Benutzeranleitung / Produktwartung MS2000R des Produzenten Korg
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ii T o ensure long, trouble-free operation, please read this manual carefully . Precautions Location Using the unit in the follo wing locations can result in a malfunc- tion.
iii Thank you for purchasing the Korg MS2000/MS2000R analog modeling synthesizer . T o ensure trouble-fr ee enjoyment, please read this manual carefully and use the pr oduct correctly . How this manual is organized The MS2000/MS2000R owner ’s manual is organized as fol- lows.
iv T able of Contents Basic Guide ................................ 1 Introduction................................................. 2 Main features .......................................................... 2 The structure of the MS2000/MS2000R .......
Table of Contents v Parameter Guide ...................... 33 Program parameters ................................. 34 1. PROGRAM COMMON Parameters ...................... 34 Page01: COMMON .......................................................... 34 2.
vi Appendices ............................................... 58 About MIDI ............................................................ 58 MIDI messages transmitted and received by the MS2000/MS2000R 58 MIDI channels .................................
Introduction Front and rear panel Connections Playing Editing Basic Guide Basic Guide Introduction Front and rear panel Connections Playing Editing.
2 Introduction Main features 1. Analog modeling system The MS2000/MS2000R provides eight types of oscillator algorithms, including waveforms of analog synthesizers, and places the most important sound.
Basic Guide 3 Introduction Front and rear panel Connections Playing Editing How a program is str uctured The programs of the MS2000/MS2000R can be classified in one of two categories depending on the.
4 VIRTUAL P A TCH VIR TUAL P A TCH allows you to use not only EG or LFO, but even velocity (keyboard playing dynamics) or key- board tracking (the ar ea of the keyboard you play) as mod- ulation sources which can be assigned to sound parameters for greater fr eedom in creating sounds.
5 Introduction Front and rear panel Connections Playing Editing Front and rear panel Front panel The characters printed inverse white on the front panel ar e vocoder program parameters (LCD Edit mode Page 01A: COM- MON “Mode” = V ocoder ).
6 1 POWER/VOLUME [POWER/VOLUME] knob This turns the power on/off and adjusts the volume. 2 AUDIO IN [1/ ] knob This adjusts the input level of the AUDIO IN 1 jack. [2/ ] knob This adjusts the input level of the AUDIO IN 2 jack. 3 OSCILLA TOR 1 [W A VE• ] key This selects the waveform for oscillator 1.
Basic Guide 7 Introduction Front and rear panel Connections Playing Editing [LA TCH] key If this is on, the arpeggiator will continue playing even if you release your hand fr om the keyboard. [RANGE] key This sets the range in which the arpeggio will be played.
8 G OCT A VE (MS2000), KEYBOARD (MS2000R) MS2000 OCT A VE [UP], [DOWN] keys These shift the pitch range of the keyboard in one-octave steps. MS2000R [KEYBOARD] key If this key is pressed to make the LED light, you can use the SELECT [1]–[16] keys to play the program.
Basic Guide 9 Introduction Front and rear panel Connections Playing Editing 6 Cable hook W rap the AC adapter power cable around this to pr e- vent accidental disconnection. When unwrapping the cable from the hook, do not apply excessive force to the cable.
10 Connections Be sure to turn of f the power of all devices before mak- ing connections. Failing to take this precaution may cause your speaker system to be damaged, or may cause malfunctions. Connecting the AC adapter Connect the included AC adapter .
Basic Guide 11 Introduction Front and rear panel Connections Playing Editing 3. Setting the MIDI channel (preparations for playing) If you are using the MS2000/MS2000R as a tone generator module, or i.
12 Playing T urning the power on/of f and adjusting the volume a. T urn on the power Before turning on the power of the MS2000/MS2000R , turn off the power of the connected devices. 1 Rotate the [POWER/VOLUME] knob to turn on the power . The Program Play mode scr een will appear .
Basic Guide 13 Introduction Front and rear panel Connections Playing Editing Playing a program Here’s how to select and play a pr ogram. The MS2000/MS2000R contain a total of 128 programs, with 16 pr ograms in each of eight banks (A–H). Y ou can select pr ograms in Program Play mode.
14 MS2000R 1. Selecting a program There ar e two ways to select a program. a. Using the BANK/OCT A VE [UP] [DOWN] keys and the SELECT [1]–[16] keys This method lets you directly select the desir ed program. 1 Press the [KEYBOARD] key to make the key LED go dark.
Basic Guide 15 Introduction Front and rear panel Connections Playing Editing Playing arpeggios The MS2000/MS2000R contain a built-in arpeggiator that sounds an arpeggiated (broken) chor d when you hold down a chord on the keyboar d.
16 Using MOD SEQUENCE to modify the sound 1. Playing a program in which MOD SEQUENCE is on Some of the factory preset pr ograms contain sequence data. Here’s how to select and play these pr ograms. 1 Select a program whose MOD SEQUENCE [ON/OFF] key is lit.
Basic Guide 17 Introduction Front and rear panel Connections Playing Editing Using external input 1. Modifying an external waveform A waveform from an external device connected to the AUDIO IN jack can be modified in the same way as an internal waveform.
18 Editing Editing program parameters Programs consist of a lar ge number of parameters. In order to create a pr ogram from scratch, you will need to under - stand all of these parameters. Instead of this, we suggest that you select a factory preset pr ogram, and try editing it in order to understand each parameter .
Basic Guide 19 Introduction Front and rear panel Connections Playing Editing c. Select a parameter If Global mode Page 2C: Memory “Page Jump” is turned ON , operating a front panel knob in LCD Edit mode will cause the LCD screen to jump automatically to that param- eter .
20 3 Press the [WRITE] key . The display will ask you for confirmation. 4 Press the [WRITE] key once again. When the LCD screen indicates “Completed,” the data has been written. Never turn off the power during the W rite operation. This can damage the data.
Basic Guide 21 Introduction Front and rear panel Connections Playing Editing e. Adjust the pitch of oscillator 2 in semitone units ● Rotate the [SEMITONE] knob. The LCD screen will show Page 06C: OSC 2 “Semitone.” The most common way to use this is to set oscillator 2 one or two octaves lower than the pitch of oscillator 1.
22 5. Specify time-var ying change in the tone Use EG 1 to create time-varying change in the cutof f fre- quency (FIL TER “Cutoff”). If you wish to use the front panel knobs to adjust the EG 1 parameters, use the SEQ EDIT [SELECT] key to make the SEQ 1–3 LED’s go off.
Basic Guide 23 Introduction Front and rear panel Connections Playing Editing d. Apply distor tion to the output ● Press the [DISTOR TION] key . Each time you press the key , distortion will be turned on/off. When this is on ([DISTOR TION] key LED lit), distortion will be applied.
24 d. Adjust the speed at which the volume will decay after the note is released ● Rotate the EG 2 [RELEASE] knob. The LCD screen will show Page 1 1D: EG 2 “Release.
Basic Guide 25 Introduction Front and rear panel Connections Playing Editing 10. Make MOD SEQUENCE settings a. Set SEQ COMMON parameters As preparation befor e creating the actual sequence data, the SEQ COMMON parameters are used to specify things such as the maximum number of steps in the sequence and the playback method.
26 If you wish to set the value in more detail, use the [+/ YES] [–/NO] keys. If you specify a value for a step number that is beyond the Page 18A: SEQ COMMON “Last Step” setting, it will be ignored. Y ou can use the above pr ocedure to edit sequence data that was created pr eviously or that was recor ded in real- time.
Basic Guide 27 Introduction Front and rear panel Connections Playing Editing 2. Delay settings If you wish to use the front panel knobs to set the delay , you must first turn on the [MOD/DELA Y] key LED. a. Select the delay type ● Press the SELECT [13] key .
28 Editing vocoder program Here’s the pr ocedure for editing a pr ogram when in the V ocoder mode. For details on parameters that are the same as the synth pr o- gram, please refer to the explanation for synth pr ograms. Here we will explain the parameters that can be set only for a vocoder program.
Basic Guide 29 Introduction Front and rear panel Connections Playing Editing 2 Use the sixteen knobs located beside to adjust the output level of each filter . Rotating the knob far left is a setting of 0, and rotating it far right is a setting of 127 (max).
30 Editing Global parameters In Global mode you can make settings that affect the entir e MS2000/MS2000R , and also create user scales. Basic editing procedure a.
Basic Guide 31 Introduction Front and rear panel Connections Playing Editing 3 Press the [+/YES] key . A screen will appear in which you can select the data to be loaded. 4 Use the [+/YES] [–/NO] keys to select the data that you wish to load. If 1PROG is selected, only a single program will be loaded.
32 4 Use the [+/YES] [–/NO] keys to specify the data that will be transmitted. If 1PROG is selected, only the data of the currently selected program will be transmitted. If PROG is selected, all program data will be transmit- ted. If GLOBAL is selected, Global data will be transmitted.
Program parameters Global parameters Parameter Guide Parameter Guide Program parameters Global parameters.
34 Program parameters These are the parameters that make up the sound of a pr o- gram. If you wish to save a sound, you must perform the W rite operation ( ☞ p.
Parameter Guide 35 Pelog This is the Pelog scale, an Indonesian gamelan scale that divides the octave into seven notes. If the “Scale Key” is C , use the C, D, E, F , G, A, and B notes User Scale This will be the scale that was specified in Global mode Page 7A: User Scale.
36 E: Detune ............................................ [00cent...99cent] Specify the amount of detuning (differ ence in pitch) that will be applied to notes sounded simultaneously by the Unison function. This parameter will be displayed and can be set only if “Assign” is set to Unison .
Parameter Guide 37 Tr i This is a triangle, which has weaker overtones and a stron- ger fundamental than a sawtooth wave or square wave. It is suitable for mellow bass sounds.
38 Audio In If this is selected, the waveform input from the AUDIO IN 1 or AUDIO IN 2 jack will be used. This allows the MS2000/MS2000R to be used as an effect processor . • Control1 This adjusts the volume balance between AUDIO IN 1 and AUDIO IN 2.
Parameter Guide 39 ■ FIL TER Here ar e the filter-r elated parameters. A: T ype ❮ FIL TER TYPE ❯ ........................ [24LPF ...12HPF] Select the filter type.
40 ■ AMP (Amplifier) These are the volume-r elated parameters. A: Level ❮ LEVEL ❯ ....................................... [000...127] Adjust the volume of the timbre. If the “Mode” is Split/Dual , this setting will adjust the vol- ume balance between timbre 1 and timbr e 2.
Parameter Guide 41 E: EG Reset .................................................. [ON, OFF] Specify whether or not the EG will be reset for the second and subsequent note-on. If this is ON , the second note-on will start from a level of 0. If this is OFF , the note will start fr om the current EG level.
42 ■ VIR TUAL P A TCH V irtual Patch allows you to assign modulation sources such as EG and LFO to various parameters. Four such combinations can be made for each timbre. A: Source ❮ SOURCE ❯ ...........................[EG 1...MIDI 2] Select a modulation source.
Parameter Guide 43 C: Run Mode ............................................ [1Shot, Loop] Specify whether the sequence will be looped for playback. 1 Shot The sequence will play back for only one cycle, and will hold the value of the last step. Loop The sequence will play back as a loop, using the sequence type specified by “Seq T ype.
44 V alue ....................... [–06...+06, –24...+24, –63...+63] Modify the value that is recor ded at each step. These values are the amount of change that will be applied to the value of the parameter that is assigned to the sequence. –06.
Parameter Guide 45 D: HiEQGain ......................................... [–12.0...+12.0] Set the gain of the high-range equalizer . Excessively raising the equalizer gain parameters may cause the output to be distorted. ■ ARPEGGIA TOR These are the arpeggiator -related parameters.
46 F: Key Sync.................................................. [ON, OFF] Specify whether the arpeggiator will be synchronized to the keyboard. If this is ON , the arpeggiator will always start from the beginning of the arpeggio pattern when you play the key- board.
Parameter Guide 47 3 Use the [+/YES] [–/NO] keys to select the copy source program. 4 Use CURSOR[ ® ] to move the cursor to the copy source timbre. 5 Use the [+/YES] [–/NO] keys to select the copy source timbre. If the copy source pr ogram is Single , it will not be possi- ble to select the copy source timbr e (only timbre 1 is available).
48 3 Use the [+/YES] [–/NO] keys to select the copy source program. 4 Use the CURSOR [ ® ] key to move the cursor to the copy source timbre. 5 Use the [+/YES] [–/NO] keys to select the copy source timbre. If the copy source pr ogram is Single , it is not possible to select the copy source timbr e (only timbre 1 is available).
Parameter Guide 49 4. V ocoder Parameters These are the parameters for a vocoder pr ogram (Page 01A: COMMON “Mode” = V ocoder ). ■ VOICE These parameters are the same as for Single synth pr ograms. Refer to “3. SYNTH Parameters.” ■ PITCH These parameters are the same as for synth pr ograms.
50 ■ MIXER This sets the output level of the carrier . The level you specify here will be the input level to the band-pass filter of the car - rier . A: OSC 1 Level ❮ ❯ .......................... [000...127] Specify the output level of OSC1 (carrier).
Parameter Guide 51 W ith a setting of 0 , keyboard tracking will not affect the vol- ume. Keyboard T rack operates according to the pitch that is controlled by pitch bend, transpose, and Mod Sequence. It is not affected by pitch changes pr oduced by vibrato or V irtual Patch.
52 B: InitTimbre Refer to “3. SYNTH Parameters.” C: Init ch Lvl This function initializes the output level for each filter of the carrier . When the levels are initialized, the output level value will be 127 . Procedure 1 Press the SELECT [16] key , and then press the CUR- SOR [ ® ] key twice.
53 Global parameters These parameters affect the entir e MS2000/MS2000R . T o set these parameters, pr ess the [GLOBAL] key . If you wish to save the settings you make, you must perform the W rite operation (Basic Guide, Edit section p.30). A: Mst.T une .
54 A: Protect .................................................... [ON, OFF] Specify whether or not the internal memory will be pro- tected. ON The following writing operations will be prohibited. • W riting a program • Loading the factory data • Receiving a data dump OFF Data can be written to internal memory .
Parameter Guide 55 E: MIDI2 ............................................. [P .Bend...CC#95] Select the function that will be assigned to modulation source MIDI 2 of the virtual patch.
56 G: SyncCtrl ................................. [OFF , CC#00...CC#95] Select the MIDI control change number that will be transmit- ted from the MIDI OUT connector when the arpeggiator sends a note-on.
Parameter Guide 57 Arpegio The pedal switch will function as an arpeggiator on/off switch. C: A.Switch .......................................................... [–, +] Select the polarity of the pedal switch that is connected. Set this to “ – ” if you are using a Kor g PS-1 pedal switch or if you are not using a pedal switch.
58 Appendices About MIDI By using a MIDI cable to connect MIDI devices, midi data can be exchanged between devices even if they are dif ferent models or were made by dif ferent manufactur ers.
Appendices 59 Control changes Control changes [Bn, cc, vv] (n: channel, cc: control change no., vv: value) Movements of the MODULA TION wheel or a modulation source (MIDI 1, MIDI 2) can be transmitted and r eceived as various controllers accor ding to their control change num- ber .
60 Parameters transmitted and received via NRPN Front panel knobs and keys other than the contr ols listed above are assigned NRPN (Non Register ed Parameter No.). NRPN messages can be used freely by any musical instrument manufactur er or model. NRPN editing is performed using the following procedur e.
Appendices 61 Other controls Panel knobs and keys other than the arpeggiator transmit and receive the following NRPN messages. These ar e transmitted and received on the MIDI channel of the timbr e.
62 *1: • When “Knob” = Step Length, data correspondences for both transmission and r eception will be: 0...9: –6, 10...19: –5, 20..29: –4, 30...39: –3, 40...49: –2, 50...59: –1, 60...68: 0, 69...78: +1, 79...88: +2, 89...98: +3, 99..
Appendices 63 *1: • When “Knob” = Step Length, data correspondences for both transmission and reception will be: 0...9: –6, 10...19: –5, 20..29: –4, 30...39: –3, 40...49: –2, 50...59: –1, 60...68: 0, 69...78: +1, 79...88: +2, 89...98: +3, 99.
64 T ransmitting sound settings etc. (Data Dump) Program data and global data can be transmitted as a MIDI exclusive data. The action of transmitting MIDI exclusive data to an external MIDI device is called a data dump.
Appendices 65 Front panel knob/key control change assignments Control changes can be assigned to each fr ont panel knob/key of the MS2000/MS2000R so that the changes in sound as con- trolled by knob/key operations can be transmitted as performance data.
66 Control 2 values when OSC 1 W ave = DWGS When the synth parameter OSC 1 “W ave” is set to DWGS , the [CONTROL 2] knob will select the DWGS waveform. The value of the control change transmitted/r eceived by operating the [CONTROL 2] knob corresponds to the parameter value as follows.
Appendices 67 V oice Name List No. Name Category Mode SEQ 1 SEQ 2 SEQ 3 ARPEGGIATOR A01 Stab Saw Synth Hard Single OFF A02 Synth Lana Arpeggio Single Panpot Pitch Step Length Up A03 Evolution Synth Pa.
68 No. Name Category Mode SEQ 1 SEQ 2 SEQ 3 ARPEGGIATOR D01 Ana Fuzz Synth Hard Single OFF D02 Water Edge Arpeggio Dual T1 Noise Level None None T2 Pitch OSC2 Level None Alt2 D03 Reactor Pad Synth Pad.
Appendices 69 No. Name Category Mode SEQ 1 SEQ 2 SEQ 3 ARPEGGIATOR G01 Square Comp Synth Hard Single OFF G02 Krazy Arpy 2 Arpeggio Single Random G03 Sweep Pad Synth Pad Single OFF G04 Sub Bass Synth B.
70 Blank char t Program No. : Program Name: COMMON Mode: TimbreVoice: Split Point: Scale: PITCH Transpose: Tune: Vibrato Int: Bend Range: VOICE Assign : Priority: Trigger : Detune: FILTER Vel.
Appendices 71 PITCH Transpose: Tune: Vibrato Int: Bend Range: VOICE Assign : Priority: Trigger : Detune: FILTER Vel.Sense: AMP Vel Sense: KBD Track: EG 1 EG Reset: EG 2 EG Reset: SEQ COMMON LastStep :.
72 Program No. : Program Name: AUDIO IN2 Gate Sense: HPF Gate: AMP Vel Sense: KBD Track: MOD FX DELAY FX EQ Type: Type: LowEQFreq: Tempo Sync: LowEQGain: Sync Note: HiEQFreq: HiEQGain: EG 1 EG Reset: .
Appendices 73 T roubleshooting Before you suspect a malfunction, please check the following points. Power does not turn on • Is the power cable connected to the outlet? ................ p.10 • Is the [POWER/VOLUME] knob turned on? ............ p.12 No sound • Are the connected devices or headphones connected to the correct jack(s)? .
74 Index Symbols [+/YES] [–/NO] keys 7, 19, 30 A A.Pedal 56 A.SwFunc 56 A.Switch 57 A.SwMode 57 Aftertouch 58 All note off 63 AMP 3, 6, 40, 50 Amp Sw (EG 2/GATE) 40 ANALYSIS FILTER 4 ARPEGGIATOR 4, .
Appendices 75 L L/R Delay 44 Last Step 25, 42 LATCH 15, 45 LCD Edit mode 2, 18 Level (LEVEL) 22, 40, 50 LFO 3, 7, 24, 41, 51 LFO Speed (SPEED) 26, 44 Load 30 Preload 54 Local 54 LowEQFreq 44 LowEQGain.
76 SwapSeq 48 SwapTimbre 47 Swing 27, 46 Sync 3, 38 Sync control 63 Sync Note DELAY FX 44 LFO 41 SyncCtrl 56 Synchronization Clock 54 External MIDI devices 31 Synth programs 3 SYNTHESIS FILTER 4 Syste.
MIDI Implementation Char t *: MS2000 / MS2000R O O O O O O O O O O O O O O O Modulation wheel Breath Controller F oot controller Data Entry (MSB) V olume P anpot Expression Damper P or tamento NRPN (L.
Ein wichtiger Punkt beim Kauf des Geräts Korg MS2000R (oder sogar vor seinem Kauf) ist das durchlesen seiner Bedienungsanleitung. Dies sollten wir wegen ein paar einfacher Gründe machen:
Wenn Sie Korg MS2000R noch nicht gekauft haben, ist jetzt ein guter Moment, um sich mit den grundliegenden Daten des Produkts bekannt zu machen. Schauen Sie zuerst die ersten Seiten der Anleitung durch, die Sie oben finden. Dort finden Sie die wichtigsten technischen Daten für Korg MS2000R - auf diese Weise prüfen Sie, ob das Gerät Ihren Wünschen entspricht. Wenn Sie tiefer in die Benutzeranleitung von Korg MS2000R reinschauen, lernen Sie alle zugänglichen Produktfunktionen kennen, sowie erhalten Informationen über die Nutzung. Die Informationen, die Sie über Korg MS2000R erhalten, werden Ihnen bestimmt bei der Kaufentscheidung helfen.
Wenn Sie aber schon Korg MS2000R besitzen, und noch keine Gelegenheit dazu hatten, die Bedienungsanleitung zu lesen, sollten Sie es aufgrund der oben beschriebenen Gründe machen. Sie erfahren dann, ob Sie die zugänglichen Funktionen richtig genutzt haben, aber auch, ob Sie keine Fehler begangen haben, die den Nutzungszeitraum von Korg MS2000R verkürzen könnten.
Jedoch ist die eine der wichtigsten Rollen, die eine Bedienungsanleitung für den Nutzer spielt, die Hilfe bei der Lösung von Problemen mit Korg MS2000R. Sie finden dort fast immer Troubleshooting, also die am häufigsten auftauchenden Störungen und Mängel bei Korg MS2000R gemeinsam mit Hinweisen bezüglich der Arten ihrer Lösung. Sogar wenn es Ihnen nicht gelingen sollte das Problem alleine zu bewältigen, die Anleitung zeigt Ihnen die weitere Vorgehensweise – den Kontakt zur Kundenberatung oder dem naheliegenden Service.
