Benutzeranleitung / Produktwartung 24 des Produzenten Alesis
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Important Safety Instructions S TUDIO 24 R EFERENCE M ANUAL 5 I MPORTANT S AFETY I NSTRUCTIONS S AFETY SYMBOLS USED IN THIS PRODUCT This symbol alerts the user that there are important operating and maintenance instructions in the literature accompanying this unit.
Important Safety Instructions 6 S TUDIO 24 R EFERENCE M ANUAL 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong.
Important Safety Instructions S TUDIO 24 R EFERENCE M ANUAL 7 I NSTRUCTIONS DE S ÉCURITÉ I MPORTANTES (F RENCH ) S YMBOLES UTILISÉS DANS CE PRODUIT Ce symbole alèrte l’utilisateur qu’il existe des instructions de fonctionnement et de maintenance dans la documentation jointe avec ce produit.
Important Safety Instructions 8 S TUDIO 24 R EFERENCE M ANUAL 12. N’utilisez qu’avec un stand, ou table conçus pour l’utilisation d’audio professionnel ou instruments de musique. Dans toute installation, veillez de ne rien endommager à cause de câbles qui tirent sur des appareils et leur support.
Important Safety Instructions S TUDIO 24 R EFERENCE M ANUAL 9 B EIM B ENUTZEN DIESES P RODUKTES BEACHTEN S IE BITTE DIE FOLGENDEN S ICHERHEITSHINWEISE : (G ERMAN ) 1. Lesen Sie die Hinweise. 2. Halten Sie sich an die Anleitung. 3. Beachten Sie alle Warnungen.
Important Safety Instructions 1 0 S TUDIO 24 R EFERENCE M ANUAL CE D ECLARATION OF C ONFORMITY Manufacturer’s Name: Alesis Corporation Manufacturer’s Address: 1633 26th Street Santa Monica, CA 904.
Introduction S TUDIO 24 R EFERENCE M ANUAL 1 1 C HAPTER 1 I NTRODUCTION H OW TO USE THIS MANUAL You’ve taken the leap and purchased an Alesis Studio 24 Recording Console with Inline Monitor. Congratulations. At Alesis, we design equipment that’s used by everyone from first-time users to engineers with decades of experience.
Introduction 1 2 S TUDIO 24 R EFERENCE M ANUAL We appreciate your feedback. If you have any suggestions on how to improve this manual, please write to us at: Technical Communications Dept. Alesis Corp. 1633 26 th Street Santa Monica, CA 90404 or via email at: support@alesis.
Introduction S TUDIO 24 R EFERENCE M ANUAL 1 3 F OR THE EXPERIENCED : A QUICK OVERVIEW If you're already familiar with mixing consoles, here are some important points you need to know about the Alesis Studio 24 Recording Console. The Studio 24 follows commonly-accepted traditions for signal levels and routing.
Introduction 1 4 S TUDIO 24 R EFERENCE M ANUAL Think of them as an AUX 1/2 send with independent input source selection from the channel source, which can be submixed into the L/R if desired. EQ: The 75 Hz high-pass filter switch is independent of the EQ and may be used even if the EQ IN switch is out.
Introduction S TUDIO 24 R EFERENCE M ANUAL 1 5 A BOUT THE S TUDIO 24 The Studio 24 is an extremely flexible, 12-channel, 24-input, 2-group plus L/R output, in-line monitor professional audio mixing console.
Introduction 1 6 S TUDIO 24 R EFERENCE M ANUAL provides insert points on Channels 1 - 8, both Groups and the stereo main outputs, for use with compressors and graphic equalizers. Control room monitoring is made simpler by stereo-in-place Solo on each main channel.
Introduction S TUDIO 24 R EFERENCE M ANUAL 1 7 B ASIC P RINCIPLES OF M IXING & M ULTITRACK R ECORDING Source select, level control, and destination assignment When it’s being used in a recording.
Introduction 1 8 S TUDIO 24 R EFERENCE M ANUAL T HE STAGES OF MULTITRACK RECORDING Most multitrack recording is a three-stage process. Instead of recording an entire musical group in a single take of a live performance, recordings are usually made a part at a time and built up in layers.
Introduction S TUDIO 24 R EFERENCE M ANUAL 1 9 EQ PCH DLY RVB 1 L M R EQ PCH DLY RVB L M R EQ PCH DLY RVB L M R EQ PCH DLY RVB L M R EQ PCH DLY RVB L M R EQ PCH DLY RVB L M R EQ PCH DLY RVB L M R EQ PCH DLY RVB L M R 2 3 4 5 6 7 8 L R IN L R OUT PRESET PAGE 16 MIDI DIG.
Introduction 2 0 S TUDIO 24 R EFERENCE M ANUAL T HE DIFFERENT MIXES AND WHAT THEY ’ RE NEEDED FOR Now that you understand the different sources and different destinations used during the three stages of the multitrack recording process, let’s look at each one individually, without the other components getting in the way.
Introduction S TUDIO 24 R EFERENCE M ANUAL 2 1 MUTE PA N F ADER DIRECT OUT GRP 1/2 L/R (to MON 1/2) GROUP OUTPUTS (combined with signals from other channels) (to A UX sends) TRIM LINE IN MIC IN T APE .
Introduction 2 2 S TUDIO 24 R EFERENCE M ANUAL M ONITOR (C ONTROL R OOM ) M IX This mix is what the engineer and/or performer hears in headphones or the control room speakers. During overdubbing, this mix is typically controlled by the Studio 24’s MONITOR 1/2 section, and sometimes by the L/R mix.
Introduction S TUDIO 24 R EFERENCE M ANUAL 2 3 Monitor/Contr ol Room/Solo System MONIT OR P AN TRIM LINE IN T APE IN MIC IN CHAN/MON REVERSE MON 1/2 LEVEL MONIT OR 1/2 MASTER SOLO Channel F ader Chann.
Introduction 2 4 S TUDIO 24 R EFERENCE M ANUAL A UX S ENDS AND R ETURNS : E FFECTS The last important mix is usually used for adding effects (such as reverb, delay, chorus, etc.) to the mix. This may be part of the tracking and overdubbing stage, and is almost always part of the mixdown stage.
Guided Tour S TUDIO 24 R EFERENCE M ANUAL 2 5 C HAPTER 2: G UIDED T OUR R ECORDER M IX /M ONITOR M IX S YSTEM The Studio 24 is designed to accommodate the two-way signal flow required in a recording console. The recorder and monitor mix systems are where signals are mixed, EQ’d and routed to the Aux sends, Groups and Left and Right Master outs.
Guided Tour 2 6 S TUDIO 24 R EFERENCE M ANUAL — and two paths that the audio signal can take: the main channel and the monitor outputs. This is a key concept to understand: the basic principle is that there are three sources of audio and two ways it can go.
Guided Tour S TUDIO 24 R EFERENCE M ANUAL 2 7 The Mid EQ has two knobs: one to set the amount of boost or cut and one to select the frequency you want to control (adjustable from 120 Hz to 13 kHz). To avoid low-end rumble and noise, turn on the 75 Hz high-pass filter, which removes frequencies below 75 Hz at a rate of 18 dB per octave.
Guided Tour 2 8 S TUDIO 24 R EFERENCE M ANUAL M ONITOR 1/2 SECTION In multitrack recording, once signal goes from the Group Outputs to the recorder, it comes back to the tape inputs. The TAPE IN jack has no trim control of its own; it is designed to handle the unbalanced line levels that most multitrack recorders generate.
Guided Tour S TUDIO 24 R EFERENCE M ANUAL 2 9 A UX S END /R ETURN S YSTEM A UX SENDS In the center of each channel module are the blue knobs that make up the Auxiliary Send section, which allows the signal to be routed to outboard signal processing equipment.
Guided Tour 3 0 S TUDIO 24 R EFERENCE M ANUAL C ONTROL R OOM S YSTEM The SOLO switches in each channel, along with the Control Room switches and Headphone section, make up the Control Room system of the Studio 24.
Guided Tour S TUDIO 24 R EFERENCE M ANUAL 3 1 S OLO Regardless of what’s chosen as the control room source, if any of the 14 SOLO buttons are pressed anywhere on the console, the solo mix automatically becomes the control room source.
Guided Tour 3 2 S TUDIO 24 R EFERENCE M ANUAL.
Hooking It Up S TUDIO 24 R EFERENCE M ANUAL 3 3 C HAPTER 3: H OOKING I T U P U NPACKING AND I NSPECTION Your Studio 24 was packed carefully at the factory, and the box was designed to protect the unit during shipping. Please retain this box in the highly unlikely event that you need to return the Studio 24 for servicing.
Hooking It Up 3 4 S TUDIO 24 R EFERENCE M ANUAL P OWER Make sure you read the initial Important Safety Instructions chapter at the front of this manual. The Studio 24 works with a single standard line voltage and comes with a detachable AC line cord suitable for the destination to which the mixing console is shipped.
Hooking It Up S TUDIO 24 R EFERENCE M ANUAL 3 5 A VOIDING GROUND LOOP NOISE In today’s studio, where it seems every piece of equipment has its own computer chip inside, there are many opportunities for ground loop problems to occur.
Hooking It Up 3 6 S TUDIO 24 R EFERENCE M ANUAL C HANNEL I NPUTS AND O UTPUTS Each of the first 8 channel modules on the Studio 24 contains an XLR balanced MIC IN connector, a 1/4" TRS balanced LINE IN jack, an RCA unbalanced RCA TAPE IN jack, an unbalanced RCA DIRECT OUT jack and a 1/4" TRS INSERT jack.
Hooking It Up S TUDIO 24 R EFERENCE M ANUAL 3 7 L INE I NPUTS The LINE IN of each channel is a 1/4" jack which will accept balanced or unbalanced line-level sources. “Line level” means that signals are typically in the 1/3 of a volt to 2-volt range, such as the output of synthesizers, keyboards, CD players, etc.
Hooking It Up 3 8 S TUDIO 24 R EFERENCE M ANUAL D IRECT O UTPUTS The DIRECT OUT jack on each channel is an unbalanced RCA connector which provides a direct output of the post-fader channel signal.
Hooking It Up S TUDIO 24 R EFERENCE M ANUAL 3 9 M ASTER I NPUTS AND O UTPUTS Top panel : at the upper right-hand corner of the top panel of the Studio 24 you’ll find most of the connectors that prov.
Hooking It Up 4 0 S TUDIO 24 R EFERENCE M ANUAL G ROUP I NSERTS These are identical to the Main Insert jacks described above. They are used to insert a outboard stereo effects device (such as a compressor, limiter, reverb or EQ) directly into the Group signal path, before the fader.
Hooking It Up S TUDIO 24 R EFERENCE M ANUAL 4 1 Headphones Tip Sleev e LEFT Signal Ground Tip Sleev e Ring Ring RIGHT Signal C HART OF C ONNECTIONS The Studio 24 may be easily interfaced with most other professional recording and audio equipment.
Hooking It Up 4 2 S TUDIO 24 R EFERENCE M ANUAL C ONNECTING TO AN U NBALANCED -10 D BV M ULTITRACK R ECORDER Interfacing the Studio 24 with a typical multitrack recorder using semiprofessional unbalanced phono or 1/4" phone jacks is a simple process.
Hooking It Up S TUDIO 24 R EFERENCE M ANUAL 4 3 C ONNECTING TO A 2-T RACK M IXDOWN D ECK The mixdown deck is where everything comes together: the final mix. This is your stereo master recording of the finished project (or a rough mix of a work in progress).
Hooking It Up 4 4 S TUDIO 24 R EFERENCE M ANUAL C ONNECTING TO A C ONTROL R OOM AMPLIFIER Connect the Studio 24’s CONTROL ROOM OUTS to the inputs of the amplifier used for the control room monitor speakers. The CONTROL ROOM LEVEL knob on the Studio 24 controls the level of the control room monitor speakers.
Effects and Signal Processing S TUDIO 24 R EFERENCE M ANUAL 4 5 C HAPTER 4: E FFECTS AND S IGNAL P ROCESSING C ONNECTING A UX S ENDS AND R ETURNS TO O UTBOARD E FFECTS Aux Sends 3 and 4 (labeled AUX 3/4 on the mixer) are derived post-fader, which means that any changes in level in the fader will also change the Aux levels as well.
Effects and Signal Processing 4 6 S TUDIO 24 R EFERENCE M ANUAL Left/Right Outputs Left Input Dry Defeat = ON S HOULD YOU USE ONE OR TWO INPUTS TO EFFECTS ? If your effect unit has two inputs, in most.
Effects and Signal Processing S TUDIO 24 R EFERENCE M ANUAL 4 7 Channels 1 - 8. Effects returned to a stereo Channel can be SOLOed, MUTEd, sent to the Groups and routed to L/R. Also, you have the ability to change the EQ of the effect’s signal, route it to MON 1/2, and send it out AUX 3 or AUX 4.
Effects and Signal Processing 4 8 S TUDIO 24 R EFERENCE M ANUAL too loud even at low settings of the Stereo Aux Return LEVEL controls. To hear effects in the control room monitors: It’s possible to put effects into the Control Room or headphone mix without recording them to the multitrack.
Effects and Signal Processing S TUDIO 24 R EFERENCE M ANUAL 4 9 C ONNECTING S IGNAL P ROCESSORS TO I NSERT J ACKS Inserts are used to connect signal processing devices directly into the signal path of a Channel, the Group outputs and the Main outputs.
Effects and Signal Processing 5 0 S TUDIO 24 R EFERENCE M ANUAL.
Recording S TUDIO 24 R EFERENCE M ANUAL 5 1 C HAPTER 5: M ULTITRACK R ECORDING A PPLICATIONS R ECORDING S ETTING L EVELS To get the maximum performance from your mixer, you must set all audio levels to get the least amount of background noise (hiss or hum) while not distorting (overloading) the electronics.
Recording 5 2 S TUDIO 24 R EFERENCE M ANUAL The Studio 24 has been designed with plenty of headroom on the internal summing amplifiers (23 dB of headroom above a +4 dBu balanced output level).
Recording S TUDIO 24 R EFERENCE M ANUAL 5 3 H OW TO R ECORD A S INGLE S OURCE TO O NE T RACK When recording a single source appearing on one Channel onto a single tape track, it is usually best to use the DIRECT OUT of the Channel. This provides the most direct connection between the Studio 24 Mixer and the multitrack.
Recording 5 4 S TUDIO 24 R EFERENCE M ANUAL R ECORDING M ULTIPLE S OURCES TO O NE T RACK When more than one Channel is to be recorded onto the same track of a multitrack recorder, it is necessary to a.
Recording S TUDIO 24 R EFERENCE M ANUAL 5 5 Tip : Note that the overall level of Channels panned left is controlled by the GRP 1 FADER; the overall level of Channels panned right is controlled by the GRP 2 FADER. So if you’re not getting signal from one or more Channels, check their PAN knobs.
Recording 5 6 S TUDIO 24 R EFERENCE M ANUAL machine tracks you wish to record on into the record-ready or “input” mode, and raise the MON 1/2 LEVEL control knobs of the Channels the tracks’ outputs are connected to. Set the CONTROL ROOM SOURCE switch to MON 1/2 (all other CONTROL ROOM switches must be up).
Recording S TUDIO 24 R EFERENCE M ANUAL 5 7 R ECORDING T IPS For the cleanest possible recording, the Group FADERS (or Channel FADERS if the DIRECT OUTS are being used) should be adjusted so that the .
Recording 5 8 S TUDIO 24 R EFERENCE M ANUAL O VERDUBBING U SING MONITOR 1/2 TO M ONITOR THE M ULTITRACK Once you have recorded onto the multitrack tape machine, you’ll need to hear the playback of those tracks, as you record new tracks in sync with the material already on tape (see next section, Getting the Mix to Headphones ).
Recording S TUDIO 24 R EFERENCE M ANUAL 5 9 U SING THE C HANNEL F ADERS TO M ONITOR THE M ULTITRACK If you’re only recording a few inputs at a time, you may want to use a different technique for monitoring.
Recording 6 0 S TUDIO 24 R EFERENCE M ANUAL T ape Returns.
Recording S TUDIO 24 R EFERENCE M ANUAL 6 1 G ETTING THE M IX TO THE H EADPHONES Once you have the tape tracks returning to the mixer, it is simple to create a cue mix for the musicians to listen to over headphones while overdubbing.
Recording 6 2 S TUDIO 24 R EFERENCE M ANUAL M ONITORING MIDI V IRTUAL T RACKS If you are using a MIDI sequencer, the tracks being played “live” from synthesizers, sound modules and drum machines in synchronization with the tape are effectively the same as additional tracks on tape –– which is why they are called “virtual tracks.
Recording S TUDIO 24 R EFERENCE M ANUAL 6 3 B OUNCING T RACKS Sometimes it is necessary to combine several tracks onto another track, particularly when you are running out of tape tracks.
Recording 6 4 S TUDIO 24 R EFERENCE M ANUAL To bounce multiple tracks to two tracks (stereo): 1 For each Channel (tape track) you wish to bounce, press the CHAN/MON REVERSE button so it is down.
Recording S TUDIO 24 R EFERENCE M ANUAL 6 5 P LAYBACK /M IXDOWN G ETTING THE M IX TO THE 2-T RACK D ECK Once you have recorded your tracks and overdubs, you’re ready for the last stage of multitrack recording: the mixdown to stereo.
Recording 6 6 S TUDIO 24 R EFERENCE M ANUAL G UIDELINES FOR A ROUGH MIX Creating a mix is easy; creating a great mix (one that jumps off the tape and hits you right in the face) is a lot harder.
Recording S TUDIO 24 R EFERENCE M ANUAL 6 7 instruments so that the LED meters read “-12.” 13 Unmute all Channels and make balance adjustments as necessary. The above process can be accomplished very quickly once you get the hang of it. Usually, it is done at least twice when “getting up” a mix.
Recording 6 8 S TUDIO 24 R EFERENCE M ANUAL.
Sound Reinforcement S TUDIO 24 R EFERENCE M ANUAL 6 9 C HAPTER 6: S OUND R EINFORCEMENT A PPLICATIONS Though the Studio 24 has been designed as a recording console, it makes an excellent console for live PA applications.
Sound Reinforcement 7 0 S TUDIO 24 R EFERENCE M ANUAL To control a stereo submix of all the vocal mics from the Group 1 and 2 faders: If you are doing a stereo mix, you may use two groups for a submix. Follow the instructions above, but pan the microphones anywhere from left to right during step 4.
Sound Reinforcement S TUDIO 24 R EFERENCE M ANUAL 7 1 4 Route the MONITOR OUTS L and R jacks to the input of a stereo power amplifier. Usually, a 1/3 octave graphic equalizer is patched into the line to notch out feedback frequencies. The Alesis M-EQ 230 is a perfect unit for this application.
Sound Reinforcement 7 2 S TUDIO 24 R EFERENCE M ANUAL being fed by the same microphones, a whole set of possibilities open up. U SING M ONITOR 1/2 TO FEED A CASSETTE DECK Since the Studio 24 has a tru.
Sound Reinforcement S TUDIO 24 R EFERENCE M ANUAL 7 3 U SING M ONITOR 1/2 AS THE PA MIX DURING MULTITRACK RECORDING You may run into some situations where you need the opposite hookup from the above, especially with acoustic jazz or folk recordings where a minimum of PA or monitoring is needed, but the recording must be digitally pristine.
Sound Reinforcement 7 4 S TUDIO 24 R EFERENCE M ANUAL V IDEO P RODUCTION AND P OST -P RODUCTION The Studio 24 lends itself extremely well to post-production applications where a soundtrack is being developed for video or film.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 7 5 C HAPTER 7: D ESCRIPTION OF C ONTROLS C HANNEL I NPUT C ONTROLS T RIM The TRIM knob adjusts the sensitivity of both the Mic and Line inputs. Proper setting of this control is essential for low-noise, distortion-free operation.
Description of Controls 7 6 S TUDIO 24 R EFERENCE M ANUAL DIRECT OUT SOURCE SWITCH On many mixing consoles, the concept of a Direct Out signal path is simple: whatever signal is input to a Channel is sent back to its own direct out jack. On the Studio 24, that’s exactly what happens when this switch is in its up position.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 7 7 HIGH AND LOW These are standard shelving “treble and bass” tone controls. The HIGH knob range is +/- 15 dB at a fixed frequency of 12 kHz.
Description of Controls 7 8 S TUDIO 24 R EFERENCE M ANUAL MID EQ CONTROLS : LEVEL AND FREQ For Channels 1 - 8, the Studio 24 features a “semi-parametric midrange”, which means that you can control some of the parameters or aspects of the midrange, besides just cutting and boosting a predetermined frequency range.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 7 9 A UXILIARY S END S ECTION AUX 3 AND AUX 4 S ENDS These blue knobs are both mono post-fader sends typically used for effect sends whose source is always the Channel FADER. The upper AUX 3 knob controls how much signal will be sent to AUX SEND 3.
Description of Controls 8 0 S TUDIO 24 R EFERENCE M ANUAL of a mono signal to the MON 1/2 MASTER, the BAL (balance) control sets the left/right blend of a stereo signal (instruments plugged into both the L and R inputs) to the MON 1/2 MASTER.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 8 1 -20 D B (S IGNAL P RESENT ) LED The green “-20” LED will light whenever a signal of -20 dB or higher is present anywhere in the channel circuit. This will help you determine what instruments are on what Channels, and if the TRIM controls are set properly.
Description of Controls 8 2 S TUDIO 24 R EFERENCE M ANUAL C HANNEL F ADER This linear 60 mm slide fader varies the level feeding the Channel PAN control and Assignment switches (L/R and GRP) and AUX 3/4.. The fader is set for unity gain (level in = level out) when it is set at the “0 dB” mark, 2/3 of the way up.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 8 3 H EADPHONE L EVEL The LEVEL knob sets the overall level of the headphone output jack. The Headphones get the same signal appearing at the Control Room outputs (but independent of the Control Room’s level control).
Description of Controls 8 4 S TUDIO 24 R EFERENCE M ANUAL MONITOR OUTS 1 and 2 jacks on the back panel. The LINK switch simply mixes or assigns the 12x2 monitor mix to the L/R mix buss as well.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 8 5 C ONTROL R OOM /S OLO S ECTION The Control Room section determines what you’ll hear in the control room and see on the meters. The Control Room section does not affect any other mix of the Studio 24–it just eavesdrops on them.
Description of Controls 8 6 S TUDIO 24 R EFERENCE M ANUAL M ETERS The L and R meters will display whatever is selected as the Control Room source, including SOLO. When SOLO is on, the meters show you the post-fader level of an individual Channel. These are peak-type meters which respond to the immediate level.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 8 7 drum Channels’ L/R switches off, assign them to Group 1/2, and press Group 1/2’s TO L/R switch. The Group 1/2 faders are now a submaster for the entire drum mix in the left/right stereo mix feeding the PA or mixdown deck.
Description of Controls 8 8 S TUDIO 24 R EFERENCE M ANUAL T OP P ANEL I NPUTS AND O UTPUTS M AIN O UTS Connect these jacks to your primary destination: the PA system’s inputs, or the 2- track mixdown recorder. Signal comes here from the L/R MASTER FADER, and passes through the Main Inserts.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 8 9 B ACK PANEL POWER SWITCH This is the master power switch for the Studio 24. When it’s ON, the green LED on the front panel will light. P OWER CABLE An industry-standard removable power cable is shipped with your Studio 24.
Description of Controls 9 0 S TUDIO 24 R EFERENCE M ANUAL 2 T RACK T APE I N Connect the output of your 2-track (cassette, DAT, CD, reel-to-reel, etc.) to these jacks.
Description of Controls S TUDIO 24 R EFERENCE M ANUAL 9 1 C HANNEL I NPUT /O UTPUT J ACKS (8) D IRECT O UT This jack provides the output of the channel, post-fader. Connect it to the input of a multitrack tape recorder if you need to record more than two tracks at a time, or if you need only one microphone or line-level instrument per track.
Description of Controls 9 2 S TUDIO 24 R EFERENCE M ANUAL L INE I N JACKS (S TEREO C HANNELS ) Similar to the LINE IN jacks on Channels 1 - 8, these input jacks may be used with balanced 1/4” TRS or unbalanced 1/4” sources.
Troubleshooting S TUDIO 24 R EFERENCE M ANUAL 9 3 C HAPTER 8: T ROUBLESHOOTING T ROUBLESHOOTING I NDEX If you are experience problems while operating the Studio 24, please use the following table to locate possible causes and solutions before contacting Alesis customer service for assistance.
Troubleshooting 9 4 S TUDIO 24 R EFERENCE M ANUAL M AINTENANCE /S ERVICE C LEANING AND M AINTENANCE Disconnect the AC cord, then use a damp cloth to clean the console’s metal and plastic surfaces. For heavy dirt, use a non-abrasive household cleaner such as Formula 409® or Fantastik®.
Troubleshooting S TUDIO 24 R EFERENCE M ANUAL 9 5 R EFER A LL S ERVICING TO A LESIS We believe that the Studio 24 is one of the most reliable mixing consoles that can be made using current technology, and should provide years of trouble-free use. However, should problems occur, DO NOT attempt to service the unit yourself.
Troubleshooting 9 6 S TUDIO 24 R EFERENCE M ANUAL.
Specifications S TUDIO 24 R EFERENCE M ANUAL 9 7 S PECIFICATIONS All measurements taken with an Audio Precision System One. All noise measurements taken with trim at minimum and faders at unity gain with 22 Hz to 22 kHz bandwidth unless otherwise specified.
Specifications 9 8 S TUDIO 24 R EFERENCE M ANUAL MAXIMUM GAIN +76 dB, MIC IN to L/R outputs, balanced +70 dB unbalanced +72 dB MIC IN to MON 1/2 OUT +82 dB MIC IN to AUX 3-4 OUT +85 dB, MIC IN to MONITOR OUT, balanced.
Specifications S TUDIO 24 R EFERENCE M ANUAL 9 9 Top Panel: Mic Inputs XLR (8) Balanced Line Inputs 1/4" TRS (16) Channel Inserts 1/4" TRS (8) Aux Sends 1/4" TRS (2) Stereo Aux Returns .
Specifications 1 0 0 S TUDIO 24 R EFERENCE M ANUAL D IMENSIONAL D RAWINGS :.
Specifications S TUDIO 24 R EFERENCE M ANUAL 1 0 1 G AIN D IAGRAM +3 0 +2 0 +1 0 0 -10 -20 -30 -40 -50 -60 -70 -62 d B u M I C in pu t -12 d B u M I C in pu t -10 d B V T A P E i n p u t - 2 dBu unbalanced + 8 dBu LINE i nput M ax . line in p u t + 32 dB u - 4 2 dBu LI NE input H i /m i d /l o w + / - 15 d B Chan.
Specifications 1 0 2 S TUDIO 24 R EFERENCE M ANUAL B LOCK D IAGRAM.
Index S TUDIO 24 R EFERENCE M ANUAL 1 0 3 I NDEX 2 TRACK, 18, 40, 85 connecting, 43 -20 dB (Signal Present) LED, 81 75 Hz, 27, 76 ADAT, 39 normalling w.
Index 1 0 4 S TUDIO 24 R EFERENCE M ANUAL Group, 87 overdubbing, 18, 58, 61 Overload, 80 PA systems, 69 Pan Channel, 80 Monitor, 22, 79 parametric EQ, 26 Patchbay, 44 PEAK, 13 as MUTE indicator, 80 Ch.
Ein wichtiger Punkt beim Kauf des Geräts Alesis 24 (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Alesis 24 noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Alesis 24 - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Alesis 24 reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Alesis 24 erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Alesis 24 besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Alesis 24 verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Alesis 24. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Alesis 24 gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
