar Spacebar + Command + Option Move Zoom marquee while dragging with the Zoom tool Spacebar Spacebar Hide unselected artwork Control + .
To the top Keep the sides of a star straight Alt -drag Option - drag Switch between an open and closed arc Start dragging, then hold down C Start dragging, then hold down C Flip an arc, keeping the re.
To the top To the top drag the object drag the object Switching perspective planes Use the Perspective Selection tool and then press 1 for left grid, 2 for horizontal grid, 3 for right grid, or 4 for .
To the top To the top Constrain movement to 45° angle (except when using Reflect tool) Hold down Shift Hold down Shift Set keyboard increments in General Preferences Keys for editing shapes This is not a complete list of keyboard shortcuts. This table lists only those shortcuts that are not displayed in menu commands or tool tips.
To the top To the top Add new fill Ctrl + / (forward slash) Command + / (forward slash) Add new stroke Ctrl + Alt + / (forward slash) Command + Option + / (forward slash) Reset gradient to black and w.
To the top To the top using Rotate tool, Scale tool, Reflect tool, or Shear tool Duplicate and transform selection when using Selection tool, Scale tool, Reflect tool, or Shear tool Alt - drag Option .
To the top To the top Increase or decrease leading Alt + Up or Down Arrow (horizontal text) or Right or Left Arrow (vertical text) Option + Up or Down Arrow (horizontal text) or Right or Left Arrow (v.
To the top To the top To the top To the top button Begin recording actions without confirmation Alt - click New Action button Option - click New Action button Keys for the Brushes panel This is not a complete list of keyboard shortcuts. This table lists only those shortcuts that are not displayed in menu commands or tool tips.
To the top To the top Result Windows Mac OS Duplicate color stops Alt - drag Option - drag Swap color stops Alt - drag color stop onto another stop Option -drag color stop onto another color stop Appl.
To the top To the top To the top Result Windows Mac OS Create new spot color Ctrl - click New Swatch button Command -click New Swatch button Create new global process color Ctrl + Shift - click New Sw.
Show/hide Info panel Ctrl + F8 Command + F8 Show/hide Gradient panel Ctrl + F9 Command + F9 Show/hide Stroke panel Ctrl + F10 Command + F10 Show/hide Attributes panel Ctrl + F11 Command + F11 Revert F.
Ein wichtiger Punkt beim Kauf des Geräts Adobe Illustrator CC (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Adobe Illustrator CC noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Adobe Illustrator CC - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Adobe Illustrator CC reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Adobe Illustrator CC erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Adobe Illustrator CC besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Adobe Illustrator CC verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Adobe Illustrator CC. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Adobe Illustrator CC gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
