Benutzeranleitung / Produktwartung Quadra/FX des Produzenten Art
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- i - 7K H $ 57 TA BLE OF CO NTEN TS Introduction .................................................................................................................. ...................................................1 Quick Start Instru ctions .
- ii - Special Ke y Combinations : ....................................................................................................................................... 9 Restoring Pr esets to O riginal Factory Se ttings ............................
- iii - Trem olo ..............................................................................................................................................................54 Panner ..................................................................
- 1 - INTRODUCTI ON Thank you for purc hasing a Quadra/FX a nd congratu latio ns! You n ow ow n one of the m ost sophis ticated pieces of audio signa l-proces sing tech nolog y availab le.
- 2 - QUICK ST ART INSTR UCTIONS You’ve unpack ed your Quadr a/F X and you’r e in a hurry to get it up and running. You pro bab l y would r ath er play wit h i t than read the manua l. Fair enoug h. First, check out the bas ics, ou tlined h ere, jus t to get your Qua dra/FX on- line.
- 3 - board and not ad ditional ly at the Qu adra/FX ’s fader s. On e way to d o th is is to set EACH preset ’s M ix param eter to 100%. T his would be a te dious proc ess! Fortunatel y, there is a sp ecial Q uadra/FX function called Dr y Kill that wil l convenient ly turn off the dry signal p ath inside the u nit.
- 4 - Output #2 t o the am p’s other ef fects return jack .) Again, do n’t f orget that the Q uadra/FX has the po wer to ac t as two sep arate, s tereo pr ocessor s or four separat e, mono pr ocess ors. TRY IT OUT: Turn on your am p or m ixer and m onitor am plif ier.
- 5 - INSTALLATION The Quadr a/FX m ay be used i n a variet y of setu ps includ ing wit h m ixer c hannel ins erts, m ixer s with r everb s end an d return f aciliti es, and i n the ef fect s loop of an instr um ent or P.
- 6 - QUADR A /F X FRONT P A NE L CONTR OLS & INDIC A TORS - ROT ARY ENCODER / SWITCH The Rotar y Encoder is us ed to cha nge va lues or pr esets. D epend ing on the Quadr a/FX ’s programm ing m ode, it m ay also be press ed to chan ge m enus.
- 7 - & ENGINE BUTTON The Quadra/FX contains up to four audio s ignal pr ocessor s, or engin es. Pres sing th is button and turni ng the Encod er will s elect an eng ine for editing ( the selec ted eng ine LED will flash). Depe nding on the current rout ing, one or more engine L EDs may flash.
- 8 - ) P A RAMETER BUTTON W hen you press the Parameter button, the LEDs for all a vaila ble param eters of the current en gine’s eff ect are lit. The cur rentl y selected param eter LED flas hes and its value is dis played in the Preset / Valu e window.
- 9 - Display show s for a bypas sed eng ine and for a b ypass ed preset. Pr ess Bypass aga in to disengag e this m ode. W hen B ypass is pr essed i n Preset mode, al l eng ines are b ypassed. W hen Bypass is engaged while edit ing an engin e, onl y the curr ent eng ine is bypass ed.
- 10 - If you hav e made som e favorite program s, either sc roll through t heir param eters and wr ite them down, or use the MIDI D ump f eature to off-load your presets to a MIDI storage devic e b efore implem enting a factor y res et. (See pag e 12 for inform ation on the Qu adra/FX ’s MIDI D um p.
- 11 - NOTE: W ith Dry Kill active, a preset’s Mix par ameter now sets th e level of al l sound c oming ou t of the Quadra/FX . For example, with a Mix s ettin g of 0, no s ound will com e out of the unit (i n other words, zero percent of the wet signal is allowe d to pass) .
- 12 - MIDI Dump By perform ing a MIDI Dump, you can save all of the Quadr a/FX’s pr esets to an exter nal dev ice capab le of recording MIDI da ta. You c an even dir ectl y transfer the presets f rom one Quadra/F X to an other on e with a MIDI cable.
- 13 - QUADR A /F X REAR P A NEL CONTROLS & C ONNECTIONS Despite th e Q ua dra/F X ’s s oph is tic at io n, it is e as y to inter f ac e th e un it wit h ot her equ i pm ent. Al l inputs an d o utpu ts ar e located o n the rear panel. Standar d ¼” inp uts an d outputs m ake patching sim ple.
- 14 - and #4. For m or e inform ation o n the d iff erent c onfigurati ons of th e Q uadra/F X’s inputs and outputs , see page 27 and the t utorial s tartin g on pa ge 15. ' OUTPUT LEVEL SWITCH The Output Level s witch is used for m atching t he Quadra/F X’s o utput lev el to your s y st em.
- 15 - TUTORI AL The bes t way to unders tand the Qua dra/FX is to jus t jump in a nd edit som e presets. It does n’t take long and you’ll see how eas y edit ing is d ue to the Q uadra/F X’s i ntuiti ve la yout. T his sectio n cons ists of four tutorials : Creating Fr om Scratc h, J ust Edit ing , MIDI , and Advanc ed App licatio n Notes .
- 16 - Cascad e Cascade ro uting also has two process ors with two linked engines, but the outp ut of th e first pr ocessor is fed in to the secon d one. In th is rout ing, you have t wo stack ed, true-ster eo effec ts. Onl y Inputs an d Outputs #1 and # 2 are used.
- 17 - Engine button to enable routing changes. If you press any other but ton inste ad, the old rout ing wil l be restored. NOTE: Pann er and Ro tar y are stere o effec ts and are not avai lable in Discr ete 4 (m ono) routin g.
- 18 - Param eter button a gain. Al l Param eter LEDs go o ut exce pt for the one that was flash ing (t he o ne you selected). T urning the Enc oder will now c hange t he param eter’s value, as can be seen in the Preset / V alue Display.
- 19 - all active in puts. (For mor e inform ation on the Smart Meter, s ee page 9.) The LED to the f ar lef t shows the current preset ’s r out ing. Mak e sure th e selec ted pr es et ’s rout ing is on e th at c an be m onit ored with your s etu p.
- 20 - procedure to e dit as m an y param eters as you want. W hen you are don e, you can s a ve the pr es et by pres s ing Store, s electing a pres et num ber to over write, an d press ing Store again to confir m. After you’ve edi ted one engi ne’s param eters , you m a y wish to edit another eng ine’s.
- 21 - Editing MIDI Parameters: To edit th e Quadra/FX ’s MIDI p aram eters, press the MIDI b utton. No tice that all of the Sm art Meter LEDs are l it and its MIDI Map/- 18 LED is f lashing.
- 22 - NOTE: MIDI m ap c an be set a nd change d from within an y engin e and it, along with the MIDI contro ller assignm ents (s ee the next s ection), n eed to be save d with t he pres et.
- 23 - To as sign MIDI to tr igger an engin e’s Sm art Enc oder func tion, tur n the Enc oder until two Param eter L EDs light. If on l y one Param eter light goes on at a tim e, it is b ecause t here is no Sm art Encod er f unction a vaila ble for the ef fect of the curr ent engine.
- 24 - Preset m ode and th e MIDI e dits wil l not be s aved, though the y will rem ain ac tive until you chan ge pr esets. MIDI Chan nel, ho wever, is autom aticall y saved each tim e it is updated .
- 25 - To tap in a new delay tim e, press the Encod er at the desire d tempo. T he num ber of times that you press doesn’t m atter; the Q uadra /FX tak es the a verag e tem po. As you are t ap pin g, you will h e ar the ne w de la y tim e and see its value in the Displa y.
- 26 - trigger the Sm art Encoder ’s stored actio n. Each preset can have one defau lt func tion and it bec omes active as soon as t he pr eset is lo aded.
- 27 - THE QUADR A /FX’s A DJ USTABLE PAR A METE RS DESCRIPTION OF ROUTINGS AND ENGINES The Quadra/FX contains four engines that can be routed in four diff erent ways. Our propri etar y Dynam ic Engine Allocat ion (DE A™) techno log y ensures th at all DSP hor sepower is eff ortlessl y configure d f or your rout ing c hoice.
- 28 - Cascad e: This routing f eeds the out put of one s tereo proc essor (grouped Eng ines #1 and #2 ) into another (grouped E ngines #3 and #4) . It onl y uses Inpu ts and O utputs # 1 an d #2.
- 29 - Gated classe s conta in an auxiliar y gate to c reate “ duck ing” eff ects. On r everbs, t his class allo ws for forward/re verse g ated re verb with no deca y tail. A mbi ent clas ses conta in some s tereo spec ial eff ects that are not avai lable in Discr ete 4 (mono) routing.
- 30 - Bass Co nt ro l -20 -15 -10 -5 0 5 10 15 20 10 100 1000 1 0000 Fre que nc y in H z (L og Sca le ) Boo s t (dB) High EQ Each effec t has a user adjustab le high equal ization co ntrol tha t is inline with the pr ocessed ( wet) si gnal. It has a variab le slope with a m axim um treble boost/cut amount of ±15 dB (in 1-dB s teps) .
- 31 - CHAM BER REVE RB The Cham ber Rever b sim ulates a ref lect ive enclos ure (per haps m ade of wood or concr ete) with a s ou nd s o ur ce at one end an d a m icr ophon e n ear th e other. B y varying the Si ze param eter f rom sm all to l arge, you c an s imulate spaces as small as a s hower s tall a nd as lar ge as a n ele vator sh aft.
- 32 - REVERB CLA SSES: Vocal The Vocal Re verb c l as s c an be us ed to s weete n an d en ha nce th e i nte ll ig ibi l it y or br e ath y qualit ies of a s ou nd, particu larl y a vocal tr ack . Bandwidth on lo nger dec a y s is tail ored to keep v oices balanced in th e tail.
- 33 - REVERB Delay (Predelay) Size (Size) Regen (Diffusion) Decay (Decay) Shape (Shape) Pitch (Motion) Speed (Ramp Rate) Width (Depth) Special (*see below ) Vocal 0–255ms 5–50m 0–10 0.3–28s 0–31 0–9 0–41 0–32 Threshold Instrume nt 0–255 ms 5–50m 0–10 0.
- 34 - Shape: Controls extra earl y -ref lection delays that are used to m odif y the rev erb envel ope’s c ontour. T his param eter’s range is f rom 0 to 3 1. Use Sha pe setti ngs fr om 0 to 6 t o modif y the in itial attac k envelope. W ith settings from 7 to 23, the attack envelope sta ys consta nt, but spreads out in t ime.
- 35 - In the Dynam ic Clas s, Special se ts the T hresho ld that s witc hes t he Dec ay tim e f rom a minim um setting to the prese t length. As with the a bove cl asses , Thres hold can be s et fr om 1 to 30 dB belo w unit y gain . Norm ally, when the input signal is belo w the Threshold ’s setting, the r ever b’s dec ay tim e is as s et.
- 36 - DIGITAL DELAY Thes e algorithm s dela y a signal in tim e. The m aximum delay le ngth, per channel, is 2.75 s econds for Ster eo rout ing and 1. 25 seco nds f or all ot her routings . Up to twel ve de lay taps are av ailable and can b e equa ll y and unequall y spaced within t he span of the dela y length.
- 37 - Dy nam ic The D ynamic Dela y uses input le vel to switch t he Reg en am ount between its preset value a nd 0. DEL AY Delay (Delay T ime ± 1 ms) Size (Delay T ime ± 50 ms) Regen (Regen) Deca .
- 38 - other words , the lef t mic rophone on ly pick s up s ound from the left s peaker and th e rig ht m icrophon e on ly pick s up sound f rom the right speak er. Pitch: (Not used.) Speed: (Not us ed.) Width: Sets the n um ber of taps tak en over t he co urse of the dela y length.
- 39 - PITCH TRANSPOSER The Pitch Tr ansposer (PT ) alg orithm can chan ge the bas e-pitc h of a sou nd. Each PT class contains an a uxi liar y digita l del ay that feeds bac k into the pitch shift. T his feature c an create falling or rising pitch eff ects.
- 40 - PITCH De lay (Predelay ± 1 m s ) Size (Predelay ± 50 ms) Regen (Regen) Decay (Envelope Rate) Shape (Buffer Size) Pitch (Pitch) Speed Width (Pitch 2) Special (*see below ) Vocal 0–1000ms 0–1000ms 0–99 1–4 ± 1.27, -2.4 ± 1.27, -2.4 Instrume nt 0–1000ms 0–1000ms 0–99 1–4 ± 12.
- 41 - Dy nam ic class uses the Qua dra/FX’s dynam ics s ensing to trigger the W hamm it! effect. T he T hreshold range is the sam e as with the Voca l and Gated cl asses; it c an be set in 1-dB increments , fr om 1 to 30 dB below full-s cale.
- 42 - CHORUS Chorus is an effec t that mixes a s ignal wit h slight ly detun ed copies to produce a rich, m oving tex ture. The L ow Freq uenc y Oscillat or (LFO ) Speed determ ines the m ovem ent (sweep) rat e and t he LFO Shape det erm ines the sweep patter n.
- 43 - Dy nam ic A Dynamic Chorus can trigger th e LFO t hrough o ne cyc le of its s weep whe n the i nput sign al cross es abov e the program med T hreshold level. W hen the inp ut signal c rosses back , the LFO is r eset and will trigger a gain the next tim e the input si gnal cr osses ov er the T hreshold leve l.
- 44 - controls the gati ng action of the eff ect. This param eter can be set in 1- dB inc rem ents, fr om 1 to 30 d B below full-s cale. Norm ally, when the input s ignal is above th e Threshold s etting, the c horus is m uted. W i th signals be low the T hres hold, the c horus is heard.
- 45 - FLANGER The Flanger sweeps harm onicall y spaced filter notches through a signa l’s spectrum . The Low Freq uency Oscill ator (LFO) Speed determ ines the sweep rate and th e LFO Shape det erm ines the s weep pattern.
- 46 - Dy nam ic A D ynamic Flan ger wil l trigger t he LFO t hrough o ne c ycle of its sweep when the i nput sig nal cros ses above the program med T hreshold level. W hen the inp ut signal c rosses back , the LFO is r eset and will trigger a gain the next tim e the input si gnal cr osses ov er the T hreshold leve l.
- 47 - the input sig nal is a bove the T hresho ld settin g, the f langer is muted. W ith signals be low the Thres hold, flanging is hear d. If the value i n the Disp la y is preced ed b y an r ( ), thi s gatin g act ion i s reve rsed; sign als above the T hres hold sett ing are f langed a nd ones below ar e not.
- 48 - PHASER The Phas er eff ect sweeps non-harm onic ally spac ed notch es thr ough a signal’s s pectrum . T he Low Freq uenc y Oscil lator (LF O) Speed determ ines the sweep rate and t he LFO Sh ape det erm ines the s weep pattern .
- 49 - Dy nam ic A D ynamic Phaser has 5- notches a nd wil l trigger the LFO through one c ycle of its swee p wh en the in put signal cros ses above the Thr eshold le vel. W hen the input sig nal cros ses bac k, the LFO is reset and wi ll trigger aga in the next t im e the input sign al cr osses over the T hres hold l evel.
- 50 - Special :I n Vocal and Gate d classes, S pec i al s e ts the aud io in put le ve l ( T hres hold) t hat co ntro ls t he gat ing ac ti on of the effect. T his parameter can be set in 1-dB inc rements, fr o m 1 to 30 dB belo w full-scale. Normall y , w hen the input sig nal is a bove the T hresho ld settin g, the p haser is m uted.
- 51 - ROTARY The Rotary eff ect simulates a 2-wa y rotating-s peak er cabine t with a bu ilt i n cross over networ k. Rotati ng speak ers ar e tradit ionall y used with electr ic organs, b ut contem porar y uses inc lude with guitars , voca ls, drum s, and just about an y sound that needs som e added m otion.
- 52 - Dy nam ic The D ynamic Rotar y uses th e Quadra/F X’s d ynam ics sens ing to a utomatic ally s witch bet ween lo w an d hig h speeds. T he T hreshold leve l at wh ich the s peed ch anges is set with the Specia l para meter .
- 53 - Dy nam ic class uses th e Quadra/F X’s d ynamics s ensing to s witch bet ween low a nd high rot or speeds . The Thres hold range is the same as w ith th e Gated cl asses; it can be set in 1-dB increments , f rom 1 to 30 dB below full-s cale. The D ynamic Rotar y effect norm all y runs at its low spee d.
- 54 - TREMOLO Tr emolo is a volum e effect that f ades a sig nal’s leve l in a nd out. T he Lo w Frequenc y Oscillator (LFO) Speed deter mines the fade rate a nd LFO Shape determ ines the fad e pattern. Som e of the Panner cl asses have d ynamics sensing, which can use input lev el to switch the eff ect in an d out or tr igger the LFO.
- 55 - TRE M OLO Delay (Predelay ± 1 m s ) Size (Predelay ± 50 ms) Regen Decay (Fade Tim e) Shape (LFO Shape) Pitch Speed (LFO Speed) Width (LFO W idth) Special (*see below ) Vocal 0–1000ms 0–1000ms 0–100 1–7 0–10.5Hz 0–100 % Threshold Instrume nt 0–1000ms 0–1000ms 1–7 0–10.
- 56 - on its high value. In the case of trem olo, low an d high LFO values corres pond to low and h igh volum e levels . A Thres hold setti ng of is av ailable to disen gage a ll d ynamic s sens ing. W hen the Am b i e n t Tr em olo is s elec t ed, t he Spec ia l par am eter s ets the Difference Factor .
- 57 - PANNER The Pann er is a st ereo ef fect that alt ernatel y raises an d lowers th e volum e of the lef t and right c hanne ls. The Lo w Frequ ency O scilla tor ( LFO) Spee d determ ines the rate of change and the LFO Shape d eterm ines the pattern of volum e change.
- 58 - PA N NER Delay (Predelay ± 1 m s ) Size (Predelay ± 50 ms) Regen Decay (Fade Tim e) Shape (LFO Shape) Pitch (LFO Offset) Speed (LFO Speed) Width (LFO W idth) Special (*see below ) Vocal 0–1000ms 0–1000ms 0–100 1–7 1–11 0–10.5Hz 0–100% Threshold Instrument 0–1000ms 0–1000ms 1–7 1–11 0–10.
- 59 - Width: Sets th e LFO m odulati on widt h, or am ount, from 0% to 10 0%. Special : In Vocal and Gate d classes, S pec i al s e ts the aud io in put le ve l ( T hres hold) t hat co ntro ls t he gat ing ac ti on of the effect. T his parameter can be set in 1-dB inc rements, fr o m 1 to 30 dB belo w full-scale.
- 60 - MID I PA RA METER S The Quadra/FX has three types of program mable MID I par ameter s: channel , MIDI m ap, and c ontinuous contro llers (four per engine or engine group). Pres s the MIDI button and th en turn th e Encod er to acces s the MID I par ameter s.
- 61 - NOTE: An incom ing program change m es s age can only be s e t to r eca l l on e Q ua dra/F X pres et. If t he pr ogram change num ber you have set is alre ad y being use d b y anot her pr eset , the Dis p la y will war n you b y alter nat in g between the progr am change num ber and the other pres et’s number.
- 62 - CONTROLLER NU MBER Press the Enc oder ag ain to c hange t he MIDI co ntroller n um ber that wil l modif y the pre viousl y selected Assigned Par am eter. The avai lable MIDI contr oller num bers ar e – , ( note on pitc h) , (no te off pitch), (after touch), and ( pitch be nd).
- 63 - REFERENCE: Quadra/FX Factor y Preset List # Name Routing In/Out 1 In/Out 2 In/Out 3 In/Out 4 1 Big Ster eo Re verb Stereo Concer t Hall 2 Tight Stereo Reverb Stereo Ins trum ent Plate 3 Gated S.
- 64 - /// Chorus /// 50 2X Chorus Cascade Chorus → Chorus 51 MXR "Y ellow" Stereo Vocal Chorus 52 Jazzy Chorus Ster eo Instrum ent Chorus 53 Danish Chorus Stere o Concert C horus 54 Warm .
- 65 - LFO Shapes (tw o c y cles each) EXPONENTIAL (SHA PE = 0) The Ex ponential wavef orm is not available on Trem olo and P anner ef fects. SINE (SHA PE = 1) TRIANGLE (SHAPE = 2) RECTIFIED SI NE (SH A PE = 3) Thes e graphs are of the ava ilable LFO shapes for Ch orus, Fla nger, Phaser, T rem olo, and Pa nner ef fects .
- 66 - INVERTED RECTIFI ED SINE (SHA PE = 4) SQUA RE (SHAPE = 5) RA MP (SHA PE = 6) INVERTED RA MP (SHA PE = 7) The Deca y Control In the Voc al clas s of Dela y, Chorus, F langer , Phas er, T remolo, an d Panner effec ts, this c ontrol sets the am ount of time it tak es the ef fec t to fade in a nd out af ter the T hreshol d setting is cr ossed.
- 67 - MIDI Controllers an d Numbers Here’s a list of MIDI Contro llers and the ir num bers , which will he lp you a void conf licts if you contro l the Quadra/FX and other MIDI gear in the sam e setup. The Q uadra/FX displ ays contr oller num bers as norm al, decim al numbers .
- 68 - MIDI IMPLEMENT A TION IN THE QU A DR A /FX Channel Voice M essages The Quadr a/FX ig nores a ll Chann el Voic e m essages ex cept Contr ol Cha nge and Pr ogram Change. W hen either of these ar e receiv ed, the Qu adra/FX acts o n the Contr ol Voic e m essage when the channe l n umber matc hes.
- 69 - The S ysEx mes sage to m ake the Q uadra/FX d um p all prese ts is: F0 1A 0x 21 4B F7 Other MIDI Notes The Quadr a/FX ig nores inbound Ac tive S ensing m ess ages. The Quadr a/FX do es not gen erate Ac tive S ensing m ess ages. The S ystem Reset m es sage is ig nored.
- 70 - W A RR ANTY INFORM ATION Limited Warranty Applied Res earch and Tec hnolog y , Inc. will provide war rant y and Servic e for th is unit in accor dance with the following war r ants: Applied Res earch and Tec hnolog y, Inc.
- 71 - 4) Pack the un it in its origi nal car ton or a re asonabl e substi tute. T he pack ing box is not recom m ended as a shipping carton. Put th e pac k aged un it i n a noth er box f or s hi ppi ng. Pri nt th e R A num ber c learl y on the outs ide of the shi pping box .
- 72 - Quadra/FX S pecifications: A/D convert ers: 20 bit, 64 t im es oversam pled, de lta sigm a, X4 D/A convert ers: 20 bit, 128 tim es oversam pled, d elta sigm a, X4 Sample Rat e: 46.875 k Hz Bandwidth: 10 Hz – 20 k H z +0, -2 dB Dynam ic Range: >93dB Total Harm onic Distortion: < .
- 73 - A R T m aintains a polic y of cons tant prod uct im provem ent. A R T r eserves the right to m ake changes in design or mak e additions to or im provem ents upo n th is prod uc t witho ut a n y ob lig ati on to ins ta ll t he s am e on pro duc ts prev i ous l y manuf actured.
Ein wichtiger Punkt beim Kauf des Geräts Art Quadra/FX (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Art Quadra/FX noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Art Quadra/FX - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Art Quadra/FX reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Art Quadra/FX erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Art Quadra/FX besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Art Quadra/FX verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Art Quadra/FX. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Art Quadra/FX gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
