Benutzeranleitung / Produktwartung M-300 des Produzenten Roland
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Copyright © 2010 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Owner’s Manual Owner’s Manual *5100014641-02* Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p.
2 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
3 001-50 ● Connect mains plug of this model to a mains socket outlet with a protective earthing connection. ................................................................................................................................. 002a ● Do not open or perform any internal modifications on the unit.
4 012a ● Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as lis.
5 118b, 118c ● Keep the USB memory cover, the REAC caps, the grounding terminal screw, the lithium battery, the battery panel, the battery panel screws and any fader knobs you may remove and the inc.
6 IMPORTANT NOTES Power Supply 301 ● Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor.
7 IMPORTANT NOTES Memory Backup 501b ● This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display.
8 IMPORTANT NOTES Regarding the CAT5e cable ● In order to keep superb digital transfer quality by REAC, please make sure to use following optional cables for 100m CAT5e cable: • SC-W100S 100M CAT5.
9 Contents ................................................................................................................. 3 IMPORTANT NOTES ................................................................................ 6 Contents ................
10 4-band EQ/8-band EQ .......................................................................... 80 4-band EQ operations (CH1–32) ......................................................................................................................
11 Using the USB memory recorder .................................................................................................................................... 125 User settings ...................................................................
12 Pitch shift ................................................................................................................................................................................. 212 GEQ ..................................................
13 Introduction Introduction The following items are included with the M-300. Make sure that all of them are present: • The M-300 itself • Power cord * Use only the power cord that was included with the M-300.
14 Introduction Introduction Ethernet connectors Ethernet cables use RJ45 plugs. REAC equipment provides an RJ45 connector for each REAC port. fig.RJ45andREAC-j.eps For critically important communication, it is vital to protect the RJ45 plug and connector.
15 Introduction Introduction Placement You must attach the ferrite cores before using the M-300. This is for the purpose of preventing electromagnetic noise; do not remove it. 1. Spread the tabs, and open the ferrite core. fig.core1.eps 2. Attach a ferrite core near the RJ45 plug on the Ethernet cable.
16 Introduction Introduction Connect one end of the supplied AC power cord to a grounded AC outlet, and the other end to the AC INPUT connector to provide power for the M-300’s internal power supply. Use only the supplied power cords to prevent damage to the units.
17 Introduction Introduction Turning the power on/off 941 Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
18 Introduction Introduction The M-300 has an internal lithium battery that backs up the clock function and the mixer settings. If this battery runs down, the clock function and the feature that provides for the reinstatement of the mixer settings that existed prior to switching off the power will no longer operate correctly.
19 Introduction Introduction About USB memory The M-300 can use USB memory to store and read a variety of data. • Record and play WAV files using the USB Memory Recorder • Save and load user settings files • Back up and recover internal mixer data Carefully insert the USB memory all the way in—until it is firmly in place.
20 Explanation of the panels Explanation of the panels fig.TopPanelGuide.eps Top panel/Front panel Fader module section p. 21 Layer section p. 21 Main fader module p. 22 CHANNEL EDIT section p. 22 Display p. 25 Function button section p. 25 Screen controller section p.
21 Explanation of the panels Explanation of the panels fig.FaderModSectGuide.eps This section lets you control the 16 channels you selected in the Layer section. SEL buttons Use these buttons to select the channel that you want to control in the CHANNEL EDIT section or in the screen.
22 Explanation of the panels Explanation of the panels fig.MainFaderModGuide.eps SEL button This button selects the MAIN channel so that it can be controlled from the CHANNEL EDIT section or in the screen. It will light if the MAIN channel is selected.
23 Explanation of the panels Explanation of the panels PREAMP area fig.ChEdtPreamp.eps • GAIN knob This adjusts the preamp gain of CH1–32. When ATT Ctrl (p. 48) at the CHANNEL DISPLAY screen is on, this always adjusts the attenuator. This adjusts the attenuator of AUX1–8, MTX1–4, or MAIN L/R/ C.
24 Explanation of the panels Explanation of the panels GATE area fig.ChEdtGate.eps In this area you can operate the gate/expander that is provided for CH1– 32 . • DISP button This accesses the GATE/EXPANDER popup where you can make detailed settings.
25 Explanation of the panels Explanation of the panels fig.DisplayGuide.eps This area shows mixer parameters, system settings, and meters. You can use the CHANNEL EDIT section, the function button section, and the screen controller section to perform operations in the display.
26 Explanation of the panels Explanation of the panels fig.GroupSectGuide.eps DCA button This button accesses the DCA GROUP screen where you can control the DCA groups and make settings for them.
27 Explanation of the panels Explanation of the panels fig.TalkbackOscSectGuide.eps MIC LEVEL knob This adjusts the preamp gain of the talkback mic input over a range of -10dBu–65dBu. In the TALKBACK/OSCILLATOR screen, you can select a talkback mic input from the CONSOLE INPUT 1–4.
28 Explanation of the panels Explanation of the panels fig.RearPanelGuide.eps Rear panel CONSOLE INPUT jacks p. 29 CONSOLE OUTPUT jacks p. 29 REAC A, B ports p. 30 USB connector p. 30 MIDI connectors p. 30 RS-232C/MIDI select switch p. 30 RS-232C connector p.
29 Explanation of the panels Explanation of the panels fig.ConsInJackGuide.eps CONSOLE INPUT 1–4 These are balanced XLR-3-31 female input jacks for inputting analog audio signals from microphones or line level equipment. By default they are patched to CH17–20.
30 Explanation of the panels Explanation of the panels fig.REACPortGuide.eps These are RJ45 connectors for connecting input/output units such as the S-1608, S-0816, or S-4000S via Cat5e Ethernet cables. These connectors support Cat5e Ethernet cables up to 100 meters long.
31 Explanation of the panels Explanation of the panels fig.DigiOutJackGuide.eps This is optical type jack that outputs a consumer format (IEC- 60958 compliant) digital audio signal. By default, MONITOR L/R is patched to these jacks. 988 You can attach a commercially available security lock here.
32 Basic operation Basic operation Basic panel operations fig.LayerBtn.eps Use the buttons of the Layer section to select the channel layer that will be controlled by the fader module section. Each channel layer assigns the following channels to the fader module section: Here’s how to edit the channel parameters.
33 Basic operation Basic operation When you press a screen select button that’s lit in green, or a screen select button that has a blue border, the corresponding screen or popup will appear, and the button will light in red. The following illustration shows the name of the screen or popup that appears for each button: fig.
34 Basic operation Basic operation fig.ScrGuide.eps Screen operations About the screen display 1 2 3 4 Top display area fig.ScrTBScrDisp.eps This area is always shown in the upper part of the screen. Screen name This shows the name of the screen currently shown in the main display area.
35 Basic operation Basic operation Sub-display area This area shows supplementary information. The following information is shown: ● Indication of the currently edited parameter value fig.
36 Basic operation Basic operation Buttons in the screen are used to turn a function on/off, to execute a command, or to access a screen. To operate a button, move the cursor to the desired button and press [ENTER]. ● ON/OFF buttons ffig.BtnOnOff.eps These are used to turn a parameter or function on/off.
37 Basic operation Basic operation You’ll use the NAME EDIT popup to edit names. Here we’ll explain operations that are common to the NAME EDIT popup.
38 Basic operation Basic operation 1. Access the desired LIBRARY popup. fig.ScrChLib.eps 2. Verify that the desired channel or effect is shown as the object of the store operation. 3. Select the desired number in the library data list. You cannot store to the numbers in which “PRESET” or “LOCK” is shown.
39 Basic operation Basic operation You can assign a name of up to twelve characters to user data. Use the NAME EDIT popup to edit the name. 1. Access the desired LIBRARY popup. fig.ScrChLib.eps 2. From the library data list, select the desired library data.
40 Input channel operations Input channel operations The input channels process the audio signals from the input jacks and internal ports, and send them to the MAIN bus and AUX/MTX buses.
41 Input channel operations Input channel operations Most input channel operations can be performed in the CHANNEL EDIT section. Here we will explain input channel operations using the CHANNEL EDIT section. fig.ChEditSection.eps Operations using the CHANNEL EDIT section 1.
42 Input channel operations Input channel operations Use the PREAMP area of the CHANNEL EDIT section to adjust the preamp gain. fig.ChEdtPreamp.eps Turning +48V phantom power on/off 1. Press [+48V] to turn +48V phantom power on/off. If +48V phantom power is on, the [+48V] button will light.
43 Input channel operations Input channel operations Use the EQUALIZER area of the CHANNEL EDIT section to operate the EQ. fig.ChEdtEQ.eps 1. Press [ON] to turn the 4-band EQ on/off. 2. Use the band selection button ([LO]/[LO MID]/[HI MID]/ [HI]) to select the band.
44 Input channel operations Input channel operations The principal parameters of an input channel can be operated in the CHANNEL DISPLAY screen. fig.ScrChDispGuide.epsz The principal operations for an input channel can be performed in the CHANNEL DISPLAY screen.
45 Input channel operations Input channel operations ATT (Attenuator) fig.ScrChATT.eps OL (Overload) indicator This will light red when the output of the attenuator exceeds the OVER Lev setting specified in the METER SETUP popup (p. 96). ATT knob This adjusts the input level of the channel in a range of -48.
46 Input channel operations Input channel operations Insert indication fig.ScrChIns.eps FX INS If FX1–FX4 are inserted, the number of the inserted FX is shown here. If the number is shown in white, the effect insertion is enabled. If it is shown in gray, effect insertion is bypassed.
47 Input channel operations Input channel operations AUX/MTX SENDS fig.ScrChSends.eps Here you can adjust the sends from the channel to the AUX1–8 or MTX1–4 buses. ● AUX/MTX sends The AUX/MTX sends are organized as follows: fig.ScrChSendField.eps AUX/MTX number This indicates the AUX/MTX number.
48 Input channel operations Input channel operations Group fig.ScrChGroup.eps This indicates whether the channel is assigned to a DCA group or a MUTE group. If you move the cursor to DCA GROUP or MUTE GROUP and press [ENTER], the GROUP ASSIGN popup will appear, allowing you to make DCA group or MUTE group assignments.
49 Input channel operations Input channel operations 1. In the fader module section, press [SEL] to select a channel. 2. In the CHANNEL EDIT section, press [CH DISP] to access the CHANNEL DISPLAY screen. fig.ScrChDisp.eps Pressing a different [SEL] while the CHANNEL DISPLAY screen is shown will switch you to the display for that channel.
50 Input channel operations Input channel operations You can specify a channel name and color label for each input channel. The channel name can be up to six characters, and you can select one of eight colors as the color label. Channel name entry and color label selection are done in the NAME EDIT popup.
51 Input channel operations Input channel operations 1. Access the NAME EDIT popup for the desired channel. fig.ScrChNameEdit.eps 2. Move the cursor to the CATEGORY list in the TEMPLATE area, and select the category of the name you want to enter. 3. Move the cursor to the NAME list in the TEMPLATE area, and select the name that you want to enter.
52 Input channel operations Input channel operations 5. Press [F3 (PASTE)]. COPYCHConf1.eps A confirmation message will appear, asking you to confirm the Copy operation. 6. Press [F8 (PASTE)] to execute the Copy. If you press [F7 (CANCEL)], the operation will be cancelled.
53 Input channel operations Input channel operations Input channels can be assigned to DCA groups and mute groups. Assignments to DCA groups and mute groups are made in the GROUP ASSIGN popup. 1. Access the CHANNEL DISPLAY screen for the desired channel.
54 AUX, MTX, MAIN operations AUX, MTX, MAIN operations The AUX and MAIN process the mixed audio signals from the input channels, and send them to the output ports. MTX (MATRIX) process a mix of the audio signals from input channels, AUX1–8, and MAIN, and send them to an output ports.
55 AUX, MTX, MAIN operations AUX, MTX, MAIN operations Most operations for the AUX, MTX, and MAIN can be performed in the CHANNEL EDIT section. Here we will explain channel operations using the CHANNEL EDIT section. fig.ChEditSection.eps Operations using the CHANNEL EDIT section 1.
56 AUX, MTX, MAIN operations AUX, MTX, MAIN operations Use the PREAMP area of the CHANNEL EDIT section to adjust the attenuator. 1. Use the GAIN dial to adjust the attenuator. fig.ChEdtPreamp.eps This operation is performed in the COMP area of the CHANNEL EDIT section.
57 AUX, MTX, MAIN operations AUX, MTX, MAIN operations This operation is performed in the AUX/MTX SENDS area of the CHANNEL EDIT section. You can adjust the send level in either of two ways: operating on AUX/MAIN, or operating on MTX. fig.ChEdtAux.eps Operating on AUX/MAIN 1.
58 AUX, MTX, MAIN operations AUX, MTX, MAIN operations The principal parameters of the AUX, MTX, and MAIN can be operated in the CHANNEL DISPLAY screen. a fig.ScrChMainGuide.eps Operations in the CHANNEL DISPLAY screen CHANNEL DISPLAY screen 2 1 3 4 5 10 11 9 8 6 7 ATT (Attenuator) fig.
59 AUX, MTX, MAIN operations AUX, MTX, MAIN operations For details, refer to “Limiter operations ” (p. 78). Insert indication fig.ScrChInsOut.eps FX INS If FX1–FX4 are inserted, the number of the inserted FX is shown here. If the number is shown in white, the effect insertion is enabled.
60 AUX, MTX, MAIN operations AUX, MTX, MAIN operations MTX SENDS (AUX, MAIN only) fig.ScrMtxSends.eps Here you can adjust the sends from the AUX1–8 or MAIN L/ R/C to the MTX1–4. ● MTX sends 1––4 The MTX send area is structured as follows: fig.
61 AUX, MTX, MAIN operations AUX, MTX, MAIN operations PAN • When LCR button is off This adjusts the left/right panning of the audio signal sent to the MAIN L/R buses in a range of L63–R63. • When LCR button is on This adjusts the left/center/right panning of the audio signal sent to the MAIN L/R/C buses in a range of L63–R63.
62 AUX, MTX, MAIN operations AUX, MTX, MAIN operations DELAY fig.ScrChDelay.eps DELAY button This turns the delay on/off. DELAY TIME This indicates the delay time in milliseconds. DELAY knob This adjusts the amount of delay in a range of 0.0ms– 400.
63 AUX, MTX, MAIN operations AUX, MTX, MAIN operations 1. In the fader module section, press [SEL] to select channel. Each time you press the MAIN [SEL], it will select the MAIN L, MAIN R, or MAIN C one after another. 2. In the CHANNEL EDIT section, press [CH DISP] to access the CHANNEL DISPLAY screen.
64 AUX, MTX, MAIN operations AUX, MTX, MAIN operations If you turn [F1 (LINK to MAIN L/R)] on, you’ll be able to use the MAIN fader to control MAIN L/R and MAIN C simultaneously, while maintaining the fader balance between MAIN L/R and MAIN C. By default, [F1 (LINK to MAIN L/R)] is on.
65 AUX, MTX, MAIN operations AUX, MTX, MAIN operations The function buttons have the following operations: 3. Move the cursor to the desired copy parameter select button, and press [ENTER] to select it. 4. Move the cursor to the desired copy-destination channel select button, and press [ENTER] to select it.
66 AUX, MTX, MAIN operations AUX, MTX, MAIN operations Noise may occur when you preview or recall a library item, but this is not a malfunction. The function buttons have the following operations: For details on library operations, refer to “Library operations” (p.
67 AUX, MTX, MAIN operations AUX, MTX, MAIN operations You can copy the mix from one MTX to another MTX. Use the COPY MTX MIX popup to perform this operation. 1. Access the CHANNEL DISPLAY screen for the desired copy-source MTX. fig.ScrChDispMtx.eps 2.
68 Dynamics Dynamics A gate/expander is provided on CH1– 32 , and can be used as a gate, an expander, or a ducking processor. A gate applies a user-adjustable level of attenuation (RANGE) to input signals that are lower than the threshold level. ffig.
69 Dynamics Dynamics fig.PopGateGuide.eps KEY-IN meter This indicates the level of the key-in signal. For stereo-linked channels, two meters are shown (L and R). IN meter This indicates the input level to the gate/expander. For stereo-linked channels, two meters are shown (L and R).
70 Dynamics Dynamics Expander fig.PopExpGuide.eps THRESH knob This adjusts the threshold level in a range of -80.0 dB–0.0 dB. RATIO knob This adjusts the RATIO in a range of 1.00:1–INF:1 (14 steps). ATTACK knob This adjusts the ATTACK time in a range of 0.
71 Dynamics Dynamics KEY-IN SELECT popup button This accesses the KEY-IN SELECT popup where you can select the key-in signal. For stereo-linked channels, there will be two (L and R). The channel currently selected as the key-in signal is shown on the button.
72 Dynamics Dynamics The key-in signal used by the gate/expander is taken from the post-HPF point of the channel itself or any of the following sources: • CH1–32 Direct out • AUX1–8, MTX1–4, MAIN L/R/C output • REAC A IN1–40 • REAC B IN1–40 • CONSOLE IN1–12 fig.
73 Dynamics Dynamics 1. Access the GATE EXPANDER popup. fig.PopGate.eps 2. Press [F1 (OVERVIEW)] to access the GATE/EXPANDER OVERVIEW popup. fig.ScrGateOverview.eps This shows the overall gate/expander status for CH1– 32 . fig.ScrGateOverviewGuide2.
74 Dynamics Dynamics Compressors are provided on CH1– 32 . They apply a user-adjustable ratio of attenuation to input signals that exceed the threshold level.
75 Dynamics Dynamics GAIN knob This adjusts the GAIN in a range of -40.0 dB–+40.0 dB. This adjusts the output level of the compressor. If AUTO GAIN is on, the GAIN will have an effective range of -40.0 dB– +6.0 dB. If the GAIN value is outside the effective range, the value will be shown in red.
76 Dynamics Dynamics The key-in signal used by the compressor is taken from the post- gate point of the channel itself or any of the following sources: • CH1–32 Direct out • AUX1–8, MTX1–4, MAIN L/R/C output • REAC A IN1–40 • REAC B IN1–40 • CONSOLE IN1–12 ig.
77 Dynamics Dynamics 1. Access the COMPRESSOR popup. fig.PopComp.eps 2. Press [F1 (OVERVIEW)] to access the COMPRESSOR OVERVIEW popup. fig.ScrCompOverview.eps This shows the overall compressor status for CH1– 32 . fig.ScrCompOverviewGuide2.eps Channel number Channel name ON button This turns the compressor on/off.
78 Dynamics Dynamics Limiters are provided on each AUX1–8, MTX1–4, and MAIN L/R/C. They attenuate the signal so that the output does not exceed the threshold level.
79 Dynamics Dynamics Parameters In this field you can edit the compressor parameters. fig.PopLmtGuide2.eps THRESH knob This adjusts the threshold level in a range of -40.0 dB–0.0 dB. ATTACK knob This adjusts the ATTACK time in a range of 0.0 ms–800.
80 4-band EQ/8-band EQ 4-band EQ/8-band EQ 4-band EQ is provided on each input channel. The LO and HI bands provide shelving-type or peaking-type filters, and the LO-MID and HI-MID bands provide peaking-type filters. fig.EQCurve.eps The 4-BAND EQ popup is used to perform 4-band EQ operations.
81 4-band EQ/8-band EQ 4-band EQ/8-band EQ GAIN knob This adjusts the gain of each band in a range of -15.0 dB– +15.0 dB. Noise may occur when you operate the HPF or 4-band EQ, but this is not a malfunction. The function buttons have the following operations: 1.
82 4-band EQ/8-band EQ 4-band EQ/8-band EQ 8-band EQ operations (AUX/MTX/MAIN) 8-band EQ is provided on AUX1–8, MTX1–4, and MAIN L/R/C. You can select one of the three filter types on band 1 and band 8. Band 2–7 provide peaking-type filters. The 8-BAND EQ popup is used to perform 8-band EQ operations.
83 4-band EQ/8-band EQ 4-band EQ/8-band EQ 1. Access the 8-BAND EQ popup. fig.Pop_8BandEQ.eps 2. Press [F6 (FLAT)]. fig.ScrEQFlatConf.eps A confirmation message will ask you to confirm the operation. 3. Press [F8 (FLAT)]; the gain of each band will be set to 0.
84 AUX send/MTX send AUX send/MTX send The AUX/MTX sends are used to send audio signals from input channels to AUX1–8 and MTX1–4. fig.InBlkSends.eps The AUX/MTX SENDS popup is used to perform AUX/MTX send operations.
85 AUX send/MTX send AUX send/MTX send fig.PopAuxSendField2Guide.eps Pan slider This adjusts the left/right panning of the signal sent to the stereo-linked AUX /MTX in a range of L63–R63.
86 AUX send/MTX send AUX send/MTX send The MTX sends are used to send audio signals from AUX1–8 or MAIN L/R/C to MTX1–4. fig.OutBlkMtxSends.eps The MTX SENDS popup is used to perform MTX send operations.
87 AUX send/MTX send AUX send/MTX send If MTX is stereo-linked, the following parameters will be shown for the odd-numbered MTX send: fig.PopMtxSendField2Guide.eps Pan slider This adjusts the left/right panning of the signal send to the stereo-linked MTX in a range of L63–R63.
88 Input/output patchbay Input/output patchbay When the M-300 is in its default state, the input patch bay is set as follows: You can also use the EFFECTS screen to patch a effect output to a channel. For details, refer to “Using an effect via send/return ” (p.
89 Input/output patchbay Input/output patchbay Patchbay operations You can change the settings of the input/output patchbays. Use the PATCHBAY screen to perform patchbay operations. 1. In the SETUP section of the top panel, press [PATCHBAY]. fig.ScrPatchGuide.
90 Input/output patchbay Input/output patchbay Input patchbay operations 1. Access the PATCHBAY screen. fig.ScrPatchIn1608.eps 2. Press [F1 (INPUT)] to access the INPUT tab. 3. Press [F3 (REAC A)], [F4 (REAC B)], or [F5 (CONSOLE)] to select the desired location for the input jack.
91 Input/output patchbay Input/output patchbay You can setup the preamp gain of the input jacks directly. It is useful when an input jack is not patched to M-300’s input channel, but is a split source used for a multi-channel recording system. 1. Access the PATCHBAY screen.
92 Input/output patchbay Input/output patchbay Output patchbay operations 1. Access the PATCHBAY screen. fig.ScrPatchIn1608.eps 2. Press [F2 (OUTPUT)] to access the OUTPUT tab. fig.ScrPatchOut1608.eps 3. Press [F3 (REAC A)], [F4 (REAC B)], or [F5 (CONSOLE)] to select the desired location for the output jack.
93 Input/output patchbay Input/output patchbay The function buttons have the following operations: For details on library operations, refer to “Library operations” (p. 37). [F3 (NAME EDIT)] Accesses the NAME EDIT popup. [F4 (RECALL)] Recalls the selected library data.
94 Metering Metering Here we will explain the METER screen, which shows the levels of the channels. 1. Press the top panel [METER] button. fig.ScrMeter.eps The METER screen will appear. The content shown in the METER screen changes when you switch tabs.
95 Metering Metering Viewing the channel strip of the channel layer You can view the channel strip of all of the input channels or output channels in the current layer of the top panel. To view the channel strips, use the LAYER VIEW tab of the METER screen.
96 Metering Metering Editing the meter settings In the METER SETUP popup you can change the level detection point of the meter, and make peak hold settings. 1. Press [METER] to access the METER screen. fig.ScrMeter.eps 2. Press [F6 (METER SETUP)] to access the METER SETUP popup.
97 Metering Metering Listing the channel names and group names fig.ScrMeterList_Guide.eps Name list This lists the names of each channel and group. fig.List_Compo_Guide.eps Name This is the name of the channel or group. If you move the cursor to the name of a channel, that channel will become the selected channel.
98 Effects Effects fig.EffectDia.eps The M-300 contains four internal effects (FX1–FX4), each of which allows you to select from 11 different effect types including reverb, delay, and 31-band GEQ.
99 Effects Effects ● Dual mono fig.ScrFxTypeMM.eps This allows the effect to be used as two monaural effects. These effects are used mainly for insertion in a channel. ● Singe mono fig.ScrFXTypeSingleMono.eps This is a singe monaural type effect. Only L side of the effect is available.
100 Effects Effects Effect input/output settings The FX INSERT/SOURCE SELECT popup and the FX DESTINATION SELECT popup are used to select the input-source and output- destination for the effect.
101 Effects Effects Current output-destination indication This indicates the current output-destination channel. If more than one output-destination channel are exist, the lowest number channel is shown. The function buttons have the following operations: Effects such as reverb and delay are typically used in a send/ return configuration.
102 Effects Effects Editing effect parameters The FX EDIT popup is used to edit the effect parameters. 1. Access the EFFECTS screen. fig.ScrFxRack.eps 2. According to the FX that you want to use, press [F 1 (EDIT FX1)]–[F 4 (EDIT FX4)]. ffig.ScrFxEditGuide.
103 Effects Effects Applicable effect indicator This indicates the FX to which the FX LIBRARY popup applies. RAM Access field fig.RAMaccess.eps This area indicates the amount of RAM access used for each of the currently operating FXs. You can also check the amount of RAM access available for the selected FX.
104 Effects Effects Using the 31-band GEQ Recalling “GEQ x1” on the FX LIBRARY popup allows you to use the FX as a 31-band GEQ. 1. Access the FX LIBRARY popup for the desired effect. fig.Library_FX.eps 2. From the library data list, select the data the “TYPE” column of which is “GEQ x1”, and press [F4 (RECALL)].
105 Effects Effects fig.ScrFXEdit_GEQ_Guide.eps GEQ faders For each frequency band, these adjust the amount of boost or cut in a range of -15.0dB– +15.0dB. The value of the fader you operate is shown in the sub- display area. Noise may occur when you operate the GEQ faders, but this is not a malfunction.
106 Inserting an external effects device Inserting an external effects device fig.ExtInsDia.eps You can use the CONSOLE IN 5 –8 and CONSOLE OUT 5 –8 jacks located on the M-300’s rear panel to insert up to four external effects devices into channels.
107 Inserting an external effects device Inserting an external effects device Inserting an external effects device into a channel To insert an external effects device into a channel, connect the CONSOLE IN jack and CONSOLE OUT jack to your external effects device, and insert the corresponding EXT FX into the desired channel.
108 DCA groups DCA groups DCA grouping is a function that lets you make relative adjustments to the output level of channels so that the level of multiple channels belonging to a group can be controlled together. fig.DCAGuide.eps A channel can belong to more than one DCA group.
109 DCA groups DCA groups 1. Access the DCA GROUP ASSIGN popup for the desired DCA group. fig.ScrDCAGroupAssign.eps 2. Verify that the target DCA group is correct. 3. Move the cursor to the desired channel select button, and press [ENTER] to select it.
110 Mute groups Mute groups Mute grouping is a function that lets you control the mute status of multiple channels belonging to a mute group. A channel can belong to more than one mute group. The MUTE GROUP screen is used to make mute group settings. 1.
111 Mute groups Mute groups 3. Move the cursor to the desired channel select button, and press [ENTER] to select it. 4. Press [F8 (CLOSE)] to close the popup. When the MUTE GROUP ASSIGN popup is displayed, you can press a top panel [SEL] to turn on/off the corresponding channel’s assignment to the mute group.
112 Talkback/Oscillator Talkback/Oscillator fig.TB-OSCFlow.eps Talkback is a function that sends the input of a mic connected to the CONSOLE IN1–4 on the rear panel jack to an AUX, MTX, MAIN L/R/C, or the output patchbay. This is useful when the mixer operator needs to convey instructions to performers on stage or to staff.
113 Talkback/Oscillator Talkback/Oscillator MIC SELECT buttons These select the CONSOLE IN that connects a talkback mic. The preamp gain of the selected CONSOLE IN will be locked by the MIC LEVEL knob on the TALKBACK/OSC section. If you don’t use talkback, select “NONE”.
114 Monitor/Solo Monitor/Solo fig.MonitorFlow.eps Monitoring is a function by which the AUX, MTX, MAIN , or USB memory recorder signal that you select as the monitor source can be sent from the output jacks or headphone jack. This is used mainly by a mixing engineer to monitor the signals.
115 Monitor/Solo Monitor/Solo SOLO MODE select buttons These select the solo mode from the following choices: SOLO Lev knob This adjusts the solo level in a range of -Inf dB–+10.0 dB. The solo output level is affected not only by the SOLO Lev knob, but also by the LEVEL knob in the monitor section or by the LEVEL knob of the PHONES jack.
116 Scene memory Scene memory Scene memory is a function that lets you store mixer parameters as a scene, and recall them when desired. Scene memory is a function that lets you store and recall mixing parameters as “scenes.” The M-300 can store 300 scenes in its internal memory, and you can assign a sixteen-character name to each scene.
117 Scene memory Scene memory fig.SceneMemSectGuide.eps The top panel SCENE MEMORY section is used to perform scene memory operations. DISP button This button accesses the SCENE screen where you can manage the scene list and make scene settings. RECALL button This recalls the mixer parameters from the currently selected scene number.
118 Scene memory Scene memory The SCENE screen is used to edit the scene list and make various scene settings. 1. In the SCENE MEMORY section, press [DISP]. fig.ScrScene_Guide.eps The SCENE screen will appear. Scene list This lists the scenes. The current scene is shown in green.
119 Scene memory Scene memory Memory number This specifies the M-48 memory number that will be recalled for all connected M-48 units. RECALL PARAMETERS select buttons These buttons specify the parameters that will be recalled if the recall filter is turned on.
120 Scene memory Scene memory You can assign a name of up to sixteen characters to each scene. 1. Access the SCENE LIST EDIT popup. 2. From the scene list, select the scene whose name you want to edit. 3. Press [F1 (NAME EDIT)]. fig.ScrNameEdit.eps The NAME EDIT popup will appear.
121 Scene memory Scene memory 1. Access the SCENE LIST EDIT popup. 2. From the scene list, select the scene whose contents you want to erase. 3. Press [F6 (CLEAR)]. A message will ask you to confirm the Clear operation. Press [F8 (CLEAR)] to carry out the Clear operation.
122 Scene memory Scene memory OTHER parameter recall scope buttons Use these to specify other parameters that will be included in the scope of recall. Select the parameters that you want to include in the scope of recall, and de-select the parameters that you don’t want to be recalled.
123 Scene memory Scene memory By holding down [SHIFT] and pressing [ ] or [ ], you can quickly move the cursor between the name edit field and M-48 MEMORY. You can press [F6 (MEMORY LIST)] to access the M-48 MEMORY LIST popup, where you can view the M-48’s memory names.
124 USB memory recorder USB memory recorder The M-300 provides a two-track recorder function that uses USB memory. This function allows you to choose any two sources from AUX1– 8 , MTX1– 4 , MAIN .
125 USB memory recorder USB memory recorder USB memory recorder settings are made in the RECORDER screen. 1. In the USB MEMORY RECORDER section, press [DISP]. fig.ScrRecorderGuide.eps The RECORDER screen will appear. The USB memory recorder plays WAV files located in the “/ RSS/M-400/SONGS” folder of USB memory in the order of their name.
126 USB memory recorder USB memory recorder If more than one output-destination channel are exist, the lowest number channel is shown. The function buttons have the following operations: By default, the input of the USB memory recorder are specified as follows: The RECORDER SOURCE SELECT popup is used to specify the input.
127 USB memory recorder USB memory recorder fig.ScrRcdrDestSelectGuide.eps The RECORDER DESTINATION SELECT popup will appear. Output-destination select buttons Use these to select the output-destination channel for the USB memory recorder. You can select more than one output-destination channel.
128 User settings User settings About user settings Each user who uses the M-300 can have their own individual user settings. These settings can be used according to the level of the user to restrict .
129 User settings User settings 1. In the USER section, press [DISP]. fig.ScrUserGuide.eps The USER screen will appear. Current user indication This shows the current user name. User list (Internal) User list (USB memory) This lists the user settings saved in internal memory and in USB memory.
130 User settings User settings ENTER PASSWORD popup. fig.ScrUserPwdErr.eps You can create user settings if the current user setting has ADMIN privileges. User settings are created on USB memory. 1. Connect USB memory to the USB memory connector. 2. Access the USER screen.
131 User settings User settings Here’s how to save the current user settings in USB memory. This can be done if the current user setting is other than ADMIN or GUEST. 1. Connect USB memory to the USB memory connector. 2. Access the USER screen. fig.
132 User settings User settings You can change the password for ADMIN or USER settings. If you have specified a password, an ENTER PASSWORD popup will appear when you switch user settings. If you don’t specify a password, you won’t need to enter a password when you switch users.
133 User settings User settings Limiting the range of possible operations You can limit the range of operations that are possible by editing the user levels to correspond to the user settings. You edit the user level at the USER LEVEL popup. 1. Access the USER screen.
134 User settings User settings The USER LEVEL popup is used to edit the user level. You can’t specify the user level for ADMIN. 1. Access the USER screen. fig.ScrUser.eps 2. From the user list, select the desired user. 3. Press [F5 (USER LEVEL)]. fig.
135 User settings User settings Applicable user indication This indicates the user settings to which the USER PREFERENCE popup applies. User fader assign 1– 16 This area indicates the channels that are assigned to user faders 1– 16 . The function buttons have the following operations: 5.
136 User settings User settings Editing the user button The user buttons are a function for assigning desired functions to the [1] through [8] buttons on the USER section (p.
137 User settings User settings Editing other user preferences 1. Access the USER screen. fig.ScrUser.eps 2. From the user list, select the desired user. 3. Press [F6 (USER PREF)]. The USER PREFERENCE popup will appear. 4. Press [F 5 (OTHER)] to access the OTHER tab.
138 REAC applications and settings REAC applications and settings REAC applications This chapter explains more advanced ways to use REAC. For basic information about REAC, refer to “Basic knowledge about REAC” (p.
139 REAC applications and settings REAC applications and settings REAC connection examples Here we show some examples of REAC setups and connections. For details on REAC settings for the M-300, refer to “REAC settings” (p. 140). Set the M-300’s REAC setting to FOH (p.
140 REAC applications and settings REAC applications and settings Set the M-300’s REAC setting to MONITOR/BROADCAST A (p. 140). REAC A will be the REAC split , and REAC B will be the REAC master .
141 REAC applications and settings REAC applications and settings refer to “REAC connection examples ” (p. 139). 5. Use the setup display area to check the input/output unit connections, REAC mode settings for the input/output units, and the signal flow.
142 REAC applications and settings REAC applications and settings Editing the S-4000M’s Input/Output Settings The S-4000M has a Merge patchbay and an Output patchbay (Output patchbay supports S-0808 8x8 I/O UNITS only). You can edit the S-4000M’s Merge/Output patchbays using S-4000 RCS to change input/output assignments.
143 REAC applications and settings REAC applications and settings 1. In the SETUP section, press [SYSTEM] to access the SYSTEM screen. fig.ScrSystem.eps 2. Press [F2 (REAC CONFIG)]. The REAC CONFIG popup will appear. 3. Select the target REAC port by pressing [F2 (REAC A)] or [F3 (REAC B)].
144 REAC applications and settings REAC applications and settings Merge Patchbay Operations 1. Access the S-4000M CONFIGURATION popup. 2. Press [F1 (MERGE)] to access the MERGE tab. fig.S4M_Config_IN_Guide.eps Merge Patchbay This part displays overall view of the S-4000M’s merge patchbay.
145 REAC applications and settings REAC applications and settings Output Patchbay Operations (S-0808) 1. Access the S-4000M CONFIGURATION popup. 2. Press [F2 (OUTPUT)] to access the OUTPUT tab. fig.S4M_Config_OUT_Guide.eps Output Patchbay This part displays overall view of the S-4000M’s output patchbay.
146 REAC applications and settings REAC applications and settings Splitting Merged Inputs (S-4000M's Split Function) By using the S-4000M’s Split Function, you can split the merged inputs (being sent to the M-300) to REAC port 4 of the S-4000M.
147 REAC applications and settings REAC applications and settings Saving/Loading the S-4000M’s Input/Output Setups You can save/load the S-4000M input and output setups to a USB memory as an S-4000M Input/Output Setup file. To save/load the S-4000M Input/Output Setup File, use the S- 4000M LOAD/SAVE popup.
148 Remote Remote Remote functions You can use the rear panel MIDI IN/OUT connectors to remotely control the M-300 from an external device, or control an external device from the M-300. You can use either MIDI or RS-232C, not both. If you want to use MIDI, set the rear panel RS-232C/MIDI select switch to the MIDI position.
149 Remote Remote Remote settings The REMOTE popup of the SYSTEM screen is used to make remote settings. The MIDI tab of the REMOTE popup is used to make MIDI settings. 1. In the SETUP section, press [SYSTEM] to access the SYSTEM screen. fig.ScrSystem.
150 Remote Remote To make V-LINK settings, use the V-LINK tab of the REMOTE popup. 1. In the SETUP section, press [SYSTEM] to access the SYSTEM screen. 2. Press [F4 (REMOTE)] to access the REMOTE popup. 3. Press [F3 (V-LINK)]. fig.ScrSysRmtVLnkGuide.eps The V-LINK tab will appear.
151 Remote Remote To make USB MIDI settings, use the USB MIDI tab of the REMOTE popup. 1. In the SETUP section, press [SYSTEM] to access the SYSTEM screen. 2. Press [F4 (REMOTE)] to access the REMOTE popup. 3. Press [F2 (USB MIDI)]. fig.ScrSysRemoteUSBGuide.
152 Other settings and functions Other settings and functions System information and basic mixer settings 1. In the SETUP section, press [SYSTEM]. fig.ScrSystem.eps The SYSTEM screen will appear. In the SYSTEM screen you can view or edit various types of information.
153 Other settings and functions Other settings and functions 2. View the system information in the INFORMATION area. If the Battery indication shows OK, the internal lithium battery voltage is satisfactory. If this shows LOW or NG, the voltage is low.
154 Other settings and functions Other settings and functions 1. Access the SYSTEM screen. fig.ScrSystem.eps 2. Press [F1 (INIT)]. fig.ScrInitGuide.eps The INITIALIZE popup will appear. Initialize section select buttons These buttons select the sections to be initialized.
155 Other settings and functions Other settings and functions Saving/loading mixer settings You can use USB memory to save or load mixer settings as a project file. The LOAD/SAVE popup of the SYSTEM screen is used to save or load mixer settings. fig.ScrSysLoadSaveGuide.
156 Other settings and functions Other settings and functions 1. Access the LOAD/SAVE popup. fig.ScrSysLoadSave.eps 2. Move the cursor to the project file list, and move to the location in the folder hierarchy in which you want to save the data. 3. Press [F2 (SAVE)].
157 Other settings and functions Other settings and functions 1. Access the LOAD/SAVE popup. fig.ScrSysLoadSave.eps 2. Move the cursor to the project file list, and select the project file that you want to rename. 3. Press [F3 (NAME EDIT)]. fig.ScrNameEdit.
158 Other settings and functions Other settings and functions Date&time settings Use the DATE&TIME popup of the SYSTEM screen to set the date and time. 1. Access the SYSTEM screen. f ig.ScrSystem.eps 2. Press [F5 (DATE TIME)]. fig.ScrSysDateTimeGuide.
159 Other settings and functions Other settings and functions Managing USB memory The USB MEMORY popup of the SYSTEM SCREEN is used to perform USB memory management. 1. Access the SYSTEM screen. fig.ScrSystem.eps 2. Press [F6 (USB MEMORY)]. fig.ScrSysUSBMemGuide.
160 Other settings and functions Other settings and functions 1. Access the USB MEMORY popup. fig.ScrSysUSBMem.eps 2. In the file list, move to the level at which you want to create a folder. 3. Press [F2 (MAKE FOLDER)]. fig.ScrMakeFolder.eps The MAKE FOLDER popup will appear.
161 Other settings and functions Other settings and functions 1. Access the USB MEMORY popup. 2. In the file list, move the cursor to the desired file. You can’t copy a folder. 3. Press [F4 (COPY)]. A message will ask you to confirm the operation. Press [F8 (COPY)] to carry out the Copy operation.
162 Other settings and functions Other settings and functions Console Lock You can lock the console to prevent it from being operated. If a password has been specified for the current user settings, you will need to enter the password in order to unlock the console.
163 Other settings and functions Other settings and functions Help function The Help function explains how to use the M-300. The Help contents are provided only in English. 1. Press [HELP]. fig.ScrHelpContGuide.eps The HELP CONTENTS popup will appear.
164 Other settings and functions Other settings and functions Other settings The following items will be initialized, returning them to the factory settings: • System settings • Mixer parameters .
165 Other settings and functions Other settings and functions If the fader positions are no longer aligned with the index markings of the top panel, you can use the Fader Calibration function to correct the misalignment. 1. In the SETUP section, hold down [SYSTEM] and turn the power on.
166 Management of the M-48 live personal mixer Management of the M-48 live personal mixer What is the M-48 live personal mixer? The M-48 is a live personal mixer that allows each musician to create their own monitor mix.
167 Management of the M-48 live personal mixer Management of the M-48 live personal mixer LINE OUT As the LINE OUT source, you can choose PHONES (the signal immediately before PHONES VOLUME), MAIN bus, or AUX bus. This is used for a floor monitor or for two-channel recording.
168 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Each musician will be able to use their M-48 with greater comfort and convenience if the mixing engineer has made the appropriate settings for each M-48. In particular, the mixing engineer should consult with each musician when assigning sources to groups.
169 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Specifying the outputs from the M-300 to the M-48 unit Use the REAC B output patchbay to specify the outputs from the M-300 to the M-48. 1. In the SETUP section, press [PATCHBAY] to access the PATCHBAY screen.
170 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Viewing the connected M-48 units You can use the M-48 MANAGER popup to view a list of the M-48 units connected to the M-300 's REAC B port. 1. In the MONITOR section, press [DISP] to access the MONITOR screen.
171 Management of the M-48 live personal mixer Management of the M-48 live personal mixer A unit name of up to eight characters can be assigned to each M- 48. If you’re managing multiple M-48 units, use these names to quickly distinguish between the units.
172 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Making settings for an M-48 unit 1. Access the M-48 MANAGER popup. fig.ScrM48Manager.eps 2. In the M-48 list, move the cursor to the desired target M-48 unit and press [F2 (SETUP)].
173 Management of the M-48 live personal mixer Management of the M-48 live personal mixer 1. Access the desired M-48 SETUP popup. fig.ScrM48Setup.eps 2. Press [F6 (PREF)]. fig.ScrM48Pref_Guide.eps The M-48 PREFERENCES popup will appear. 3. Make the desired preference settings.
174 Management of the M-48 live personal mixer Management of the M-48 live personal mixer 1. Access the desired M-48 SETUP popup. fig.ScrM48Setup.eps 2. Press [F6 (PREF)]. fig.ScrM48Pref.eps The M-48 PREFERENCES popup will appear. 3. Press [F7 (RESET)].
175 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Source Level/Pan settings This popup lets you set the source level and pan. Set the LEVEL, PAN, and AUX switch for each source 1–40. Two views are provided; the SOURCE LAYOUT tab and the M-300 LAYOUT tab.
176 Management of the M-48 live personal mixer Management of the M-48 live personal mixer PAN knob This adjusts the source’s panning in a range of L63–C–R63. Fader This adjusts the source’s level in a range of -Inf dB – +10.0 dB. Group Shows a group to which a source is assigned.
177 Management of the M-48 live personal mixer Management of the M-48 live personal mixer values: Pressing [F7 (CANCEL)] will cancel the operation and close the popup. Here’s how you can copy the M-300’s mix levels (the levels from channels to MAIN, AUX, or MTX) to the level of the corresponding source.
178 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Source Assign settings This assigns source 1 through 40 to group 1 through 16 for operating the M-48 panel. You make assignments to the groups using the M-48 SOURCE ASSIGN popup.
179 Management of the M-48 live personal mixer Management of the M-48 live personal mixer 1. Access the M-48 SOURCE ASSIGN popup. fig.ScrM48SrcAssign.eps 2. In the assignment grid, move the cursor to the location where the desired source and group intersect, and press [ENTER] to make an assignment symbol appear.
180 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Checking and adjusting the musician’s mix (Group Mix) 1. Access the desired M-48 SETUP popup. fig.ScrM48Setup.eps 2. Press [F5 (GROUP MIX)]. fig.ScrM48GrpMix1_Guide.
181 Management of the M-48 live personal mixer Management of the M-48 live personal mixer LO GAIN knob This adjusts the LO gain in a range of -15.0 dB – +15.0 dB. The function buttons have the following operations: 1. Access the desired M-48 GROUP MIX popup.
182 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Copying M-48 settings 1. Access the M-48 MANAGER popup. fig.ScrM48Manager.eps 2. In the M-48 list, move the cursor to the desired copy- source M-48 unit, and press [F3 (COPY)].
183 Management of the M-48 live personal mixer Management of the M-48 live personal mixer M-48 memory operations You manipulate M-48 memory using the M-48 MEMORY popup. 1. Access the M-48 MANAGER popup. fig.ScrM48Manager.eps 2. In the M-48 list, move the cursor to the desired M-48 MEMORY NO.
184 Management of the M-48 live personal mixer Management of the M-48 live personal mixer 1. Access the M-48 MEMORY popup. fig.ScrM48Memory.eps 2. Select the desired memory in the memory list. If the ALL UNITS tab is shown, all M-48 units will be affected by this operation (except for units whose MEMORY SAFE function is on).
185 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Using the M-48 library The current settings of the M-48 can be organized in the form of a “Library,” and saved on the M-300. 1. Access the M-48 MANAGER popup.
186 Management of the M-48 live personal mixer Management of the M-48 live personal mixer 1. Access the M-48 LIBRARY popup. fig.ScrM48Library.eps 2. In the library list, select the store-destination number. 3. Press [F5 (STORE)]. fig.ScrM48LibStore.eps The LIBRARY STORE popup will appear.
187 Management of the M-48 live personal mixer Management of the M-48 live personal mixer Saving/loading USB memory This loads or stores all data saved in M-48 units as M-48 project files on USB memory. 1. Access the M-48 MANAGER popup. fig.ScrM48Manager.
188 Management of the M-48 live personal mixer Management of the M-48 live personal mixer 4. Press [F6 (SAVE)]. fig.ScrM48Save.eps The M-48 SAVE popup will appear. If you selected a single M-48 unit in step 2, specify a file name. If you added a check mark to multiple M-48 units in step 2, specify a folder name.
189 Management of the M-48 live personal mixer Management of the M-48 live personal mixer 1. Access the M-48 LOAD/SAVE popup. 2. In the project file list, select the project file that you want to delete. This operation cannot delete files or folders other than M-48 project files or folders.
190 Appendix Appendix User button functions FUNCTION PARAM1 PARAM2 LED Explanation NONE - - Unlit SCENE PREV RECALL - Lit while held Recalls the scene of the previous number NEXT RECALL - Lit while he.
191 Appendix Appendix Error message list Message Explanation xxx is directory. You attempted to copy the xxx directory of the USB memory. xxx is used for EXT FXx Do you want to disable it? Port xxx is being used by EXT FXx. Do you want to disable EXT FXx? Cannot operate the USB memory.
192 Appendix Appendix Troubleshooting No sound ● A device is not powered on. ● An input/output unit is not connected correctly. ● The devices are not connected correctly. ● The volume of a connected amp or other device is lowered. ● A volume level setting is lowered.
193 Appendix Appendix Can’t control the M-300 from an external device ● The settings of the external device are incorrect. ● The external device is not connected correctly. ● The cable is broken. ● The RS-232C baud rate is not set correctly.
194 Appendix Appendix Switching hubs used to connect REAC devices must meet the following conditions: • We recommend a switching hub that supports 1000BASE-T (IEEE 802.
195 Appendix Appendix M-300: LIVE MIXING CONSOLE Mixing Channels INPUT: 32 channels BUS: MAIN L/C/R, 8 AUX buses, 4 MATRIX buses OUTPUT: 10 ports (Max 90 ports When using REAC Devices) Signal Processing AD/DA Conversion: 24 bit Sample Rate: 48.0 kHz or 44.
196 Appendix Appendix Output Impedance CONSOLE OUTPUT jacks (1 to 8): 600 ohms PHONES jack: 100 ohms Recommended Load Impedance CONSOLE OUTPUT jacks (1 to 8): 10 k ohms or greater PHONES jack: 8 ohms or greater Non Clip Maximum Output level CONSOLE OUTPUT jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms load) PHONES jack: 150 mW + 150 mW (Typ.
197 Appendix Appendix Dimensions Desktop: 470.0 (W) x 482.7 (D) x 194.9 (H) mm Desktop: 18-1/2(W) x 19(D) x 7-1/4(H) inches Weight 9.8 kg 21 lbs 10 oz Operation Temperature +5 to +40 degrees Celsius +.
198 Appendix Appendix Dimensions 475.7 470 430 Dimensions are shown in millimeters. 20 20 194.9 482.7 M-300_e.book 198 ページ ２０１０年６月２４日 木曜日 午後２時２６分.
199 Appendix Effect types Reverb Types of sound fig.RevExp01.eps The sound you normally hear is divided into three types: “direct sound,” “early reflections,” and “reverberation.” The “direct sound” is the sound that reaches the listener directly from the source.
200 Appendix Appendix fig.AlgoStRev.eps This is a stereo-in, stereo-out reverb. It adds reverberation without impairing the position of the sound image that’s been set for the stereo input, by panning or other means.
201 Appendix Appendix LO-MID FREQ Center frequency of the Lo-Mid band (*1) Value: 20 Hz–20.00 kHz LO-MID Q Steepness of the frequency response curve at the Lo-Mid band center frequency (*1) Value: 0.
202 Appendix Appendix fig.AlgoRevwGate.eps This is a mono-in, stereo-out reverb. It provides a gate that can be used for gating or ducking, allowing you to cut the reverb during its decay, or to cut the reverb when the level of the original sound is high.
203 Appendix Appendix HI-MID FREQ Center frequency of the Hi-Mid band (*1) Value: 20 Hz–20.00 kHz HI-MID Q Steepness of the frequency response curve at the Hi-Mid band center frequency (*1) Value: 0.36–16.00 HI GAIN Gain of the Hi band Value: -15.
204 Appendix Appendix Delay As delay units, you can use msec, Meter, Feet, Frame (24, 25, 29.97, 30fps), or Note. The M-300’s delay is based on msec units, and simply changing the delay unit parameter will not change the delay time in msec units.
205 Appendix Appendix WET POSITION The wet position specifies how the delay’s wet signal is related to the position of the DPF (Damp Filter). Value PRE DAMP: Takes the wet sound from before the damp filter. The signal before passing through the damp filter is used as the wet signal.
206 Appendix Appendix fig.AlgoMTPDly.eps This is a mono-in, stereo-out twelve-stage tap delay. Delay DELAY UNIT Specifies the units for delay Value: msec, Meter, Feet, Frame (24, 25, 29.97, 30), Note) DELAY 1–12 TIME Time from the original sound until the delay is heard Value: 0.
207 Appendix Appendix fig.AlgoXModDelay.eps This is a stereo-in, stereo-out cross-modulation delay. Delay DELAY UNIT Specifies the units for delay Value: msec, Meter, Feet, Frame (24, 25, 29.97, 30), Note) MODULATION WAVE Waveform used for modulation Value: SIN, SQR, EXP+, EXP- MODULATION RATE Value: 0.
208 Appendix Appendix Modulation fig.AlgoStCho.eps his is a stereo-in, stereo-out chorus. It lets you apply chorus without impairing the position of the sound image that’s been set for the stereo input, by panning or other means. Chorus RATE Chorus rate Value: 0.
209 Appendix Appendix Value: OFF, ON EFF SW (Effect switch) Turns the effect sound on/off Value: OFF, ON fig.AlgoStPhase.eps This is a stereo-in, stereo-out phaser. It lets you apply a phaser effect without impairing the position of the sound image that’s been set for the stereo input, by panning or other means.
210 Appendix Appendix Channel strip fig.AlgoDualChStrip.eps This is a dual-mono channel strip. It provides enhancer/de-esser, EQ, and delay. ENHANCER/DE-ESSER A/B ENHANCER/DE-ESSER SW (Enhancer/De-ess.
211 Appendix Appendix HI-MID FREQ Center frequency of the Hi-Mid band (*1) Value: 20 Hz–20.00 kHz HI-MID Q Steepness of the frequency response curve at the Hi-Mid band center frequency (*1) Value: 0.
212 Appendix Appendix filter is used as the wet signal. In this case, the damp filter is applied only to the delay feedback. POST DAMP: Takes the wet sound from after the damp filter. the signal after passing through the damp filter is used as the wet signal.
213 Appendix Appendix fig.AlgoDualGEQ.eps This is a single-mono 31-band GEQ. GEQ ATT (Attenuator) Attenuator for the GEQ Value: -42.0–+15.0 dB 20 Hz Gain–20 kHz Gain Gain of each band Value: -15.0–+15.0 dB GEQ GEQx1 Input A Output A THRU 31 Band GEQ Input B Output B M-300_e.
214 Appendix Appendix Roland vintage effects fig.ScrSBF325.eps This is a stereo-in, stereo-out flanger that models the Roland SBF- 325 Stereo Flanger. FEEDBACK Amount of flanger sound returned to the input (valid only if EFFECT MODE is set to FLANGER) Value: 0.
215 Appendix Appendix MODULATION LFO1 DEPTH LFO1 modulation depth Value: 0.0–10.0 LFO1 RATE LFO1 modulation rate Value: 0–100 LFO2 DEPTH LFO2 modulation depth Value: 0.0–10.0 LFO2 RATE LFO2 modulation rate Value: 0–100 fig.ScrSDD320.eps This is a stereo-in, stereo-out chorus that models the Roland SDD- 320 Dimension D.
216 Index Numerics +48V .................................................................................... 44, 91, 95 4-band EQ 4-band EQ Library ................................................................. 81 Operations .......................
217 St.CHORUS ............................................................................. 208 St.FLANGER ............................................................................ 208 St.PHASER .....................................................
218 MTX channel .................................................................................. 54 MTX SENDS ..................................................................................... 60 MTX send operations ..............................
219 [SHIFT] button ............................................................................... 25 Solo ................................................................................................. 115 S-OPT ....................................
220 Screen index Numerics 4-BAND EQ LIBRARY popup ............................................ 81 4-BAND EQ popup ........................................................... 80 8-BAND EQ LIBRARY popup ............................................ 83 8-BAND EQ popup .
221 SETUP tab ................................................................. 140 RECALL PARAMETER EDIT popup ................................. 118 RECORDER DESTINATION SELECT popup ..................... 127 RECORDER screen .........................
For EU Countries For China For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name : Type of Equipment : Responsible Party : Address : Telephone : M-300 Digital Mixer Roland Systems Group U.S. 801 West Orchard Drive, Suite 3, Bellingham, WA 98225 (360) 594-4282 M-300_e.
2 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Block Diagram MAIN LR LR SOLO AU X C 12345678 LR C LR 12345678 MAIN SOLO AU X MTX 1234 1234 MTX D/A D/A AT T POST A TT PRE EQ PRE FADER POST FADER POST LIMITER POST DELA Y POST DELA Y POST DELA Y FX I.
Copyright © 2010 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Owner’s Manual Owner’s Manual *5100014641-02* Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p.
Ein wichtiger Punkt beim Kauf des Geräts Roland M-300 (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Roland M-300 noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Roland M-300 - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Roland M-300 reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Roland M-300 erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Roland M-300 besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Roland M-300 verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Roland M-300. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Roland M-300 gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
