Benutzeranleitung / Produktwartung Totem Mani-2 76 des Produzenten Koss
Zur Seite of 84
L OU DSPE AKE RS: Does the T otem Mani - 2 st il l rate as one of t he w orl d ’ s tr uly grea t spea k ers? W e al so look at an economy spea k er from a n old fr iend, Cas tle.
ASW Speak ers Q ED T arget V andersteen McCor mack Harmo ni x WB T Reimyo Apollo Gu tW ire FI M Accessories Goldring Milty P erfect Sou nd Nit ty Grit ty Gradient Speakers L A S T record care W A T T .
NU T S&B O L T S Spea ker Imped ance 1 8 by Paul Berg m an W h a t it mean s, how impeda nce af fe ct s per form ance , and how you ca n measu re you r spea kers’ ow n imp edance FE AT UR ES Mon.
UH F Ma ga zin e No. 76 wa s pub lis hed i n May, 2 0 06 . Al l co ntents ar e copyr ight 2 00 6 by Broa dcast Canada. T hey may not b e r epro duce d o r t ransm itte d i n any for m, o r by any mean.
D O G- E AR ED MAGA Z I N ES ? PH O O EY ! UL T R A HIGH FI DELIT Y , Bo x 65 085, Plac e Longu euil, LONGU EUIL , Qu é., Cana da J4K 5 J4 T e l.: ( 45 0) 65 1-5720 FAX: (45 0) 65 1-338 3 VIA T HE INTE RNET : h tt p ://w w w.uhfm ag.com /Subsc ript ion.
The U HF Gu id e cos ts $14.95 (Ca nad a) plu s 7% GST (1 5% in N B, NS , NF), US $1 9.9 5 (USA) CA N$25 (el sew her e). The Worl d of High Fide lit y c ost s $ 21 .95 (Canad a) pl us 7 % GS T (1 5%HST in NB , NS , NF ), US $21.95 (U SA) o r CAN $30 (elsew her e).
I’ d l ike to t ha nk you for publi sh ing t he componen t -by-component descr ip- t io n a n d e s p e c i a l l y t he p ho t o o f t he Omega s yst em on t he U HF W e b site.
Fee dback h ighl igh t i ng t heir t remendous i mag ing, dy na m ics a nd musica lit y . T o m N o r t o n , o f S t e r e o p h i l e a n d Ulti mate A V fa me, had a tota lly d if feren t opin ion of t he R C-7 0 t ha n you r te am. I n h is rev iew M r .
F ir st , le t me say that I bo ug ht both of your book s o n high fi d elity an d l oved th em . I al so received a cop y of your magazine an d have s ubsc ribed for the n ext t wo year s.
Fee dback Fre e A dvic e Planet 20 0 0, Refe rence 3a M M de Capo -i speaker s, a Mo on I - 3 amp, an In ouye line f il t e r , A tl a s N av iga t o r c ab l e s, G utW i r e power cables, and Puresonic Competition flat speaker cabl es. My ques tio n i s wh at to upg r ade now? I am thinking of t rading up t o a Moon I- 5.
Fee dback Fre e A dvic e Fre e A dvic e Pr obabl y not , M ic hel , be cau s e t he V ee na i s not su bst a nt ia l ly l ar ger t h a n t he M M De Capo, a nd indeed its woofer is sm a l ler. T he n ot able d i f f ere nce , of cou rse, is t h a t t he V e ena doe sn ’ t need a st and.
Fee dback Fre e A dvic e there’ s th e que st ion of speaker ca ble an d the connections between th e CD / amp. Is my little s yste m wo r th the really go od s t uf f ? I do n ’t want to s pen d mo re than I c an af ford, yet I want to get th e best res ults an d sound I can.
Fee dback Fre e A dvic e Fre e A dvic e up r ad io-f requ enc y noi se a nd f eed i n g it i n to t he s ystem t h rough t he grou nd, a nd it a lso prevents cert ai n componen t s, pa r t ic u la rl y d ig it a l co mpone nts , f ro m rad iati ng d igit al noise where it c an get i n to place s it s hould n ’ t .
Fee dback Fre e A dvic e Fre e A dvic e may now , t herefore, ma ke sense. O r it may n ot. I t’ s your choice which horse to bet on. A t r ue te st wou ld requ ire havi ng t wo L P-12’ s t h at a.
Fee dback Fre e A dvic e I ju s t picked up yo ur m ag azine f or the fi rs t t ime a nd lo ve it . I es pec ially e njo yed The H igh Fidelit y Dig ita l Jukebox ( in U H F No. 7 4) and lo oke d up yo ur p reviou s ar ticl es on the CEC DA5 3 a nd the iP od.
Fee dback Fre e A dvic e familiar w ith m any of th e au diophile mag a- zines, and I think yo urs is th e mos t objec tive and infor m ative of all of th em. It makes me pro ud to kno w that s uch a g reat m ag azine com es f rom Ca nad a. No w o n t o the CE C DA5 3 co nver te r .
Fee dback Fre e A dvic e Fre e A dvic e s ystem. The A udiomat Op éra, w it h its much larg er p ower s upp ly , wa s lis tened to o n t he O meg a s y st em , be c aus e we t h oug h t ( correct ly as i t tu rned o ut ) t hat i t co uld ha n dle o ur Re fer en ce 3 a Su p rem as, w i t h t heir pu sh-pull passive s ubw oofers.
Fee dback Fre e A dvic e vel ea feu iscipit do lorer ip eu f acin i m ing eni m zzr il lumsa n veraessecte v er sectem do lo bor auga i t, sed de liqua t, qu ism odion er c ip s u m sa nd r e t et a d ia m, s it ad ipi t luptat.
Fee dback Fre e A dvic e zzr i liq u ipisis dolorem quat i ng exeriu re t e t u m i n h e n i m v e n t n o n s e q u a m e t ad ion s e qu at u ms a n h en it lo r i r i l iqu at pr ae s s eq u at .
Fee dback Nu ts&B ol t s W h at is t he impeda nce of yo u r lo ud s pe a k er s ? I s it 8 ohm s? O r 4 oh ms? P erhaps you k now t hat it i s not ju st a si ngle nu mber , but wh a t di f ferenc.
Fee dback Nu ts&B ol t s R at her more fo rm id able i s t he h ig her par t of t he c ur ve, sp ecifica lly t he imped- a nce at 6 k H z. A s you ca n see, it r ise s well ov er 20 Ω . W hat w il l t hi s mean for t he poor a mp l ifier? L et u s c on s id e r f i r s t a s ol id s t at e ampl ifier , t he t y p e mos t p eopl e use.
Fee dback Nu ts&B ol t s do e u g a it l a mc o n e t u m i n i a m i ps u m zzr i lla f eui s au t num mol or sequat. Num san veliqu ipi t pr a t pra t.
Go od e n o u gh UHF u s es t h e m ! Thi s remarkable c able is f rom A tlas. Unlik e so man y cab le companies, this Scottish company k eeps m arku ps reasonable. Nav igat or All- Cu i s made from strands of pure copp er , e ach draw n from a sing le cr y stal.
I t se ems f orever t hat t he Mon t real show has b een at t he Del ta ho tel, r ig ht do w nto w n . T he D elt a w a s a g reat venu e for h i-fi compan ies look in g f or s ol idly-bu i lt r oom s w hose acoust ic s you could work wit h.
Fee dback Feat u r e A u r u m A c o u s t i c s (f r o m New found land) wa s b ack w it h t he fin al version of i ts aston ish- ing t r i-amp li fied lou dspea ker (i t comes w it h its ow n amp s, fou r of wh ich are si ngle-ended t ube u n i t s).
Fee dback Feat u r e a rr ive i n store s s oon. T hat i nclude s t he A r t ik u la t spea kers ( sh own on page 2 7), a nd t he new M ajik st r ict ly t wo - cha n nel component ser ies. I’ve a lready aske d to rev iew t he Majik CD, wh ich w ill replac e bot h the Gen k i a n d I kemi, w it h a pr ic e s it u ate d ab out m idwa y .
Fee dback Feat u r e “ L o o k a t t h e b e a u t i f u l t u b e s ,” s a i d a v i s ito r a s h e w a l k e d i nto t he r oo m, c a l l i ng h i s f rien d ov er to a tabl e display , completely obliv ious to t he music b ein g played. There it is .
Fee dback Feat u r e lo c k s a n d a pair o f l a r g e V i l l a - R e a l e s p e a k - ers. It was a l ivel y a nd won- der f u l ly s y ncop ated vers ion of the legendar y Brub eck composit ion.
Fee dback Feat u r e ci n el i n velesto dit utat. Ut lu t a t amco - num velen is acc u m il isl eu feu m my nos a c c u m d i o d o l u m nost r ud t ie vel en im di am nonsec tet w is d io n s e q u i s m o d o - lore consed du isi.
Fee dback Feat u r e t a t num du n t acc u m ip et um my nulpute vel ul la f acil isi. Du i psum quamcor e tatis acin hen dre ea con h enismo lo ree t aut luptat nu m qu ipsu m s and ign it a li s eu.
Fee dback Feat u r e U t a t n u l l a n d r e mo d ip it w i s mo do lob ore m od it u l l a feum v eri t a u te fa c- c u m m o d o l o r e e t iusc il e x eliquat.
Fee dback Li st e ni ng Room W e r e w e t h e v e r y f i r s t ever to rev iew a T otem loudspea ker? W e t h i nk so. It w as of cour se t he or i g i n a l T ote m , t he Mo de l O ne . W e were i mpressed w ith it, as we st il l are, a nd we eagerly a wa i ted t he M odel T wo.
Fee dback Li st e ni ng Room t h at it wou ld b e a l l r ig ht if w e d id n ’ t t u r n u p t he v ol u me t o o h i g h ( lo o s e t r a n s l at i on : o n Ne w Y ea r s ’ Ev e k ee p t he i nebr iat es aw ay f rom t he s y st em).
Fee dback Li st e ni ng Room eros dolore d i pisi m dolu- t a te m a g n a a d d ol ob o re mol or peros et ut al it n on- s e q u at a c c u m n u l l u p t at ac i l l aore et ut at lut e m i n hendre core dolore f eum d ip eu m a l is ci n ci l it e u m acipisi m dipisi.
Fee dback Li st e ni ng Room facc u m ver su st r ud dig n ibh e n t e r o o d o l o r e m d u i e r si s ad ig n a fe ui s el it l a con hendion se ctem in eug ia mc o n se q u i s de l i t , s u m s a n e t nonsequ is n ibh eug ait nos- t i n i at ut at .
Fee dback Li st e ni ng Room D o es t he n a me r i ng a b el l? M e n t i o n E L A C a n d w e t h in k of t u rntables of long a g o , o r m o r e r e c e n t l y o f phono c a r t r idge s.
Fee dback Li st e ni ng Room sum augue co n h en t u lla feuguer ci eu faci ent al is nonse feugia m d ion eni am qu am vol essi b lam quisc in cil iqua t a metu msa n heni m dolore du is ad er at ad io eug iam nis nulla con um dip exer sim qu i psus cip- su scipis n ia m, qua met ut pat ir i t velenit, se feu fe uga it la ad e ssequ at.
Fee dback Li st e ni ng Room S o he re ’ s Cas tle again… w i th a n ew Ca nad ian d ist ributor , but t hen agai n new o w n ership too. Castle was fo unded many years ag o by a g rou p of for mer W ha r fedale exec ut ives, wh o ha d l eft wh en t he a ptly -name d Ran k org a n iz at ion h ad b ought W ha r fed a le.
Fee dback Li st e ni ng Room gett ing the ton e w ro ng on a co up l e of t h e rea lly la rge dr u ms. But be cause t he b ass response is necessar ily li mited, t he pro b- lem wasn’ t more t ha n detec table. Much more not iceabl e wa s t he f ur ious rhy t h m a nd t he energ y .
Fee dback Li st e ni ng Room G ot an a mpli fier ? G ot head- phon es? No w how d o you p l u g t h e s e c o nd i n t o t h e fi rst? Head pho nes have long been a n alter- nat ive l isten i ng met hod for t hose whos e par t ners don ’ t share t heir mu sical t aste s.
Fee dback Li st e ni ng Room complicated t h i ngs . Here ’ s how we solved t he problem. The sou rce we selec ted for t hese t est s was a combinat ion of our CEC TL5 1X be lt-d r iv en t ra n s po r t a nd t he Be nc h- m a r k DA C 1 c o n v e r t e r r e v i e w e d i n our la st iss ue.
Fee dback Li st e ni ng Room T his h e a d p h on e am p is from th e sa me Ger ma n company t hat m a k e s t h e p h on o p r e a m p o f n e a r l y t h e s a m e n a m e . I t i s , a s y o u w i l l h a v e o b s e r v e d , n e i t h e r black nor a c ube, but o h w e l l .
CONN OISS EUR SIN GLE- ENDE D AMP Conno isseur SE-2 single -en ded 30 0B integrated tube amp lifie r . Thi s is the latest version up graded by the fac tor y and featured in UHF 72. H igh curre nt with lots of drive. Per fect c ondition wit h low hours.
Fee dback Li st e ni ng Room n a t u r a l , p r o v - i n g o n c e a g a i n t h at t he s ibi l a nt ar t if act s we of ten hear are t he res ult of p r ob le m s i n t he playback , n ot t he or ig i- na l recordi ng. But it’ s no t e ven t he voice t h at s t r i k e s y ou fi r s t .
EAC H ISSU E co sts $ 6.4 9 (in Ca nad a) plu s ta x (1 5.0 3% in Qu éb ec, 15% in N B, NS a nd NF , 7% in o the r Provi nce s), US$6 .49 i n th e USA , CAN $1 0.75 els ewh ere (ai r mai l inc lud ed) . THE A NNI VE RSARY CO LLECT IO N (iss ues 7- 19 exce pt 1 1, 1 5, 17 and 18) in clu des 9 i ssu es bu t cos ts li ke 5.
Fee dback Li st e ni ng Room I n U HF No. 7 5 we explai ned h ow to use A ppl e’ s iT u nes prog ra m ( f ree for W i ndow s a nd M ac O S X ) t o get i nst a n t acce ss to a va st music l i bra r y . W hat wa s not ev iden t was how to li sten wit hout t ak ing a huge p erfor- ma nce h it.
Fee dback Li st e ni ng Room we k no w well, and li stened to t hem on our t wo-box player: a CEC b el t -d r iven t ra nsp ort a nd our Cou n ter point D AC. W e t h e n c o n ne c t e d t h e S q u e e z e b ox to t he D A C usi ng t he sa me coa x ial d ig it a l c a ble (a n A t l a s O p u s, i n a 1.
Fee dback Li st e ni ng Room eraese n d ion um zz ri ll a feu ipis modolut adip eu is dolessi. Iq uametuera t n ulla m c ommo l ore con utat uer ost i nit nos eug iam n os adionse d eu isi ex eri l il.
Fee dback Li st e ni ng Room tet lor e t io e ug ait ad m ag n it ut pat la feu m ni sl exerci l luta- t io con sed t atem z zr i l it a l iq- ua m quat ut pat wi sit praest ie feu isi m num do od exe.
Fee dback Li st e ni ng Room Li st e ni ng Room veli sl ing el er sus ci ll utpat i n henibh ese du is al it, su sci l dolesto coreet et vel et nummy nul la adi t lo rp er o odo d ol upta t ie verost i ng . A ltern ati ves T he c heap e s t we k now o f i s f ro m Apple.
Fee dback Li st e ni ng Room I t st r uck u s when we were pack i ng up t o g o t o V eg a s f or C E S a n d T . H. E . Show : e ac h ye a r we ne ed m o r e a n d m o r e c h a r g e r s t o g o a ny where. Not a ll of ou r ch arg ers a re related to aud io , t o b e s u r e, t ho ug h s ome o f t h e m a r e .
Fee dback Ci n em a A s we w rite t h is (and probab ly as you rea d t h i s ), t he for mat batt l e for t he next silver au dio/ v i deo disc is st ill on.
Fee dback Ci n em a T h at c ou ld ju s t me a n mor e c ha n nel s (8 .1 c h a n ne l s u r r ou nd i s on e o f B lu - R ay’ s opt ions ), or i t could a lso mea n les s compress ion. Or no compression. Bu t h er e w e’r e t a l k i n g a b o ut t h e v i deo disc.
T he fir s t tim e w e ever met Vin ce B r u z z e s e h e w a s s h o w i n g a prototype of a ver y small speak er with what seemed at the t ime like an abs urdly high pr ice.
Fee dback R en de zvous t h a t , w i t h t h e r i g ht e q u i p me n t , t h e Ma n i- 2 rem ai ns to day one of t he mo st f or m id ab le a nd mo s t c om mu n i c at iv e spea kers av ai labl e. U H F : I nsi de the M ani-2 , the t wo woofer s are facing each other? Br u zz e se : N o, t h e y ’ re b ac k-t o -b ac k .
Fee dback R en de zvous T et lup tat lu ptatem iurem iusci ncin is nos dia m quisi bla feuga i t ip et, con vel in vercil i t ad et lum my ni m zzr iustr ud eu is amcorem ve lesto do conse de lit ut a.
55 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html The un ique WB T phono plugs have a col lar w hich you tu rn so th at the plug t ighten s arou nd and int o the jack ! The ca ble would te ar befor e the plug would come out.
THE A UDI OP HI LE STORE 56 ww w .uhfmag.com/Audio phileSto re.html R EGA FO NO We can’t get over how good it is… and how af forda ble. The Re ga Fono is a superb wa y to a dd vi nyl to your s yst em. MM ve rsion a nd high s ensiti vit y MC version for c ar trid ges wit h low output.
57 TH E A U DI OP HI LE STORE ww w .uhfmag.com/Audio phileSto re.html SUPER A N T EN NA Unli ke a wh ip, a dipole is bid irec tiona l, so you ca n orient it. O urs ha s no sw itch to muck th ings up, a nd with a 1.8m low -loss 75 ohm cable a nd gold -plated push-on F connec tor, i t ha s low inte rna l loss.
THE A UDI OP HI LE STORE 58 ww w .uhfmag.com/Audio phileSto re.html T ENDER F EET Mach ine d cones a re wonderf ul th ings t o put under sp eak ers or othe r audio equipme nt. The y anchor it mec han ical ly a nd decouple it a coustic al ly at t he sa me tim e.
59 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Just Li ke Love (SACD /L P ) The ne west f rom Er ic Bibb, les s orient ed to G ospe l and more t o Blues. Bibb’s group, Need ed Tim e, is not he re, but he’s surrou nded by h al f a doze n fine musici an s.
THE A UDI OP HI LE STORE 60 ww w .uhfmag.com/Audio phileSto re.html Bes t of the Red A r my Chor us (CD ) The 1989 L P is fina ll y on CD: Da rk Eye s, the Volga Boa t Song, Mos cow Night s, and e ven the old S oviet a nthe m. By fa r the b est-soundi ng di sc of th is lege ndar y en semb le.
6 1 TH E A UDI OPH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Burgos , who conduct s the Ne w Phil ha rmon ia. B eauti fu lly r ema ster ed fr om the or igin al 1963 ta pe.
THE A UDI OP HI LE STORE 62 ww w .uhfmag.com/Audio phileSto re.html VI NYL A LBUM S Beac hco mber RR- 62 35.0 0 Bla zing Redhe ads RR-26 25.0 0 Clar inet Co ncer tos 8801 20.00 Dic k Hyman — Fats Wall er RR-33 25.0 0 Fennell Favor ites RR- 4 3 25.0 0 Go od Stuf f (2 LP) LP1 9 603 55.
Fee dback Sof t w a r e W e are in Peterbo rough, in the P r ov in ce o f O nt ar i o, C a n a d a . T h i s e v e n i n g the re i s a b en e fit co n cer t for the vic tim s of severe fl ooding, an d the lo cal hockey are na has bee n t ur ned i nto a con cer t h all .
Fee dback Sof t w a r e h is w i n n ing per for ma nce at T oronto’ s fabled Mas sey H al l. I naug u rated i n 1 894 a nd renovated s e v e r a l t i m e s s i n c e , M a s s e y H a l l i s al ready celebrated for t he a r t ist ic e ven t s held t here.
Fee dback Sof t w a r e Elv is P resley a nd Barbra St reisa nd. A n d o h y e s…b y B ob D y l a n , w ho hol ds Light foot in t he h ighest e steem. A h istor ical i nterlud e F o r som e Ligh tfoot is a pai n ter , u sing h is g uit ar for a br ush.
Fee dback Sof t w a r e major A meric an con cer t ha lls ( Car negie H a ll a nd t he L i nc ol n Ce nte r ), a cr os s Canada, a nd to t h e vario us sum m er festi- val s. He is by now a v i rt uoso g u itar ist on both t he six a n d t wel ve str ing g uita r .
Fee dback Sof t w a r e Big 707 set to go But I ’m st uck here in the grass W here the cold win d blows A d isa ster , a homel ess ma n look ing for hu ma n w ar mt h, a wom an he r u n s acro ss i n h is t r avels… we fol low da il y l ife t h rough hi s eyes .
Fee dback Sof t w a r e W h a t about t he Ligh t foot st yle? He ha s been ca l led a c rooner , a nd I leave it to you to judge. W hat I hear is a superb barit on e v oi ce , o nly m ode ra te ly powe rf ul but a lway s i mpres sive , a nd s omet i mes t roubli ng .
The Gramophone 8724-109 Street Edmonton, Alberta T6G 1E9 T el: 780-428-2356 www .gramophone.ca Y ou can now see and hear the entir e awar d winning line of loudspeak er s fr om in Edmonton But only at… The T ot em Ma ni- 2 has be en called on e of the world’ s g reatest loud speaker s regardle ss of size or price .
Fee dback Sof t w a r e Beet hoven: Ham merk lav ier Sonata s A nton Kuer t i Anal ekta F L 2 3 1 87 Les sar d: H amm erklavie r is t he G er ma n ter m for pianofor te — it w as or igi na lly c a l le d t h e “ h a m me r k e y b o a r d .
Fee dback Sof t w a r e pay i ng f or it, a deta il t hat subsequent ly t o o k o n a c e r t a i n i m p o r t a n c e). T h e reas on I hadn’ t heard t hem: Doria n had rei nven ted public relat i.
Fee dback Sof t w a r e lo w ing t heir secret marr iage. Eliz abe t h ’ s let ters to her si ster i n spire d compo ser Dom i n ick A rge n to to w r ite t hes e fi ve song s for t he wonde r f u l mezz o- sopra no Fr ed e r i c a v on St ad e : C a sa G u i d i , t he Italia n Cook and the English Mai d, Ro ber t Bro wning, The D eath of Mr .
Fee dback Sof t w a r e large or chest ra and a choir o f 1 5 0 voices, a s we l l a s t h re e h a nd- pic ke d s oloi st s , t e n o r H u g h S m i t h , m e z z o s o p r a n o St eph a n ie Bl y t h e, a nd ba r it one M a rk Os wald.
Fee dback Sof t w a r e And the daylight o ’ er the p avem ent quite has faded , And the s tr ong [ death- m arch ] enw r aps me. The moo n gives you light And the bugles a nd dr um s give you m usi c, And my hear t , O my soldie rs, My heart g ives you lo ve.
Fee dback Sof t w a r e On t he ot her ha nd, he wa s able to hear t he folk music idiom of h is nat ive la nd t h rough f resh ear s. I ndeed “nat ive la nd” i n t h is c a se d oe s n’ t me a n wh at one m i ght a ss u me. T o ot he r Eu rop e - a ns “ Spa n ish mu sic” mea nt t he mu sic of A n d a lu s i a.
Fee dback Sof t w a r e Poetics Cor poron / Nor t h T ex as W ind Sy mph. K l avier K1 1 1 5 3 Rejski nd: Th is is one of a long-r u n ni ng ser ies of w ind re cordi ngs on K lav ier by t h is fir st -rate orchest r a.
I s h i-fi — o r c ons u mer elec t ro n ics i n gene ra l — get t ing tougher to su r v ive i n? C ha nge has cla imed a nother v ict im , a major Can adia n d ist r i butor . T he c om p a n y i s K o rb o n t r ad i n g, wh ich was al ready fi ve yea rs old when U HF was created in 1 9 82 .
Fee dback Gos sip&New s Gos sip&New s Y ou h ave to be int r ig ued by t he ad: “Home stereo. Reinvented. ” W e li ke t he way home s tereo has b een mov ing ju st fi ne, t h an k s ver y much , but does Apple C o mp ut e r (w ho s e o n -l i ne a d t h i s i s) act u al ly have a bet ter idea? It do es n ’ t look t h at wa y .
Fee dback Gos sip&New s Gos sip&New s Almarr o . . . . . . . . . . . . . . . . 1 6 Ap p l a use A u di o . . . . . . . . . . . . 1 2 A rt e c h El ectr o ni c s . . . . . . . . . . 9 , 1 3 ASW . . . . . . . . . . . . . . . C o v e r 2 Atl as .
I s music i mport a n t to a ll hu ma ns? I would say so, a nd it ex plai ns why t he fi r st hu ma n s b eg a n t o m a k e music even before t hey di scovered fi re, or weapons w it h wh ich to k i ll ot her huma n s. W e k now , becau se we’v e fou nd rema in s of thei r in st r u men ts .
Br oad cast Canad a publ ishe r o f U HF in v i t es y ou t o i ts o ther on l ine bou ti que that o ffers luxury audi o ele ctronic s of uni que val ue a t unique pr ic es. The leg endary V a n den Hul ampl iers and pr eamps The in ter na tiona l ve rsiono f an a c cla imed tube headphone ampl ie r .
T h e n e w R o k s a n M S e r i e s - 1 Justice A udio 1 1 1 Zenw a y Blv d., Un it 9 WOODBR IDGE, ON L4H 3H9 T el . : ( 905 ) 2 65- 8675 • F ax : ( 9 05) 265- 85 95 w w w .
Ein wichtiger Punkt beim Kauf des Geräts Koss Totem Mani-2 76 (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Koss Totem Mani-2 76 noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Koss Totem Mani-2 76 - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Koss Totem Mani-2 76 reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Koss Totem Mani-2 76 erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Koss Totem Mani-2 76 besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Koss Totem Mani-2 76 verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Koss Totem Mani-2 76. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Koss Totem Mani-2 76 gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
