Benutzeranleitung / Produktwartung CP50 des Produzenten Yamaha
Zur Seite of 57
1 CP5 /CP50 Refe rence Manual Y amaha Corp. r eserves the right to update or modify this manual at any time without prior n otice. The most up-to-date version is freely a vailabl e for download from the following web page. http://www .yamaha.co.jp/manual/ Contents Reference Guides .
2 CP5/CP50 Reference Manual Reference Guides Re f e re n c e G u i d e s Y our CP5 or CP50 stage piano comes with three differ ent reference guides — the Owner’ s Manual , the Reference Manual (this document), and the Data List .
3 CP5/CP50 Reference Manual Int er nal Design of the CP5 & CP50 P r incipal Components The inter nal design of your CP5 or CP50 is divided into th ree main sections — namely , the T one Generator , the Song Set- ting area, and the Controller .
4 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator T one Gener ator Y our stage piano's T one Generator produces sounds based on perf ormance data that you create by playing the key- board, operating the sequencer , and using various controllers.
5 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator Lef t & Right P ar ts The left and right par ts that make up eac h Perfor mance respond to your playing of the keyboa rd or to MIDI input and u se the built-in T o ne Generator to produce the appr opriate sounds in r esponse.
6 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator R oles of Blocks & Common Set tings Area The roles of each of the blocks and the Common Settings area that make up CP5 and CP50 parts are as follows.
7 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator TRA CK P art Each CP5 or CP50 Perfor mance can also contain a backing tr ack fo r playing back as an acco mpaniment to your key- board perfor mances.
8 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator NOTICE If you o verwr ite a P erfor mance in the User Perf ormance memory , it will be permanently delet ed. In order to a v oid loosing irr eplaceable data, theref ore, yo u should take special care when selecting where t o stor e newly-cr eat ed Perf ormances.
9 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator HINT Using External P erformance Memories In or der to save Performances in an External Performance memory or to use an External Perfor mance memory from a USB flash-memory device, the USB flash -memory device in question must be pl ugged into your CP5 or CP50.
10 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Song Setting Area Song Set ting Ar ea The Song Setting area is used to re cord and play MIDI sequences and audi o files for use as Perfor mance backing tracks.
11 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Controller Contr oller Y o ur stage piano’ s Controller consists of the keyboard, pitch bend wheel, knobs, foot pedals, and other input devices used whil e playin g.
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) .
54 CP5/CP50 Reference Manual Appendix > MIDI Appendix MIDI Musical Instrument Digital Inter face (MIDI) is a globa l standard designed to allo w per for mance, voice, and other data to be transferred between musical instruments As such, data communication is a ssured even between musical instruments and equipment from differ ent manufacturers.
55 CP5/CP50 Reference Manual Appendix > MIDI Contro l Change MIDI Control Change message s are used to control volume, stereo panning, and many other parameters, and as shown below , each message type has its own unique control number . Bank Select MSB (Contr ol No.
56 CP5/CP50 Reference Manual Appendix > MIDI Channel Mode Messages All Sound Of f (Control No. 1 20) All Sound Off messages ar e used to silence all sounds being generated by both par ts. Note that the status of channel messages such as Hold 1 and Sostenuto is maintained in such a case.
57 CP5/CP50 Reference Manual Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Instrument Division, Yamah.
Ein wichtiger Punkt beim Kauf des Geräts Yamaha CP50 (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Yamaha CP50 noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Yamaha CP50 - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Yamaha CP50 reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Yamaha CP50 erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Yamaha CP50 besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Yamaha CP50 verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Yamaha CP50. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Yamaha CP50 gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
