Benutzeranleitung / Produktwartung music workstation des Produzenten Korg
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ii IMPOR T ANT SAFETY INSTR UCTIONS 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) No objects filled with liquids, such as vases, shall be placed on the apparatus.
iii Data handling Incorrect operation or malfunction may cause the con- tents of memory to be lost, so we recommend that you save important data on a floppy disk or other media. Please be aware that Kor g will accept no r esponsibility for any damages which may result fr om loss of data.
iv Thank you for purchasing the Korg TRITON STUDIO music workstation/sampler . T o ensure tr ouble-free enjoyment, please r ead this manual carefully and use the instru- ment as directed. About this manual The owner’ s manuals and how to use them The TRITON STUDIO come with the following owner ’s manuals.
v T able of Contents Data handling...............................................................iii Handling of the internal hard drive .........................iii COPYRIGHT WARNING ..........................................iii About this manual ...
vi Basic functions .................. 55 Saving data ............................................... 55 Types of data that can be saved ............................... 55 Writing to internal memory ...................................... 56 Writing a program or combination.
vii Creating an audio CD from WAVE files sampled to hard disk ....................................................... 118 SMF (Standard MIDI File) playback ................. 120 The structure of Song Play mode ........................... 120 Playing SMF data.
viii.
Introduction Features Front & rear panel LCD screen Connections Basics 1 Introduction Main features Over view The TRITON STUDIO is a music workstation/sampler that features the HI (Hyper Integrated) synthesis system as its tone generator .
2 Sampling The TRITON STUDIO features an Open Sampling System that allows sampling and resampling to be performed not only in Sampling mode, but also in Program, Combina- tion, or Sequencer modes. Y ou can perform 48 kHz 16-bit linear mono or stereo sam- pling; 16 Mbytes of sample memory (RAM) as well as a hard drive are factory-installed.
3 Introduction Features Front & rear panel LCD screen Connections Basics Front and rear panel Front panel 1. [SW1] key , [SW2] key These keys are on/off switches, their function can be assigned in Program, Combination, Sequencer , Song Play , and Sampling modes.
4 [SAMPLING] key Sampling mode will be selected. [S.PLA Y] key Song Play mode will be selected. [GLOBAL] key Global mode will be selected. [DISK] key Disk mode will be selected. 7. [COMP ARE] key Use this key when you wish to compare the sound of the program or combination that you are currently editing with the un-edited sound already in memory .
5 Introduction Features Front & rear panel LCD screen Connections Basics 13. SEQUENCER [P AUSE] key In Sequencer mode, this key pauses the playback of the song or cue list. In Song Play mode, this key pauses SMF playback. When paused, the LED will light.
6 17. Headphone jack A set of headphones can be connected her e (stereo 1/4" jack). This allows stereo monitoring of the same signal as the OUTPUT L/MONO and R jacks.
7 Introduction Features Front & rear panel LCD screen Connections Basics 5. S/P DIF OUT(MAIN) jack This is an optical type S/P DIF format (IEC60958, EIAJ CP-1201) digital output jack. It outputs a digital version of the same audio signal as the AUDIO OUTPUT (MAIN) L/MONO and R jacks, at sam- pling rates of 48 kHz or 96 kHz ( ☞ PG p.
8 Names and functions of objects in the LCD screen The TRITON STUDIOuses Korg’s T ouchView graphical user interface. By touching on objects displayed in the LCD scr een, you can select pages, set parameter values, rename programs and combinations, write data, and perform many other operations.
9 Introduction Features Front & rear panel LCD screen Connections Basics f: Check box Each time you press a check box, a check mark will be added or removed. When checked, the parameter will function; when unchecked, the parameter will not function.
10 Connections Connections must be made with the power turned off. Please be aware that careless operation may dam- age your speaker system or cause malfunctions. AC power supply to an AC outlet Power cable (Option) Power Switch PHONES MIDI IN Mixer Powered monitors, etc.
11 Introduction Features Front & rear panel LCD screen Connections Basics 1. Connecting the power cable Connect the included power cable to the AC power supply inlet of the TRITON STUDIO , and then con- nect the other end of the cable to an AC outlet.
12 6. SCSI device connections By connecting an external SCSI device such as a hard disk drive or CD-R/RW drive to the SCSI connector , you can manage large amounts of data on devices other than the internal hard drive. If a hard disk drive is connected, it can also be specified as the destination when sampling.
13 Introduction Features Front & rear panel LCD screen Connections Basics Basic concepts Over view of the modes The TRITON STUDIO has a large number of functions that let you play and edit programs and combinations, recor d and play sequence data, record and play back sam- ples, and manage data on disk.
14 Sequencer mode • Use the 16-track sequencer to record and playback songs. • Sample or resample. Y ou can sample an external input source while listen- ing to the song play back.
15 Introduction Features Front & rear panel LCD screen Connections Basics About polyphony T one generators and oscillators The oscillators of the TRITON STUDIO are sounded by two T one Generators. Each tone generator is connected to the various PCM memories as shown in the diagram below .
16 Basic operation 1. Selecting modes In order to use a particular function on the TRITON STUDIO, you must first select the appropriate mode. Press one of the front panel mode keys ([COMBI] key – [DISK] key) to enter the corresponding mode. 2. Selecting pages Each mode has a large number of parameters, which are grouped into pages.
17 Introduction Features Front & rear panel LCD screen Connections Basics 3. Setting a parameter The parameter value in the edit cell can be set by using the front panel V ALUE controllers ([V ALUE] slider , [ ][ ] keys, [V ALUE] dial, numeric keys [0]–[9], [–] key , [ENTER] key , and [.
18 Popup buttons and popup menus Y ou can press a popup button to access a popup menu, and then set parameter values ( ☞ p.8). Keyboard input When inputting a note number or a specifi c velocity as the value of a parameter , you can use the keyboard to input the setting.
19 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Quick Star t T urning the power on/of f Before you turn on the power , make sure that the desired connections have been made as described in “Connections” ( ☞ p.
20 Listening to a demo song Here’s how to listen to demo songs on the TRITON STU- DIO. This section explains how the demo song data can be loaded from the internal hard drive using the Disk mode, and played back in Sequencer mode. W e will explain how to play back songs individually , or consecutively using the Cue List function.
21 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song 2. Selecting and playing a dem- onstration song in Sequencer mode 1 Press the [SEQ] key (the LED will light) .
22 Selecting and playing a program In Program mode you can select and play a program from banks INT -A–EXB-G. Here we will show how to select preset programs. T ry selecting various programs and hear how they sound. Selecting a program 1 Press the [PROG] key (the LED will light) .
23 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Selecting programs by categor y Y ou can select programs by category such as keyboard, organ, bass, and drums.
24 Selecting and playing a combination In Combination mode you can select and play a combina- tion from banks INT -A–EXB-G. T ry selecting various combinations and hear how they sound. Selecting a combination 1 Press the [COMBI] key (the LED will light) .
25 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Using controllers to modify the sound .
26 The Lock function Joystick 1 Select program bank INT -A001: Acoustic Piano, and play the keyboard. T o select a program, make sure that you are in Pr ogram mode, and press the BANK [INT -A] key , numeric key [1], and then the [ENTER] key . 2 Move the joystick toward yourself (the –Y direction).
27 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Adjusting the cutoff frequency of the high-pass filter will modify the fullness of the sound from which the low fre- quency range has been filtered out.
28 Foot pedals/Switch Damper Pedal An optional switch-type damper pedal such as the Kor g DS-1H can be connected to TRITON STUDIO. If a DS-1H is connected, it will function as a half-damper pedal. The half-damper function cannot be controlled by other ped- als.
29 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Using the arpeggiator while you play The arpeggiator is a function that automatically generates arpeggios (broken chords).
30 The arpeggio playback speed is affected by the “Reso” setting (Program P0: Play , Arpeggio page), or “Resolution” (P7: Edit-Arpeggiator , Arpeg. Setup page). If “ MIDI Clock ” (Global P1: MIDI) is set to External MIDI or External mLAN , the display will indicate “ =” EXT .
31 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Synchronizing the arpeggiator to your .
32 Checking the structure of a user arpeggio pattern Let’s see how combination INT-B097: T ry Some T ekno is constructed. Select combination INT -B097: T ry Some T ekno, and look at the Arpeggio Play A page and Arpeggio Play B page.
33 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Playing with the RPPR (Realtime Pattern Play/Recording) function TRITON STUDIO’s Sequencer mode provides an RPPR (Realtime Pattern Play/Recording) function .
34 Simple program editing By operating the performance editor and the realtime con- trollers you can easily and intuitively modify the sound of a program. Program editing refers to the process of modifying the parameters that make up a program, in order to modify the sound or change the controller , effect settings etc.
35 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Simple combination editing A combination is a set of multiple (up to eight) pr ograms, and allows you to create complex sounds that could not be produced by a single program.
36 If you wish to select a different program from the same category , press the desired program. That pro- gram will be highlighted. Press the scroll bar to see other programs in the same category . If you wish to select a program from a different cate- gory , press one of the tabs located to the left and right to select the desired category .
37 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Sampling (recording a sample) The TRITON STUDIO can record 48 kHz ster eo 16-bit samples.
38 3. Specify the recording method (Recording Setup) 1 Set “Source BUS” to L/R. Now you can sample the sound of the L/R channels, which is output from the headphones and from AUDIO OUTPUT (MAIN) L/MONO and R. 2 Set “T rigger” to Threshold, and set “Level” to –30.
39 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song 6. Record a sample 1 Press the Recording tab to access the P0: Recording, Recording page.
40 8 Press the SAMPLING [REC] key . Press the SAMPLING [ST AR T/STOP] key , and speak the word(s) that you want to sample. Speak the word that you want to sample. (Example: “It’s”) Recording will start when the input exceeds the “ Level ” –30dB level.
41 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Saving sample data Here’s how to save a sample or multisample that you cre- ated. All samples and multisamples in the TRIT ON STU- DIO will be lost when the power is turned off.
42 The converted program settings will automatically be stored in the internal memory , but the sample data you created will be lost when the power is turned off.
43 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Set the following parameters as shown.
44 1 Press the [MENU] key to access the page menu, and press P2: Loop Edit. The P2: Loop Edit page will appear . 2 Notice that 0000: LOOP1-140BPM-L is selected for “Sample (Sample Select),” and that the sample wave- form data is displayed. The selected sample is a stereo sample.
45 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Resampling an arpeggiated phrase in Program mode Y ou can play a program or combination, using the arpeg- giator if desired, and resample your performance as audio data (sound).
46 3 Press the SAMPLING [ST AR T/STOP] key to stop recording. Sampling will end automatically when the specifi ed “ Sample T ime ” is reached. 6. Listen to the sample and edit it 1 Press the Perf. Edit tab to select the P0: Play , Perfor- mance Edit page, and select the program into which the newly-recorded sample was converted.
47 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song 2 Press the Sampling tab to access the Sampling page. 3 Set the parameters so that the signal from the AUDIO INPUT 1 jack will be sent to the L channel.
48 Examples of sampling settings Resampling only the sound of the TRITON STUDIO (e.g., arpeggiator and/or keyboard performance) “Input”: Analog Input1 “BUS Select”: Off Input2 “BUS Select”: Off “Source BUS”: L/R “Recording Level”: –12.
49 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Producing a song This section explains how to use the TRIT ON STUDIO’s internal sequencer .
50 3 When you play the keyboard, you will hear the drum program for track 1 of the template song. 4 Press the popup button located at the left of “T rack Select,” and select T rack 02: Bass. When you play the keyboard, you will hear a bass sound. “T rack Select” is the track that will be used to record/ play song data.
51 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Y ou can use the Quantize and Resolution functions to correct the timing of your performance as it is recor ded.
52 5. Recording other tracks 1 As described in “Recording the bass track,” use “T rack Select” to select T rack03: Elec. Piano, and record about 16 measures.
53 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song When you begin step recording, all data that follows the measure where you began recor ding will be erased from that track.
54 Saving the song Remember to save the song you created. Begining on page 88 is a description of how you can perform further editing on the song you created here in “Quick Start” and how you can assign it to a cue list, so we recommend that you save the song you cre- ated here for further use.
Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effec.
56 About preloaded data and preset data “ Preloaded data ” refers to the data that is loaded in the TRITON STUDIO when it is shipped from the factory . Y ou are fr ee to rewrite this data, and with the exception of the demo songs, the data will be written to the location listed in “W riting to internal memory .
57 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
58 About the Edit Buffer When you select a program or combination in Program P0: Play and Combination P0: Play , the program or combi- nation data is called into the “edit buffer .
59 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Using the (SEQUENCER) [REC/WRITE] key to write 1 In the following pages, press the SEQUENCER [REC/ WRITE] key .
60 Formatting media Y ou can format a floppy disk, the internal hard drive, external SCSI media, or CD-R/RW media. Newly purchased media or media that has been used by another device cannot be immediately used by the TRI- TON STUDIO. In order to use such media on the TRITON STUDIO, you must first format it.
61 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 9 Press the OK button to execute the Save operation.
62 Cautions when handling fl oppy disks When handling floppy disks, please observe the following points. Data loss may occur if a fl oppy disk is handled improperly . Floppy disk type and format The TRITON STUDIO can use 2HD or 2DD 3.5 inch floppy disks.
63 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
64 2 Enter Disk mode, and touch the LCD screen to make the TRITON STUDIO detect the disk. 3 Press the Load tab to access the Load page. The LCD screen will display file information. 4 Use “Drive select” to select the FDD. 5 Select the PRELOAD.PCG file.
65 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
66 1 If you have modified the program settings or the order of the programs in banks INT -A or INT -B, load banks I-A and I-B from the internal hard disk or the included floppy disk. Combinations (except for those of the EXB-PCM03) ar e created using the EXB-PCM programs and the bank INT -A and INT -B preloaded programs.
67 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
68 The three elements of sound Sound can be broken down into three elements: pitch , tone , and volume . On TRITON STUDIO, these elements correspond to the Pitch , Filter , and Amplifier settings of a program.
69 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Additional multisamples can be added by installing EXB- PCM series options.
70 V elocity Zone page Here you can specify the range of velocities for each oscil- lator . In the example shown above, the velocity ranges ar e as follows. • OSC1 will sound at all velocity values. • OSC2 will sound only on strongly played notes (64 and above).
71 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
72 High pass fi lter This type of filter allows the high frequency range to pass and cuts the low frequency range. Use this when you wish to make the sound thinner . However if the cutoff fre- quency (Frequency) is raised excessively high, the volume will become very low .
73 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
74 LFO settings P5: Edit-Common LFO For each oscillator , you can use two LFO (Low Frequency Oscillator) units: LFO1 and LFO2. Y ou are fr ee to select the type of each LFO and set its speed. The depth of the LFO1 and LFO2 that you specify her e is adjusted by the settings of the P2: Edit-Pitch, P3: Edit-Fil- ter and P4: Edit-Amp pages.
75 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
76 Layer , split, and velocity switch W ithin a combination, you can use key position and veloc- ity to determine which program will sound. The programs assigned to each timbre can sound in three ways: as part of a layer , a split , or a velocity switch .
77 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
78 Adjusting the BPM of multisamples or samples cre- ated in Sampling mode If a timbre’s program uses multisamples or samples that you created in Sampling mode (or loaded in Disk mode) at a specific BPM value, you can use the page menu com- mand “Detune BPM Adjust” to call up a new BPM value.
79 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Y ou can also enter these values by holding down the [ENTER] key and playing a note on the keyboard.
80 Producing songs TRITON STUDIO contains a 16-multi track MIDI sequencer . The sequencer acts as a hub, integrating TRI- TON STUDIO’s numerous functions, allowing it to be used in a variety of situations including music production and live performance.
81 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions The str ucture of Sequencer mode The following describes the structure of Sequencer mode.
82 Preparations for recording On the TRITON STUDIO, “recording” is the pr ocess by which your performance on the keyboard and controllers is written into the tracks and patterns of a song as data. This section explains how to make preparations for recor ding a song, such as assigning a program to each track, and setting the volume.
83 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions The display will change from “PLA Y” to “MUTE,” and the playback of track 1 will no longer be heard.
84 2 Set the “Recording Mode” to Over W rite. 3 In “Location,” specify the location at which you wish to begin recording. 4 Press the SEQUENCER [REC/WRITE] key , and then press the SEQUENCER [ST AR T/STOP] key .
85 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions • Loop All T racks This method lets you continue recording as you add musical data.
86 9 When the song ends, stop the external sequencer. TRITON STUDIO’s sequencer will receive the MIDI Stop message transmitted by the external sequencer, and will automatically stop recording. Y ou can also press the SEQUENCER [ST ART/ST OP] key on TRI- TON STUDIO itself to stop recording.
87 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
88 Song editing methods A variety of editing operations can be performed on a song. Here we will give some examples of how you can use various editing operations on the song you created in “Producing a song” ( ☞ p.49), to prepare for cr eating a cue list as described in the next section.
89 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions A dialog box will appear .
90 About editing Song editing In addition to copying and renaming a song, other opera- tions such as Delete can be performed from the Utility menu commands in pages such as Sequencer P0: Play/ REC ( ☞ PG p.52). T rack editing Event Editing allows you to edit or insert data in a recor ded track.
91 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 In “Repeat,” specify the number of times that the song for that step will be repeated.
92 Conver ting a song Although it is not possible to record additional material onto tracks in a cue list, you can convert a cue list to a song, and then record solos etc. on vacant tracks. Y ou will also need to convert a cue list to a song if you wish to save it on a floppy disk etc.
93 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
94 If you want RPPR pattern playback to begin at the moment that song playback begins, it is a good idea to insert an empty measure containing no musical data before the song playback begins. If the song is stopped, the pattern will synchronize to the timing of the arpeggiator function.
95 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
96 In the Sequencer P0: Play/REC, Preference page, the “Multi REC” check box will be checked. If you are using the arpeggiator , press the ARPEGGIA- TOR [ON/OFF] key to turn it off, and then turn it on again. 3 Begin recording. Press the [LOCA TE] key to set the location to 001:01.
97 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Depending on the combination settings, it may also be necessary to change the track settings as well.
98 Operations for which Compare is not available • Editing song parameters • Page menu commands other than those listed above (in Operations for which Compare is available) Memor y Protect Before you recor d a track or pattern, or edit the musical data, you will need to turn off the memory protect setting in Global mode.
99 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Ef.
100 • The waveform can be viewed in the LCD screen, and edited by a variety of waveform editing commands that include rate convert (down-sampling) and reverse playback. • Start, loop start, and end addresses can be specified in units of a single sample.
101 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
102 Preparations for sampling The multisample and sample data in the sample memory (RAM) is not backed up when the power is turned off. If you wish to keep this data, you must save it onto a floppy disk, internal hard drive or external SCSI device before turning off the power .
103 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions If “ Input ” is set to S/P DIF or mLAN , an “Obey Copyright Rules” dialog box will appear .
104 3. Specifying the recording method (Recording Setup/Sampling Setup) 1 In “Source BUS,” select the source that you want to sample. The sound being sent to the bus you select here will be sampled. L/R: The sound being sent to the L/R bus will be sam- pled.
105 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions by one after you sample, so that the next sample you recor d will be assigned to the next higher note.
106 Sampling and editing in Sampling mode In Sampling mode, you can record samples, and edit sam- ple data that you sampled or loaded from media (includ- ing W A VE and AIFF formats). Y ou can also assign the edited samples to indexes (zones) to create a multisample.
107 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 2 Record a sample. The recorded sample will automatically be assigned to the index you created in step 1 .
108 In “Sample Select,” assign the sample that you will resample, and set “Resample” to Manual. Set “T rig- ger” to Note On, and set “Sample Mode” to Stereo as desired. Then set the bus and effect as described in steps 3 and 4 , press the SAMPLING [REC] and then the [ST ART/ST OP] key , and then press the C2 key to start resampling.
109 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Select DISK if you want to rip the sample to hard disk.
110 Loop settings Using the default settings after the TRIT ON STUDIO is first turned on, the sounds you sample will automatically be looped (P0: Recording, Preference page “Auto Loop On” On) T o edit the loop and other playback address settings for the sample, use the P2: Loop Edit page.
111 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions The grid display will be based at “LoopS (Loop Start)” if looping is on.
112 1 Select the P3: Multisample. 2 Use “Multisample (MS)” to select the multisample that you wish to edit. 3 Select the “Index.” Y ou can also select an index by holding down the [ENTER] key and playing a note on the keyboard. 4 Press the buttons to modify the number or order of the indices, and edit them.
113 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 3 Select the page menu command “Time Slice.
114 • P0: Play/REC page Song: 000, Meter: 4/4, T empo: 120 • P0: Play/REC, Program T01–08 page T rack01 Program: INT -E101 • P5: Track Edit, Track Edit page T rack01: track data: 8 measures (D2–) Press the SEQUENCER [ST AR T/STOP] key to start playback.
115 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
116 8 Begin sampling. Press the SAMPLING [REC] key , and then the SAM- PLING [ST ART/ST OP] key to enter recor ding-standby mode. Press the [LOCA TE] key to reset the song playback location to the beginning of the song, and press the SEQUENCER [ST ART/STOP] key to play back.
117 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 7 When the song finishes playing back, press the SAM- PLING [ST AR T/STOP] key to stop sampling.
118 Creating an audio CD from W A VE fi les sampled to hard disk This section explains how you can create an audio CD by specifying the desired order of W A VE files on the hard disk. As described in “Resampling the song playback to create a W A VE file on the hard drive” ( ☞ p.
119 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 Select the page menu command “W rite to CD” to access the dialog box, and specify how the CD will be written.
120 SMF (Standard MIDI File) playback In Song Play mode, you can play back Standard MIDI Files (SMF) directly from media such as floppy disk or hard disk. Y ou can select this mode if you simply want to play back the SMF without editing it. If the EXB-MOSS is installed, the special bank INT-F can be used in Song Play mode as well.
121 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
122 Playback using the Jukebox func- tion The TRITON STUDIO provides a Jukebox function that can be used to playback SMF data. This function allows you to specify the order in which files in the same directory will be played. Any jukebox list you create will be erased when the power is turned off, and cannot be recovered.
123 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
124 Settings for the entire TRITON STUDIO (Global settings) In Global mode you can make settings that affect the entire TRITON STUDIO, such as master tune, key trans- pose, effect global switch, global MIDI channel, and sys- tem clock.
125 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
126 Creating original scales Y ou can create your own original scales. Y ou can create sixteen different User Octave Scales in which the pitch of each note of the octave is repeated for all octaves, and one User All Note Scale in which the pitch of each of the 128 notes can be specified independently .
127 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Dr um kit settings This section explains how to edit a drum kit.
128 Editing a dr um kit Before editing a drum kit, uncheck the Memory Pro- tect ( ☞ p.57). 1 In Prgoram P0: Play , select the program that you wish to use while editing the drum kit. Select a drum kit program from the preload pr ograms etc. If the drum kit that you will be editing is already being used by a program, select that program.
129 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions A Set the “Exclusive Group.
130 Arpeggiator settings This chapter describes the procedure for making arpeg- giator settings in each mode. For details on the arpeggia- tor function, refer to “Using the arpeggiator while you play” ( ☞ p.
131 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 Adjust the settings of the various parameters.
132 Arpeggiator settings in Combina- tion and Sequencer modes In Combination, Sequencer and Song Play modes, the TRITON STUDIO provides dual arpeggiator functionality that lets you use two arpeggio patterns simultaneously . The settings in each of these modes are made in the simi- lar way .
133 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
134 Creating an user arpeggio pat- tern About user arpeggio patterns The patterns that can be selected on the TRIT ON STU- DIO’s arpeggiator are called “arpeggio patterns.” There are two types of arpeggio patterns: preset arpeggio pat- terns and user arpeggio patterns.
135 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions • T one: At each step, a chord consisting of up to 12 tones (Tone No.
136 Other examples of creating a user arpeggio pat- tern Melody pattern 1 Set “Step No.” to 01, and press the [0] key . Set “Pitch Offset” to +00. 2 Set “Step No.” to 02, and press the [0] key . Set “Pitch Offset” to +10. 3 Set “Step No.
137 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 Make settings for “T one No.
138 Synchronizing the arpeggiator The note timing of the arpeggiator will differ depending on the state of the arpeggiator “ Key Sync. ” check box. If this is checked , the arpeggiator will operate at the tim- ing of the first note-on you play from a state in which all keys are released.
139 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
140 Routing settings and ef fect set- tings The insert effects, master effects, and master EQ have the same structure in all modes, but the routing settings will determine how the oscillators of a program or the timbres of a combination or track of a song will be sent to each insert effect or master effect.
141 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Master effects The input levels to the master effects are set by the “Send 1, 2” levels (step 3 or 8 ).
142 Master effects Master EQ These settings can be made in the same way as in “Ef fect settings for a program” ( ☞ p.141). Ef fect settings in Sampling mode In Sampling mode, you can apply an in.
143 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
144 About dynamic modulation (Dmod) Dynamic modulation (Dmod) is a function that lets you use MIDI messages or the TRITON STUDIO’s controllers to control specific effect parameters in realtime.
145 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings E.
146 Sounding a beep when the LCD screen is pressed If the Global P0: Basic Setup, System Preference page “Beep Enable” check box is turned on, a beep will sound when you press an object in the LCD screen. Uncheck this if you do not want a beep to be sounded.
147 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Appendices T roubleshooting If you experience problems, r efer to the relevant item and take the appropriate measur es. Power supply Power does not turn on Is the power cable connected to an outlet? ☞ p.
148 Are the Key Zone and Velocity Zone set so that sound will be produced when you play? ☞ PG p.11, 42, 66 Notes do not stop In Program P1: Edit Basic, select the Program Basic page, make sure that the “Hold” check box is unchecked.
149 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Noise or oscillation is heard When using an effect on the external audio source being input from AUDIO INPUT 1 and 2, oscillation may occur depending on the type of effect or on the parameter settings.
150 → If you are sampling to har d disk, select a differ ent hard disk. ☞ PG p.7, 37, 57, 96 → Delete unneeded samples. ☞ PG p.92 → Save samples you want to keep, and then delete them. ☞ PG p.167, 92 Is the “Trigger” setting correct? ☞ PG p.
151 Appendices T roubleshooting Specifications & options MIDI implementation chart Index → Select an effect other than 000: No Ef fect for “IFX1– 5” or “MFX 1, 2.” Are the “IFX 1–5 Off,” “MFX1 Off,” or “MFX2 Off” (Global P0: Basic page) settings checked? ☞ p.
152 Can ’ t write Was the drive subjected to physical shock or vibration while data is being written? If you are unable to save data such as PCG or SNG files, has the disc been formatted? If you are writing audio tracks to cr eate an audio CD, it is not necessary to format the disc.
153 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Speci fi cations and options Speci fi cations System HI (Hyper Integrated) synthesis system Modes Combina.
154 Options * Appearance and speci fi cations of this product are subject to change without notice. (March/ ’ 02) User interface T ouchView graphical user interf ace (320 × 240 pixel LCD displa y) [V OLUME] slider Mode ke ys [COMBI], [PROG], [SEQ], [SAMPLING], [S.
155 Appendices T roubleshooting Specifications & options MIDI implementation chart Index MIDI implementation char t MIDI Implementation Chart Date : 2001.
156 Index Numerics 10’s Hold 4 , 23 , 24 24 dB/oct low pass filter with resonance 71 A After Touch 26 , 27 , 124 Allocation 20 , 42 Alternate Modulation 74 Amp 68 , 73 Amp EG 72 , 73 Amp Level 34 , 73 Amp Mod.
157 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Keyboard, Arpeggiator 31 , 131 .KMP 41 , 55 , 61 , 63 .KSC 21 , 42 , 55 , 61 , 63 .
158 Send AUDIO INPUT 143 Combination, Sequencer, Song Play 141 Drum kit 129 Program 140 Sequencer 5 , 14 , 16 , 21 , 33 , 49 , 80 , 81 , 99 , 102 , 11 2 , 11 5 , 138 , 139 Shortcut 146 SIMM 5 , 19 .
K ORG INC. 15 - 12, Shimotakaido 1 - chome, Suginami-ku, Tokyo, Japan. 2002 KORG INC. 1403 FTH Printed in Japan IMPORTANT NOTICE TO CONSUMERS This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used.
Ein wichtiger Punkt beim Kauf des Geräts Korg music workstation (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Korg music workstation noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Korg music workstation - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Korg music workstation reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Korg music workstation erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Korg music workstation besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Korg music workstation verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Korg music workstation. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Korg music workstation gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
