Benutzeranleitung / Produktwartung 76 des Produzenten Koss
Zur Seite of 84
L OU DSPE AKE RS: Does the T otem Mani - 2 st il l rate as one of t he w orl d ’ s tr uly grea t spea k ers? W e al so look at an economy spea k er from a n old fr iend, Cas tle.
ASW Speak ers Q ED T arget V andersteen McCor mack Harmo ni x WB T Reimyo Apollo Gu tW ire FI M Accessories Goldring Milty P erfect Sou nd Nit ty Grit ty Gradient Speakers L A S T record care W A T T .
NU T S&B O L T S Spea ker Imped ance 1 8 by Paul Berg m an W h at i t mean s, how impeda nce af fe ct s per form ance , and how you ca n measu re you r spea kers’ ow n imp edance FE AT UR ES Mon.
UH F Ma ga zin e No. 76 wa s pub lis hed i n May, 2 0 06 . Al l co ntents ar e copyr ight 2 00 6 by Broa dcast Canada. T hey may not b e r epro duce d o r t ransm itte d i n any for m, o r by any mean.
D O G- E AR ED MAGA Z I N ES ? PH O O EY ! UL TR A HIGH FI DELIT Y , Box 65085, Pla ce Long ueuil, LON GUEUI L, Q ué., Can ada J4K 5 J4 T e l.: ( 45 0) 65 1-5720 FAX: (45 0) 65 1-338 3 VIA T HE INTE RNET : h tt p ://w w w.uhfm ag.com /Subsc ript ion.
The U HF Gu id e cos ts $14.95 (Ca nad a) plu s 7% GST (15% in NB, N S, NF ), US$19.95 (US A) CAN$ 25 (else whe re). The Worl d of High Fide lit y c ost s $ 21 .95 (Canad a) pl us 7 % GST ( 15%HST i n NB , NS , NF ), US $21.95 (U SA) o r CAN $30 (elsew her e).
I’ d l ike t o t ha nk you for publi sh ing t he componen t -by-component de scr ip- t io n a n d es p e c i a l ly t he ph ot o of t he Omega sy stem on the UH F W e b site.
Fee dback h ighl ighti ng t heir tremendous i mag ing, dy na m ics a nd musica lit y . T o m N o r t o n , o f S t e r e o p h i l e a n d Ulti mate A V fa me, had a tota lly d if feren t opin ion of t he R C-7 0 t ha n you r te am. I n h is rev iew M r .
First , l et me say that I bo ught both o f your book s o n high fi d elity an d l oved the m. I al so received a cop y of your magazine an d have s ubsc ribed for the n ext t wo year s.
Fee dback Fre e A dvic e Planet 20 0 0, Refe rence 3a M M de Capo -i speaker s, a Mo on I - 3 amp, an In ouye line f il t e r , A tl a s N av iga t o r c ab l e s, G utW i r e power cables, and Puresonic Competition flat speaker cabl es. My ques tio n i s wh at to upgrad e no w ? I am thinking of t rading up t o a Moon I- 5.
Fee dback Fre e A dvic e Fre e A dvic e Pr obabl y not , M ic hel , be c aus e t he V ee na i s not s ubst a nt ia l ly l ar ger t h a n t he M M De Capo, a nd indeed its woofer is sm a l ler. T he n ot able d i f f ere nce , of cou rse, is t h a t t he V e ena doe sn ’ t need a st and.
Fee dback Fre e A dvic e there’ s the ques tion of s peak er cable a nd the connections between th e CD / amp. Is my little s yste m wo r th the really go od s t uf f ? I do n ’t want to s pen d mo re than I ca n af ford, yet I want to get th e best res ults an d sound I can.
Fee dback Fre e A dvic e Fre e A dvic e up r ad io-f requ enc y noi se a nd f eed i n g it i nto t he s yst em t h rough t he g round, a nd it a lso prevents cert ai n componen t s, pa r t ic u la rl y d ig it a l co mpone nts , f ro m rad iati ng d igit al noise where it c an get i n to place s it s hould n ’ t .
Fee dback Fre e A dvic e Fre e A dvic e may now , t herefore, ma ke sense. O r it may n ot. I t’ s your cho ice which horse to bet on. A t r ue te st wou ld requ ire havi ng t wo L P-12’ s t h at .
Fee dback Fre e A dvic e I ju s t picked up yo ur m ag azine f or the fi rs t t ime a nd lo ve it . I e spec ial ly e njo yed The H igh Fidelit y Dig ita l Jukebox ( in U H F No. 7 4) and lo oke d up yo ur p reviou s ar ticl es on the CEC DA5 3 a nd the iP od.
Fee dback Fre e A dvic e familiar with many of the audio phile maga- zines, and I think yo urs is th e mos t objec tive and infor m ative of all of th em. It makes me pro ud to kno w that s uch a g reat m ag azine com es f rom Ca nad a. No w o n t o the CE C DA5 3 co nver te r .
Fee dback Fre e A dvic e Fre e A dvic e sy stem. The A udiomat Op éra, w it h its much larg er p ower supply , wa s li stened to o n t he O meg a s y st em , be c aus e we t h oug h t ( correct ly as i t tu rned o ut ) t hat i t co uld ha n dle o ur Re fer en ce 3 a Su p rem as, w i t h t heir pu sh-pull passive s ubw oofers.
Fee dback Fre e A dvic e vel ea feu iscipit dol orer i p eu f acin i m ing eni m zzr il lumsa n veraessecte v er sectem do lo bor auga i t, sed de liqua t, qu ism odion er c ip s u m sa nd r e t et a d ia m, s it a d ipi t luptat.
Fee dback Fre e A dvic e zzr i liq u ipisis dolorem quat i ng exeriu re t e t u m i n h e n i m v e n t n o n s e q u a m e t ad ion s e qu at u ms a n h en it l or i r i l iqu at pr ae s s eq u at .
Fee dback Nu ts&B ol t s W h at is t he impeda nce of yo u r lo ud s pe a k er s ? I s it 8 ohm s? O r 4 oh ms? P erhaps you k now t hat it i s not ju st a si ngle nu mber , but wh a t di f ferenc.
Fee dback Nu ts&B ol t s R at her more fo rm id able i s t he h igher par t of t he c ur ve, sp ecifica lly t he imped- a nce at 6 k H z. A s you ca n see, it r ise s well ov er 20 Ω . W hat w il l t hi s mean for t he poor a mplifier? L et u s c on s id e r f i r s t a s ol id s t a te ampl ifier , t he t y p e mos t p eople us e.
Fee dback Nu ts&B ol t s do e u g a it l a m co n e t u m i n i a m i p su m zzr i lla f eui s au t num mol or sequat. Num san veliqu ipi t pr a t pra t.
Go od e n o u gh UHF u s es t h e m ! Thi s remarkable c able is f rom A tlas. Unlik e so man y cab le companies, this Scottish company k eeps m arku ps reasonable. Nav igat or All- Cu i s made from strands of pure copp er , e ach draw n from a sing le cr y stal.
I t se ems f orever t hat t he Mon t real show has b een at t he Del ta ho tel, r ig ht do w nto w n . T he D elt a w a s a g reat venu e for h i-fi compan ies look in g f or s olid ly-bu i lt r oom s w hose acoust ic s you could work wit h.
Fee dback Feat u r e A u r u m A c o u s t i c s (f r o m New found land) wa s b ack w it h t he fin al version of i ts aston ish- ing t r i-amp li fied lou dspea ker (i t comes w it h its ow n amp s, fou r of wh ich are si ngle-ended t ube u n i t s) .
Fee dback Feat u r e a rr ive i n store s s oon. T hat i nclude s t he A r t ik u la t spea kers ( sh own on page 2 7), a nd t he new M ajik st r ict ly t wo - cha n nel com ponent ser ies. I’ve a lready aske d to rev iew t he Majik CD, wh ich w ill replace bot h the Gen k i a n d I kemi, w it h a pr ic e s it u ate d ab out m idw ay .
Fee dback Feat u r e “ L o o k a t t h e b e a u t i f u l t u b e s ,” s a i d a v i s ito r a s h e w a l k e d i nto t he r oo m, c a l l i ng h i s f rien d ov er to a tabl e display , completely obliv ious to t he music b eing played. T here it is .
Fee dback Feat u r e lo c k s a n d a pair o f l a r g e V i l l a - R e a l e s p e a k - ers. It was a l ivel y a nd won- der f u l ly s y ncop ated vers ion of the legendar y Brube ck composit ion.
Fee dback Feat u r e ci n el i n velesto dit utat. Ut lu t at amco - num velen is acc u m il isl eu feu m my nos a c c u m d i o d o l u m nost r ud t ie vel en im di am nonsec tet w is d io n s e q u i s m o d o - lore consed du isi.
Fee dback Feat u r e t a t num du n t acc u m ip et um my nulpute vel ul la f acil isi. Duipsu m qua mc ore tatis acin hen dre ea co n h enismo lore et aut luptat nu m qu ipsu m s and ign it a li s eu.
Fee dback Feat u r e U t a t n u l l a n d r e mo d ip it w i s mo do lob ore m od it u l l a feum v eri t a u te fa c- c u m m o d o l o r e e t iusc il e x eliquat.
Fee dback Li st e ni ng Room W e r e w e t h e v e r y f i r s t ever to rev iew a T otem loudspea ker? W e t h in k so. It w as of cour se t he or i g i n a l T ote m , t he Mo de l O ne . W e were i mpressed w ith it, a s we st il l are, a nd we eagerly a wa i ted t he M odel T wo.
Fee dback Li st e ni ng Room t h at it wou ld b e a l l r ig ht if w e d id n ’ t t u r n u p t he v ol u me t o o h i g h ( lo o s e t r a n s l at i on : o n Ne w Y ea r s ’ Ev e k ee p t he i nebr iat es aw ay f rom t he s y st em).
Fee dback Li st e ni ng Room eros dolore d i pisi m dolu- t a te m a g n a a d d ol ob o re mol or peros et ut al it n on- s e q u at a c c u m n u l l u p t at ac i l l aore et ut at lut e m i n hendre core dolore f eum d ip eu m a l is ci n ci l it e u m acipisi m dipisi.
Fee dback Li st e ni ng Room facc u m ver su st r ud dig n ibh e n t e r o o d o l o r e m d u i e r si s ad ig n a fe u is el it l a co n hendion se ctem in eug ia mc o n se q u i s de l i t , s u m s a n e t nonsequ is n ibh eug ait nos- t i n i at ut at .
Fee dback Li st e ni ng Room D o es t he n a me r i ng a b el l? M e n t i o n E L A C a n d w e t h in k of t u rntables of long a g o , o r m o r e r e c e n t l y o f phono c a r t r idge s.
Fee dback Li st e ni ng Room sum augue co n h en t u lla feuguer ci eu faci ent al is nonse feugia m d ion eni am qu am vol essi b lam quisc in cil iqua t a metu msa n heni m dolore du is ad er at ad io eug iam nis nulla con um dip exer sim qu i psus cip- su scipis n ia m, qua met ut pat ir i t velenit, se feu fe uga it la ad e ssequ at.
Fee dback Li st e ni ng Room S o he re ’ s Cas tle again… w i th a n ew Ca nadi an d ist ributor , but t hen agai n new o w n ership too. C astle was fo unded many years ag o by a g rou p of for mer W ha r fedale exec ut ives, wh o ha d l eft wh en t he a ptly -name d Ran k org a n iz at ion h ad b ought W ha r fed a le.
Fee dback Li st e ni ng Room gett ing the ton e w ro ng on a co up le of t h e rea lly la rge dr u ms. But be cause t he b ass response is necessar ily li mited, t he pr ob- lem wasn’ t more t ha n detec table. Much more not iceabl e wa s t he f ur ious rhy t h m a nd t he energ y .
Fee dback Li st e ni ng Room G ot an a mpli fier ? G ot head- phon es? No w how d o you p l u g t h e s e c o nd i n t o t h e fi rst? Head pho nes have long been a n alter- nat ive l isten i ng met hod for t hose whos e par t ners don ’ t share t heir mus ical t aste s.
Fee dback Li st e ni ng Room complicated t h i ngs. Here ’ s how we solved t he problem. The sou rce we selec ted for t hese t est s was a combinat ion of our CEC TL5 1X be lt-d r iv en t ra n s po r t a nd t he Be nc h- m a r k DA C 1 c o n v e r t e r r e v i e w e d i n our la st iss ue.
Fee dback Li st e ni ng Room T his he ad ph on e am p is f ro m the sa me Ger ma n company t hat m a k e s t h e p h on o p r e a m p o f n e a r l y t h e s a m e n a m e . I t i s , a s y o u w i l l h a v e o b s e r v e d , n e i t h e r black nor a c ube, but o h w e l l .
CONN OISS EUR SIN GLE- ENDE D AMP Conno isseur SE-2 single -en ded 30 0B integrated tube amp lifie r . Thi s is the latest version up graded by the fac tor y and featured in UHF 72. H igh curre nt with lots of drive. Per fect c ondition wit h low hours.
Fee dback Li st e ni ng Room n a t u r a l , p r o v - i n g o n c e a g a i n t h at t he s ibi l a nt ar t if act s we of ten hear are t he res ult of p r ob le m s i n t he playback , n ot t he or ig i- na l recordi ng. But it’ s no t e ven t he voice t h at s t r i k e s y ou fi r s t .
EAC H ISSU E cos ts $ 6.4 9 (in Ca nad a) plu s ta x (1 5.0 3% in Qu éb ec, 15% in N B, NS a nd NF , 7% in o the r Provi nce s), US$6 .49 i n th e USA , CAN $1 0.75 els ewh ere (ai r mai l inc lud ed) . THE A NNI VE RSARY CO LLECT IO N (iss ues 7- 19 exce pt 1 1, 1 5, 17 and 18) in clud es 9 i ssu es bu t cos ts li ke 5.
Fee dback Li st e ni ng Room I n U HF No. 7 5 we explai ned h ow to use A ppl e’ s iT u nes prog ra m ( f ree for W i ndow s a nd M ac O S X ) t o get i nst a n t acce ss to a va st music l i bra r y . W hat wa s not ev iden t was how to lis ten wit hout t ak ing a huge p erfor- ma nce h it.
Fee dback Li st e ni ng Room we k now well, a nd li stened t o t hem on our t wo-box player: a CEC b el t -d ri ven t ra nsp ort a nd our Cou n ter point D AC. W e t h e n c o n ne c t e d t h e S q u e e z e b ox to t he D A C usi ng t he sa me coa x ial d ig it a l c a ble (a n A t l a s O pu s , i n a 1.
Fee dback Li st e ni ng Room eraese n d ion um zz ri ll a feu ipis modolut adip eu is dolessi. Iq uametuera t n ulla m c ommo l ore con utat uer ost i nit nos eug iam n os adionse d eu isi ex eri l il.
Fee dback Li st e ni ng Room tet lore t io e ug ait ad m ag n it ut pat la feu m ni sl exerci l luta- t io con sed t atem zz r il it a l iq- ua m quat ut pat wi sit pr aest ie feu isi m num do od exer.
Fee dback Li st e ni ng Room Li st e ni ng Room veli sl ing el er sus ci ll utpat i n henibh ese du is al it, su sci l dolesto coreet et vel et nummy nul la adi t lo rp er o odo d ol upta t ie verost i ng . A ltern ati ves T he c heap e st we k now o f i s f r om Apple.
Fee dback Li st e ni ng Room I t st r uck u s when we were pack i ng up t o g o t o V eg a s f or C E S a n d T . H. E . Show : e ac h ye a r w e ne ed m o r e a n d m o r e c h a r g e r s t o g o a ny where. Not a ll of ou r ch arg ers a re related to aud io , t o b e s u re , t hou gh s ome of t h e m a r e .
Fee dback Ci n em a A s we w rite t h is (and probab ly as you rea d t h i s ), t he for m at batt l e for t he next silver au dio/ v i deo disc is st ill on.
Fee dback Ci n em a T ha t c ou ld j us t me a n mo re c ha n nel s (8 .1 c h a n ne l s u r r ou nd i s on e o f Blu - R ay’ s opt ions ), or i t could a lso mea n les s compress ion. Or no compression. Bu t h er e w e’r e t a l k i n g a b o ut t h e v i deo disc.
T he fir s t tim e w e ever met Vin ce B r u z z e s e h e w a s s h o w i n g a prototype of a ver y small speak er with what seemed at the t ime like an abs urdly high pr ice.
Fee dback R en de zvous t h a t , w i t h t h e r i g ht e q u i p me n t , t h e Ma n i- 2 rem ai ns to day one of t he mos t f or m id ab le a nd mo s t c o m mu n i c at iv e spea kers av ai labl e. U H F : I nsi de the M ani-2 , the t wo woofer s are facing each other? Br u zz e se : N o, t h e y ’ re b ac k-t o -b ac k .
Fee dback R en de zvous T et lup tat lup tatem iurem iusci ncin is nos dia m quisi bla feuga it ip et, con vel in vercil i t ad et lum my ni m zzr iustr ud eu is amcorem ve lesto do conse de lit ut al.
55 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html The un ique WB T phono plugs have a col lar w hich you tu rn so th at the plug t ighten s arou nd and int o the jack ! The ca ble would te ar befor e the plug would come out.
THE A UDI OP HI LE STORE 56 ww w .uhfmag.com/Audio phileSto re.html R EGA FO NO We can’t get over how good it is… and how af forda ble. The Re ga Fono is a superb wa y to a dd vi nyl to your s yst em. MM ve rsion a nd high s ensiti vit y MC version for c ar trid ges wit h low output.
57 THE A UD IOP H ILE STORE ww w .uhfmag.com/Audio phileSto re.html SUPER A N T ENNA Unli ke a wh ip, a dipole is bid irec tiona l, so you ca n orient it. O urs ha s no sw itch to muck th ings up, a nd with a 1.8m low -loss 75 ohm cable a nd gold -plated push-on F connec tor, i t ha s low inte rna l loss.
THE A UDI OP HI LE STORE 58 ww w .uhfmag.com/Audio phileSto re.html T ENDER F EET Mach ine d cones a re wonderf ul th ings t o put under sp eak ers or othe r audio equipme nt. The y anchor it mech an ical ly a nd decouple it a coustic al ly at t he sa me tim e.
59 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Just Li ke Love (SACD /L P ) The ne west f rom Er ic Bibb, les s orient ed to G ospe l and more t o Blues. Bibb’s group, Need ed Time , is not her e, but he’s surrou nded by h al f a doze n fine musici an s.
THE A UDI OP HI LE STORE 60 ww w .uhfmag.com/Audio phileSto re.html Bes t of the Red A r my Chor us (CD ) The 1989 L P is fina ll y on CD: Da rk Eye s, the Volga Boa t Song, Mos cow Night s, and e ven the old S oviet a nthe m. By fa r the b est-soundi ng di sc of th is legend ar y en sembl e.
6 1 TH E A UDI OPH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Burgos , who conduct s the Ne w Phil ha rmon ia. B eauti fu lly r ema ster ed fr om the or igin al 1963 ta pe.
THE A UDI OP HI LE STORE 62 ww w .uhfmag.com/Audio phileSto re.html VI NYL A LBUM S Beac hco mber RR- 62 35.0 0 Bla zing Redhe ads RR-26 25.0 0 Clar inet Con cer tos 8801 20.00 Dic k Hyman — Fats Wall er RR-33 25.0 0 Fennell Favor ites RR- 4 3 25.0 0 Go od Stuf f (2 LP) LP1 9 603 55.
Fee dback Sof t w a r e W e are in Peterbo rough, in the P r ovi n ce o f O nt ar i o, C a n a d a . T h i s e v e n i n g the re i s a b en e fit co n cer t for the vic tim s of severe fl ooding, an d the lo cal hockey are na has bee n t ur ned i nto a con cer t hall.
Fee dback Sof t w a r e h is w i n n ing per for ma nce at T oronto’ s fabled Mas sey H al l. I naug u rated in 1894 and renovated s e v e r a l t i m e s s i n c e , M a s s e y H a l l i s al ready celebrated for t he a r t ist ic e ven t s held t here.
Fee dback Sof t w a r e Elv is P resley a nd Barbra St reisa nd. A n d o h y e s…b y B ob D y l a n , w ho hol ds Light foot in t he h ighest e steem. A h istor ical i nterlud e F o r som e Ligh tfoot is a pa inte r , u sing h is g uit ar for a br ush.
Fee dback Sof t w a r e major A meric an con cer t ha lls ( Car negie H a ll a nd t he L i nc ol n Ce nte r ), a cr os s Canada, a nd to t he various su mmer festi- val s. He is by now a vi rt uoso gu itar ist on both t he six a nd t welv e str ing g uita r .
Fee dback Sof t w a r e Big 707 set to go But I ’m st uck here in the grass W here the cold win d blows A d isa ster , a homel ess ma n look ing for hu ma n w ar mt h, a wom an he r u n s acro ss i n h is t r avels… we fol low da il y l ife t h rough hi s eyes .
Fee dback Sof t w a r e W h at about t he Ligh t foot st yle? He ha s been ca l led a c rooner , a nd I leave it to you to judge. W hat I hear is a superb barit on e v oi ce , only m ode ra te ly powe rf ul but a lway s i mpres sive , a nd s omet i mes t roubli ng .
The Gramophone 8724-109 Street Edmonton, Alberta T6G 1E9 T el: 780-428-2356 www .gramophone.ca Y ou can no w see and hear the entir e awar d winning line of loudspeak er s fr om in Edmonton But only at… The T ot em Ma ni- 2 has be en called on e of the world’ s g reatest loud speaker s regardle ss of size or price .
Fee dback Sof t w a r e Beet hoven: Ham merk lav ier Sonata s A nton Kuer t i Anal ekta F L 2 3 1 87 Les sar d: H amm erklavie r is t he G er ma n ter m for pianofor te — it w as or igi na lly c a l le d t h e “ h a m me r k e y b o a r d .
Fee dback Sof t w a r e pay i ng f or it, a deta il t hat subsequent ly t o o k o n a c e r t a i n i m p o r t a n c e). T h e reason I had n ’ t heard t hem: Doria n had rei nven ted public relat .
Fee dback Sof t w a r e lo w ing t heir secret marr iage. Eliz abe t h ’ s let ters to her si ster i n spire d compo ser Dom i n ick A rge nto to w r ite t hes e fi ve song s for t he wonderf u l mezz o- sopra no Fr ed e r i c a v on St ad e : C a sa G u i d i , t he Italia n Cook and the English Mai d, Ro ber t Bro wning, The D eath of Mr .
Fee dback Sof t w a r e large or chest ra and a choir o f 1 5 0 voices, a s we l l a s t h re e h a nd- pic ke d s oloi st s , t e n o r H u g h S m i t h , m e z z o s o p r a n o St eph a n ie Bl y t h e, a nd ba r it one M a rk Os wald.
Fee dback Sof t w a r e And the daylight o ’ er the p avem ent quite has faded , And the s tro ng [ death- m arch ] enw r aps me. The moo n gives you light And the bugles a nd dr um s give you m usi c, And my hear t , O my soldie rs, My heart g ives you lo ve.
Fee dback Sof t w a r e On t he ot her ha nd, he wa s able to hear t he folk music idiom of h is nat ive la nd t h rough f resh ear s. I ndeed “nat ive la nd” i n t h is c a se d oe s n’ t me a n wh at one m i ght a ss u me. T o ot he r Eu ro pe - a ns “ Spa n ish mu sic” mea nt t he mu sic of A n d a lu s i a.
Fee dback Sof t w a r e Poetics Cor poron / Nor t h T ex as W ind Sy mph. K la vier K1 1 1 5 3 Rejski nd: Th is is one o f a long-r u n ni ng ser ies of w ind re cordi ngs on K lav ier by t h is fir st -rate o rchest r a.
I s h i-fi — o r c ons u mer elec t ro n ics i n gene ra l — get t ing tougher to su r v ive i n? C ha nge has cla imed a nother v ict im , a major Can adia n d ist r ib utor . T he c om p a n y i s K o rb o n t r ad i n g, wh ich was al ready fi ve yea rs old when U HF was created in 1 982.
Fee dback Gos sip&New s Gos sip&New s Y ou h ave to be int r ig ued by t he ad: “Home stereo. Reinvented. ” W e li ke t he way home s tereo has b een mov ing ju st fi ne, t h an k s ver y much , but does Apple C om p ut e r (w ho s e o n -l i ne a d t h i s i s) act u al ly have a bet ter idea? It do es n ’ t look t h at wa y .
Fee dback Gos sip&New s Gos sip&New s Almarr o . . . . . . . . . . . . . . . . 1 6 Ap p l a use A u di o . . . . . . . . . . . . 1 2 Arte ch E l ectr o ni c s . . . . . . . . . . 9 , 1 3 ASW . . . . . . . . . . . . . . . C o v e r 2 Atl as . .
I s music i mport a n t to a ll hu ma ns? I would say so, and it expla i ns why t he fi r st hu ma n s b eg a n t o m a k e music even before t hey di scovered fi re, or weapons w it h wh ich to k i ll ot her huma n s. W e k now , becau se we’v e fou nd rema in s of thei r in st r ument s.
Br oad cast Canad a publ ishe r o f U HF in v i t es y ou t o i ts o ther on l ine bou ti que that o ffers luxury audi o ele ctronic s of uni que val ue a t unique pr ic es. The leg endary V an den Hul ampli ers and preamps The in ter na tiona l ve rsiono f an a c cla imed tube headphone ampl ie r .
T h e n e w R o k s a n M S e r i e s - 1 Justice A udio 1 1 1 Zenw a y Blv d., Un it 9 WOODBR IDGE, ON L4H 3H9 T el . : ( 905 ) 2 65- 8675 • F ax : ( 9 05) 265- 859 5 w w w .
Ein wichtiger Punkt beim Kauf des Geräts Koss 76 (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Koss 76 noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Koss 76 - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Koss 76 reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Koss 76 erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Koss 76 besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Koss 76 verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Koss 76. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Koss 76 gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
