Benutzeranleitung / Produktwartung ARP2600 V des Produzenten Arturia
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USER’S MANUAL ARP2600 V.
Programming: Nicolas Bronnec Sylvain Gubian Xavier Oudin Cedric Rossi Graphics: Yannick Bonnefoy Manual: Jean-Michel Blanch et Frédéric Brun Yuji Sano Tom Healy Mitsuru Sakaue Xavier Oudin Cedric Ro.
Table of Contents 1 Introduction 5 1.1 The birth of ARP Instruments and the ARP2600 5 1.2 A better emulation thanks to TAE® 6 1.2.1 Aliasing-free oscillators 6 1.2.2 A better reproduction of analog os cillator waveforms 7 1.2.3 A better reproduction of analog filters 8 1.
5.1.7 Voltage processor (Mixer / inverter / lag generator) 44 5.1.8 Sample and Hold generator 45 5.1.9 The”electronic switch ” module (Electronic switch) 45 5.1.10 Envelope follower 46 5.1.11 Ring modulator 47 5.1.12 “Tracki ng” generator 48 5.
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ARTURIA – ARP2600 V – USER’S MANUAL 5 1 Introduction 1.1 The birth of ARP Instruments and the ARP2600 Alan R. Pearlman, whose initials would form the name of ARP Instruments, became interested in instruments for electronic music as early as 1948, when he was a student at the Worcester Poly- technic Institute.
6 ARTURIA – ARP2600 V – USER’S MANUAL they presented the Omni, which would become one of ARPs biggest successe s. The instrument al- lowed the combination of two polyphonic violin sounds – a great innovation for the company – and two monophonic bass sounds.
ARTURIA – ARP2600 V – USER’S MANUAL 7 Linear frequency spectrum of the ARP2600 V o scillator made with TAE 1.2.2 A better reproduction of analog oscillator waveforms The waveforms produced by the oscillators in analog synthesizers are marked by the presence of a capacitor in the circuits.
8 ARTURIA – ARP2600 V – USER’S MANUAL What’s more, the original analog oscillators were unstable. In fact, their waveform varied slightly from one period to another.
ARTURIA – ARP2600 V – USER’S MANUAL 9 2 Inst allation 2.1 Window s installation (Win9x, Me, 2000, XP) Insert the CD-ROM into the drive. Explore the co ntents of the CD-ROM, and double-click on the icon named “ARP2600V Setup PC.exe” First you will need to define an installation folder for the program.
10 ARTURIA – ARP2600 V – USER’S MANUAL Choice of installation folder for SVT plug-in The installation program now has en ough information to finish the procedure. In a few seconds, you will be using the ARP2600 V. 2.2 Mac OS X installation Insert the CD-ROM into the drive.
ARTURIA – ARP2600 V – USER’S MANUAL 11 3 Quick st art This chapter will help you to familiarize yourself with the general basics of using the ARP2600 V. A summary of the different parts of the synthesizer will be presented to you as we guide you through your first use of the program.
12 ARTURIA – ARP2600 V – USER’S MANUAL 3.1 Using presets The use of presets is one of the biggest improveme nts of the ARP2600 V compared to the original.
ARTURIA – ARP2600 V – USER’S MANUAL 13 Change the brightness of the sound In the same manner, you can change the range of oscillator 1 by setting the “Range” selector to one of the values expressed in steps: LF = low freq uencies, 32’ = -2 octaves, 16’ = -1 octave, 8’ = standard tuning, and 4’ = + 1 octave.
14 ARTURIA – ARP2600 V – USER’S MANUAL 3.2 The 3 sections of the ARP2600 V The ARP 2600V offers three main sections separated into flight cases: From top to bottom: The synthesizer, the sequence.
ARTURIA – ARP2600 V – USER’S MANUAL 15 Synthesis parameters Let’s look at quickly creating an evolving lead sound: To really understand the programming of the ARP 2600 V, let’s use a very simple sound. Select the preset “1_Osc” in the “Template / Temp_Syn th” sub bank.
16 ARTURIA – ARP2600 V – USER’S MANUAL Change the brightness of the sound To clearly hear the effect produced by the ADSR envelope on the filter cut-off frequency, in- crease the resonance value. This will amplify the filtering effect on the sound and it will begin to “whistle”.
ARTURIA – ARP2600 V – USER’S MANUAL 17 Increase the “Attack time” for this envelope so that the volume of the sound progressively in- creases.
18 ARTURIA – ARP2600 V – USER’S MANUAL The two lines of faders and selector switches • The oscillator sets the speed of the sequencer as well as the start and stop. set the oscillator speed • The “Quantizer” quantifies the value s for the 16 steps by semi-tone.
ARTURIA – ARP2600 V – USER’S MANUAL 19 the connexions between the sequencer and synthesizer The “Clock Out” sequencer output is directed to the “Gate” input on the ADSR envelope mod- ule. The sequencer “Quantized A Out” output is directed to input “KBD CV” of the “VCO 1” module.
20 ARTURIA – ARP2600 V – USER’S MANUAL Set the 16 linear potentiometers 3.4.2 The LFO On the original ARP 2600, oscillator2 could be set to low frequency position (“LF” position in the range) for use in LFO mode.
ARTURIA – ARP2600 V – USER’S MANUAL 21 Modulate the filter frequency (“Cutoff Fr equency”) with the LFO 3.5 The effects The effects section lets you add a Stereo Delay an d Chorus to your sound on top of the reverbera- tion which is already present in the original inst rument.
22 ARTURIA – ARP2600 V – USER’S MANUAL 3.5.1 Chorus Chorus is used to copy your sound, and slightly detune the copy, to give it more depth and the Cho- rus “ON/OFF” button in the effects sect ion, on the right of the toolbar.
ARTURIA – ARP2600 V – USER’S MANUAL 23 You can then record movements from your MIDI cont roller on your MIDI sequencer or simply play live. MIDI assign for “Cutoff frequency” potentiometer To save the settings that we have seen in this ch apter, click on the “Save” button in the toolbar.
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ARTURIA – ARP2600 V – USER’S MANUAL 25 4 The interface 4.1 Using the presets The presets memorize the ARP2600 V sounds. A preset contains all of the inter-module connections and the different controller information necessary fo r the recreation of an identical sound.
26 ARTURIA – ARP2600 V – USER’S MANUAL Once a preset has been changed (modification of a controller or connection), an asterisk appears next to its name in the tool bar. In the “BANK” dropdown menu, the “All” option allo ws you to open a sub-list with all of the sub- banks available in all of the banks.
ARTURIA – ARP2600 V – USER’S MANUAL 27 “Save” button on the toolbar If you want to save your preset under a different preset name, click on the “Save As” button in the toolbar.
28 ARTURIA – ARP2600 V – USER’S MANUAL Current preset bank export bu tton in the toolbar Select the type of export that you wish to perf orm (bank, sub-bank or preset) from the list and a window will appear prompting you to choose a dest ination folder and a name for the file you are about to export.
ARTURIA – ARP2600 V – USER’S MANUAL 29 In circular mode, click on the knob and turn around it in order to change the value of the controller. The circular mode gives high precision in the manip ulation of controls: The further the mouse goes from the knob, the higher the precision of the setting.
30 ARTURIA – ARP2600 V – USER’S MANUAL 4.3.1 Audio and modulation connections The audio connections can be used, for example, to rout e the audio output of a wave form from an oscillator to the audio input of the filter or VCA mixer.
ARTURIA – ARP2600 V – USER’S MANUAL 31 point in the “Connect to” menu to create a connection . It is also possible to delete the curent con- nection by choosing the “R emove connection” option. Right click for input/output conne ction menu (or Shift + click) 4.
32 ARTURIA – ARP2600 V – USER’S MANUAL the need to use a VCA which would normally be necessary to set the amplitude of the modulation signal. When the modulation input connector is conne cted, c.
ARTURIA – ARP2600 V – USER’S MANUAL 33 4.3.6 MIDI control Most of the knobs, sliders and switches on th e ARP2600 V can be manipulated with external MIDI controllers.
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ARTURIA – ARP2600 V – USER’S MANUAL 35 5 The modules The ARP2600 V can be separated into 3 parts: from to p to bottom, the first is a cabinet dedicated to sound programming and effects, the second concer ns the ARP sequencer and the playing mode con- figuration interface with the keyboard and LFO, and finally the third contains the keyboard.
36 ARTURIA – ARP2600 V – USER’S MANUAL 5.1.2 The Oscillators (Oscillators - VCO) There are three oscillators in the ARP2600. The oscillators permit the management of the ba se frequency and tone of the ARP 2600. It also manages the impulse width of the wave forms.
ARTURIA – ARP2600 V – USER’S MANUAL 37 Audio outputs : Connection jacks for 4 wave form outputs: triangle, sine, saw-tooth and square Impulse width : Impulse width for “Sawtooth”, “Square.
38 ARTURIA – ARP2600 V – USER’S MANUAL the use of the synthesizer. For example: the fr equency of oscillator 1 can be modulated, from the left to the right, by the key follow, the sample and hold, the ADSR envelope and the oscillator 2 sine.
ARTURIA – ARP2600 V – USER’S MANUAL 39 Sine 5.1.3 The Filter (Filter - VCF) The ARP2600 V possesses a multimode filter module (t he original had only one resonant low pass mode).
40 ARTURIA – ARP2600 V – USER’S MANUAL • Key follow (KYBD CV) : Pre-cabled for th e manual setting of the key follow • Oscillator3 sine (VCO3 Sin) :pre-cabled for the manual setting of the modulation by sine wave form of oscillator2 • ADSR Env : re-cabled for the manual setting of the modulation by ADSR envelope.
ARTURIA – ARP2600 V – USER’S MANUAL 41 The high pass filter • The band pass filter (BP 12) The band pass filter is a combination of the low pa ss and high pass: It eliminates the frequencies on each side of the cut-off frequency.
42 ARTURIA – ARP2600 V – USER’S MANUAL 5.1.4 The envelopes Two in number, the modulation envelopes allow the ev olution of the sound in relation to the time. The first envelope (ADSR) possesses four temporal periods which are performed sequentially: the Attack time, Decay time, Sustain voltage and the Release time.
ARTURIA – ARP2600 V – USER’S MANUAL 43 5.1.4.2 AR Attack (Attack time) : Sets the attack time Release (Release time) : Sets the release time 5.1.
44 ARTURIA – ARP2600 V – USER’S MANUAL Modulation inputs (Control) : Modulation input connection jacks (pre-cabled on the AR and ADSR envelopes). 5.1.6 Noise Generator The noise generator generates white noise or colore d noise. It possesses a low pass filter to dampen high pitched frequencies.
ARTURIA – ARP2600 V – USER’S MANUAL 45 4 signal outputs (output) : Audio or modulation signal output connection jacks 4 “Mix” switches : This switch allows yo u to merge one or several inputs pairs into the one above. 4 “volume” potentiometer : potentiometer to set the volume of 2 input signals (A and B for example) 5.
46 ARTURIA – ARP2600 V – USER’S MANUAL the electronic switch An example: Connect the output of the square wave form of oscillator 1 to input A and the sine output of oscillator 2 to input B. Place these two oscillators to low frequency position (LF) so as to slow the oscillation speed.
ARTURIA – ARP2600 V – USER’S MANUAL 47 The envelope follower An example: Try for example to insert an audio signal comin g from a drum loop sample to the input of the envelope follower. Connect the output of the envelope followe r to one of the filter modulation inputs.
48 ARTURIA – ARP2600 V – USER’S MANUAL 5.1.12 “Tracking” generator This very original module was added to modify the course of a modulation thanks to four curves which can be edited in real-time by the user. It ca n also be used as source of modulation to create envelope forms or complex LFO waves.
ARTURIA – ARP2600 V – USER’S MANUAL 49 Sine tool : Tool for drawing a sinusoid. Square tool : Tool for drawing a square signal. Noise tool : Tool for adding noise to an existing signal. Eraser tool : Tool for erasing an existing signal. Undo / Redo : To undo or redo a drawn signal.
50 ARTURIA – ARP2600 V – USER’S MANUAL The chorus effect Delay has two potentiometers, “Time Left” and “Time Right”, respectively for setting the time for the left channel, and the right channel. The two potentiometers, “FeedB Left” and “FeedB Right” respectively set the channel return gain for left and right channels.
ARTURIA – ARP2600 V – USER’S MANUAL 51 5.2 Keyboard interface (Model 3620) The keyboard interface contains all of the para meters necessary for playing on a keyboard: the monophonic or polyphonic playing modes, the port amento, the LFO (mainly used for vibrato), key- board triggering modes, etc.
52 ARTURIA – ARP2600 V – USER’S MANUAL the LFO Low frequency oscillator speed (LFO speed) : Sets the clock speed for the low frequency oscillator. Low frequency oscillator delay (LFO delay) : Sets the delay of the low frequency oscillator action.
ARTURIA – ARP2600 V – USER’S MANUAL 53 • Sequence step management, setting and management of the 16 sequencer steps 2x 8 output levels (1 ... 16 faders) : Sets the modulation or tuning level for sequence steps.
54 ARTURIA – ARP2600 V – USER’S MANUAL PW input (PWM) : Jack input for the modulation of the impulse width of the signal. • Setting the sequencer input / outputs (quantizer) the sequencer input / outpu ts Quantized outputs A and B (Quantized outputs A/B) : Output jacks A and B for the quanti- zation of the step signals in semi tones.
ARTURIA – ARP2600 V – USER’S MANUAL 55 6 The basics of subtractive sy nthesis Of all forms of sound synthesis, subtractive synthesi s is one of the oldest and still certainly one of the most employed today.
56 ARTURIA – ARP2600 V – USER’S MANUAL • The square possesses a more “hollow” sound that the saw tooth (it only contains odd harmonics) but none the less, its rich sound (notably in low fr.
ARTURIA – ARP2600 V – USER’S MANUAL 57 The sinusoid is the purest of all. It is a single har monic and produced a very “damped” sound. It can be used to reinforce the low frequencies of a bass sound or as a frequency modulator in or- der to create harmonics that don’t exist in the original waveforms.
58 ARTURIA – ARP2600 V – USER’S MANUAL In the above image, oscillator2 is synchronized with the fir st and tuned to twice its frequency. The resulting waveform is unique in that it cannot be created by standa rd synthesis techniques such as layering or filtering.
ARTURIA – ARP2600 V – USER’S MANUAL 59 the ARP2600 V noise module 6.1.2 The filter or VCF The audio signal generated by an oscillator (the wa veform) is next generally directed to a filter module ( Voltage Controlled Filter ).
60 ARTURIA – ARP2600 V – USER’S MANUAL pass through unchanged. Depending on the setting we will hear the sound becoming more or less “brilliant”, more or less “dampened”. This is the type of filtering that you will find mor e often than not on synthesizers that use subtrac- tive synthesis.
ARTURIA – ARP2600 V – USER’S MANUAL 61 • The band-reject (band-reject filter or no tch) eliminates the frequencies inside a band of frequencies. This filter is above all else interesting when we want to vary this band of frequencies (with the “fre quency” on the ARP2600 V filters or the modulation of an LFO on this same paramete r).
62 ARTURIA – ARP2600 V – USER’S MANUAL With a high resonance level, the filter will begin to produce a sound close to a sine waveform. At this stage, the use of a key follow is very importa nt as you can create a melody by tuning the cut- off frequency of the filter along wi th the frequency of the oscillators.
ARTURIA – ARP2600 V – USER’S MANUAL 63 If you don’t have a keyboard, you can play on the ARP2600 V virtual keyboard. the virtual keyboard of the ARP2600 V 6.
64 ARTURIA – ARP2600 V – USER’S MANUAL The ARP 2600 V also offers a second s implified envelope (Attack, Release). The envelope generator can also be used to modula te other settings, like the filter cut-off fre- quency or the frequency of an oscillator for example.
ARTURIA – ARP2600 V – USER’S MANUAL 65 VCA modulated by a LFO 6.2.4 The ring modulator The ring modulator is a module which multiplies two signals (generally two oscillators) so as to gen- erate non-harmonic frequential components. We can thus easily obtain metallic sounds.
66 ARTURIA – ARP2600 V – USER’S MANUAL the sample and hold module of the ARP2600 V Now to finish, the scheme of a full synthesizer containing: • 3 oscillators (VCO) • 1 noise module • 1 ri.
ARTURIA – ARP2600 V – USER’S MANUAL 67 7 A few element s of sound design Here is a series of five examples designed to guide you through the creation of a sound and a se- quence. They are classed in order of di fficulty and organized into two parts: • The first part will give you an introduction to sound synthesis.
68 ARTURIA – ARP2600 V – USER’S MANUAL raise the “VCO1” potentiometer on the filter module To give it more life, still on the same module, raise the “ADSR” potentiometer corresponding to the envelope of the same name.
ARTURIA – ARP2600 V – USER’S MANUAL 69 lower the Decay potentiometer Now raise the volume of “VCO2” on the VCF mixer (“VCO2”). You will hear the 2 oscillators play in unison. raise the volume of VCO2 Lightly detune the second osci llator (“VCO2”).
70 ARTURIA – ARP2600 V – USER’S MANUAL raise the filter resonance 7.2 Polyphonic patch with cabling Let’s reuse the sound “bass1” as it will be useful to us for the next preset. We will see how to surpass the limits of the pr e-cabled (internal connections between the modules don’t need cables).
ARTURIA – ARP2600 V – USER’S MANUAL 71 Still on the same mixer, raise the volume of oscilla tor3 to complete the ba se tone. You will hear a sound composed of three oscillators. raise the volume of oscillato r3 Let’s apply a variation to the filter cut-off freq uency with the LFO.
72 ARTURIA – ARP2600 V – USER’S MANUAL If it has a tendency to “disappear” too much (you don’t hear any more sound), gently raise the cut-off frequency potentiometer. Set the LFO oscillation speed with the “LFO Speed” potentiometer.
ARTURIA – ARP2600 V – USER’S MANUAL 73 polyphonic mode At this stage, you can also enrich your chords by dedicating a third oscillator to sevenths (“+7 semi-tones”) - or fifths (“+5 semi-tones”). set the third oscillator to sevenths If you wish to bring more space to your sound, add a delay or chorus effect to it.
74 ARTURIA – ARP2600 V – USER’S MANUAL Let’s again use the “bass1” sound as template for the following preset: • two oscillators (VCO1 and 2) • a low pass filter (VCF) • an amplifier.
ARTURIA – ARP2600 V – USER’S MANUAL 75 Next click on the “edit” button for this tracking line. A secondary window appears. It will allow you to graphically draw the wave form that will modulate the cut-off frequency.
76 ARTURIA – ARP2600 V – USER’S MANUAL If you wish to modify your curve, return to th e editing screen to make changes. The modifica- tion is directly taken into account as soon as you click on the edit screen. Nothing stops you from creating several types of curves (freehand, curve, sinus, square, noise…) on a single line.
ARTURIA – ARP2600 V – USER’S MANUAL 77 connect the “Quantized output A” of the sequencer to the KBD CV input oscillator 1 Play a note on your keyboard (C4 for example). The sequencer starts and you will hear a series of 16 notes of identical pitch, this is normal.
78 ARTURIA – ARP2600 V – USER’S MANUAL 2 independent sequences of 8 steps To play the steps randomly 7.5 Patch using the sequencer to create a modulation sequence Let’s look at creating a sequence of mod ulation on the filter cut-off frequency.
ARTURIA – ARP2600 V – USER’S MANUAL 79 Connect the sequencer B output to the se cond modulation input of the filter... ...and raise the modulation potentiometer Play a note on your keyboard to start the se quencer. Change the posi tions of the 16 potenti- ometers representing 16 steps in the sequence.
80 ARTURIA – ARP2600 V – USER’S MANUAL These different examples were of varying difficulty. We hope that they will have helped you get to know some of the possibilities offered by the AR P2600V. But don’t hesitate in making your own at- tempts at programming; this is the best way to progress and find a certain originality.
ARTURIA – ARP2600 V – USER’S MANUAL 81 8 Using the ARP2600 V in different modes 8.1 Stand-alone The ARP2600 V application can be used as an inst rument independent of a sequencer (stand alone mode). It allows you to open one or several instru ments, and to play with a master MIDI keyboard.
82 ARTURIA – ARP2600 V – USER’S MANUAL The Macintosh preferences window • Protocol (Windows only): Select the audio prot ocol that you want to use.
ARTURIA – ARP2600 V – USER’S MANUAL 83 8.1.3.3 Configuration of the octave The octave allows you to transpose the notes of your keyboard by one or several octaves. This func- tion is interesting if your keyboard doesn’t cover th e octave in which you wish to play or if you have activated the keyboard zone option.
84 ARTURIA – ARP2600 V – USER’S MANUAL 8.2.2 Using the instrument in VST mode Opening the ARP2600 V VST plug-in is done like any other VST plug-in; please consult the user man- ual of the host sequencer for more information.
ARTURIA – ARP2600 V – USER’S MANUAL 85 8.2.5 Automation Automation works with the ARP2600 V as like any other VST plug-in (refer to the VST sequencer documentation for more information on the automation of plug-ins). Preset changing (and therefore cable changing) cannot be automated.
86 ARTURIA – ARP2600 V – USER’S MANUAL • TDM systems: the ARP2600 V must be loaded on an audio stereo track. Opening it as a HTDM plug-in is done through the TDM su b menu, as a HTDM plug-in is used ex- actly like a TDM plug-in.
ARTURIA – ARP2600 V – USER’S MANUAL 87 8.3.6 Automation under Pro Tools Automation functions with the AR P2600 V like any RTAS/HTDM plug-in (refer to the Pro Tools docu- mentation for more details on plug-in automation ). Preset changes (and thus cable movements) cannot be automated.
88 ARTURIA – ARP2600 V – USER’S MANUAL Connecting a MIDI track to the ARP2600 V The events played on a MIDI keyboard are then tran smitted by your Sonar to the ARP2600 V. It is of course possible to record these MIDI events, and use all of the Sonar MID I editing possibilities.
ARTURIA – ARP2600 V – USER’S MANUAL 89 Adding an instrument in Logic Audio 8.5.2.2 Adding an effect In the mixing table slice you wish to add an effect to, click on “Effect” to get the effects list, and then select “Stereo -> Audio Instru ments -> Arturia -> ARP2600 V Efx”.
90 ARTURIA – ARP2600 V – USER’S MANUAL Starting Logic’s AU Manager This manager lets you see the list of available plug ins, test their compatibil ity with Logic, and acti- vate or deactivate them. If one of your plugins is creating problems in Lo gic, check that it has passed the compatibility test and that it is enabled.
ARTURIA – ARP2600 V – USER’S MANUAL 91 Loading a new instrument Once you have added this instrument, you can re direct a midi track toward it. In the connections menu of the midi track, select the instrument as well as the midi channel. sélection du canal MIDI 8.
92 ARTURIA – ARP2600 V – USER’S MANUAL Selecting the AR2600 V Efx.
ARTURIA – ARP2600 V – USER’S MANUAL 93 A A R R T T U U R R I I A A A A R R P P 2 2 6 6 0 0 0 0 V V - - L L I I C C E E N N S S E E A A G G R R E E E E M M E E N N T T Grant of License In conside.
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Wenn Sie Arturia ARP2600 V noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Arturia ARP2600 V - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Arturia ARP2600 V reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Arturia ARP2600 V erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Arturia ARP2600 V besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Arturia ARP2600 V verkürzen könnten.
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